{"title":"Piano sheet music","description":"Here is our vast repertoire of piano sheet music!","products":[{"product_id":"bach-invention-1-bwv-772","title":"Invention 1, BWV 772 -- Urtext","description":"Two-Part Invention No. 1 in C Major - Inventio 1$$$$$$This \u003cstrong\u003eTwo-part invention no. 1 in C Major, BWV 772\u003c\/strong\u003e is the \u003cstrong\u003efirst of 15 two-part inventions\u003c\/strong\u003e composed by \u003ca title=\"Johann Sebastian Bach\" href=\"\/collections\/bach-johann-sebastian\"\u003eJohann Sebastian Bach\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e It was \u003cstrong\u003ecomposed around 1720 and revised in 1723\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e This 22-measure invention has the following \u003cstrong\u003emusical form\u003c\/strong\u003e :\u003cbr\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMm. 1-6 :\u003c\/strong\u003e Theme exposed by the right hand (in C Major)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMm. 7-8 :\u003c\/strong\u003e Theme answered by the left hand (in the dominant key, G Major)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMm. 9-22 :\u003c\/strong\u003e Theme re-exposed but in \u003cstrong\u003einverted\u003c\/strong\u003e form, and developed into a counterpoint between the two voices until the final cadence\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003ePlease note that this score contains suggestions for playing the \u003cstrong\u003eornaments\u003c\/strong\u003e (in this case, trills and mordents) in accordance with the performance practice of the \u003ca title=\"Baroque sheet music\" href=\"\/collections\/baroque-sheet-music\"\u003eBaroque period\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e In particular, \u003cstrong\u003etrills are played ON the beat, starting on the upper auxiliary note\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e The \u003cstrong\u003enumber of repercussions\u003c\/strong\u003e can be increased, depending on the player's taste and ability.\u003cbr\u003e\u003cbr\u003e The \u003cstrong\u003emordents (see measures 5 and 13) should also be played ON the beat, very quickly\u003c\/strong\u003e, with an incisive quality.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSyllabus :\u003c\/strong\u003e RCM Piano Syllabus - 2015 Edition - Grade 7$$$$$$\u003cstrong\u003eDuration :\u003c\/strong\u003e 01:17$$$$$$\u003cstrong\u003eSource :\u003c\/strong\u003e \u003ca title=\"Johann Sebastian Bach\" href=\"\/collections\/bach-johann-sebastian\"\u003eJohann Sebastian Bach\u003c\/a\u003e, \u003ca title=\"Inventions \u0026amp; Sinfonias\" href=\"\/collections\/bach-inventions-sinfonias\"\u003eInventions \u0026amp; Sinfonias, BWV 772-801\u003c\/a\u003e (1723). An \u003cstrong\u003eearlier version\u003c\/strong\u003e exists in the \u003ca title=\"Clavier-Büchlein vor Wilhelm Friedemann Bach\" href=\"\/collections\/clavier-book-wilhelm-friedemann-bach\"\u003eClavier-Büchlein vor Wilhelm Friedemann Bach\u003c\/a\u003e (1720)$$$$$$4EIlq6J9NHQ\u003c\/p\u003e","brand":"Bach, Johann Sebastian (1685-1750)","offers":[{"title":"Default Title","offer_id":36393517383830,"sku":"1","price":4.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/bach-invention-1-bwv-772.png?v=1617743484"},{"product_id":"bach-invention-4-bwv-775","title":"Invention 4, BWV 775 -- Urtext","description":"Two-part Invention no. 4 in D minor - Inventio 4$$$$$$\n\u003cp\u003eThis \u003cstrong\u003eTwo-part invention no. 4 in D minor, BWV 775\u003c\/strong\u003e is the \u003cstrong\u003efourth of 15 two-part inventions\u003c\/strong\u003e composed by \u003ca href=\"\/collections\/bach-johann-sebastian\" title=\"Johann Sebastian Bach\"\u003eJohann Sebastian Bach\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003eIt was \u003cstrong\u003ecomposed around 1720 and revised in 1723\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThis 52-measure invention has the following musical form :\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMm. 1-4 :\u003c\/strong\u003e Main motive exposed by the right hand (in D minor)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMm. 3-6 :\u003c\/strong\u003e Theme answered by the left hand (in the same key, D minor)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMm. 5-17 :\u003c\/strong\u003e Theme re-exposed in the right hand and developed into a long phrase that ends with a cadence in F Major\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMm. 18-27 :\u003c\/strong\u003e The left hand plays a similar long phrase (again based on the main motive) ending in A minor\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMm. 28-52 :\u003c\/strong\u003e The main motive is developed into a counterpoint between the two voices until the final cadence in D minor\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003ePlease note that this score contains suggestions for playing the \u003cstrong\u003eornaments\u003c\/strong\u003e (in this case, trills) in accordance with \u003ca href=\"\/collections\/baroque-sheet-music\" title=\"Baroque sheet music\"\u003eBaroque\u003c\/a\u003e performance practice.\u003c\/p\u003e\n\u003cp\u003ePlease note that the trills in measures 15 and 37 appear only in the \u003ca title=\"Clavier-büchlein vor Wilhelm Friedemann Bach\" href=\"\/collections\/clavier-book-wilhelm-friedemann-bach\"\u003eClavier-Büchlein vor Wilhelm Friedemann Bach\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003ePlease note also that the \u003cstrong\u003ecadential trills\u003c\/strong\u003e in measures 17 and 48 are \u003cstrong\u003eeditorial\u003c\/strong\u003e. Although not present in the manuscripts, these cadential trills are an essential characteristic of the Baroque style.$$$$$$\u003cstrong\u003eDuration :\u003c\/strong\u003e 00:51$$$$$$\u003cstrong\u003eSource :\u003c\/strong\u003e \u003ca href=\"\/collections\/bach-johann-sebastian\" title=\"Johann Sebastian Bach\"\u003eJohann Sebastian Bach\u003c\/a\u003e, \u003ca href=\"\/collections\/bach-inventions-sinfonias\" title=\"Inventions and Sinfonias, BWV 772-801\"\u003eInventions \u0026amp; Sinfonias, BWV 772-801\u003c\/a\u003e (1723). An \u003cstrong\u003eearlier version\u003c\/strong\u003e exists in the \u003ca href=\"\/collections\/clavier-book-wilhelm-friedemann-bach\" title=\"Clavier-book for Wilhelm Friedemann Bach\"\u003eClavier-Büchlein vor Wilhelm Friedemann Bach\u003c\/a\u003e [Little Clavier Book for Wilhelm Friedemann Bach] (1720)$$$$$$iCG_pDAf1hc\u003c\/p\u003e","brand":"Bach, Johann Sebastian (1685-1750)","offers":[{"title":"Default Title","offer_id":35706916733078,"sku":"8","price":4.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/bach-invention-4-bwv-775.png?v=1622828444"},{"product_id":"beethoven-fur-elise","title":"Für Elise, WoO 59 -- Urtext","description":"Fur Elise - Klavierstück in A moll - Keyboard piece in A minor - Bagatelle 25 - Albumblatt$$$$$$This famous piano piece entitled \u003cstrong\u003e\u003cem\u003eFür Elise\u003c\/em\u003e, WoO 59\u003c\/strong\u003e is certainly one of Beethoven's most famous works for solo piano.\u003cbr\u003e\u003cbr\u003e  It was \u003cstrong\u003efirst published in 1867\u003c\/strong\u003e under the title \u003cstrong\u003e\u003cem\u003eKlavierstück in A moll\u003c\/em\u003e\u003c\/strong\u003e [\u003ci\u003eKeyboard Piece in A minor\u003c\/i\u003e].\u003cbr\u003e\u003cbr\u003e  However, the autograph bears the title \u003cstrong\u003e\u003cem\u003eFür Elise am 27 April 1810 zur Erinnerung von L. v. Beethoven\u003c\/em\u003e\u003c\/strong\u003e [\u003ci\u003eFor Elise on April 27, 1810, as a remembrance of L. v. Beethoven\u003c\/i\u003e].\u003cbr\u003e\u003cbr\u003e  Beethoven scholars do not know for certain who this \u003ci\u003eElise\u003c\/i\u003e was.\u003cbr\u003e\u003cbr\u003e  The most probable theory is that Beethoven originally entitled his work\u003cstrong\u003e \u003cem\u003eFür Therese\u003c\/em\u003e\u003c\/strong\u003e, for \u003cstrong\u003eTherese Malfatti von Rohrenbach zu Dezza\u003c\/strong\u003e (1792-1851), whom Beethoven intended to marry in 1810 but who declined his proposal.\u003cbr\u003e\u003cbr\u003e  Upon first publication of the work, its discoverer Ludwig Nohl may have mistranscribed the title as \u003cem\u003eFür Elise\u003c\/em\u003e. The autograph has been lost.\u003cbr\u003e\u003cbr\u003e  The piece is written in \u003cstrong\u003e3\/8 time\u003c\/strong\u003e and has the following \u003cstrong\u003emusical form\u003c\/strong\u003e :  \u003cul\u003e\n\u003cli\u003eMeasures 1-8 : \u003cstrong\u003ePhrase 1 of the theme\u003c\/strong\u003e in A minor, a quiet melody played by the right hand accompanied by arpeggios in the left hand\u003c\/li\u003e  \u003cli\u003eMeasures 9-14 : \u003cstrong\u003ePhrase 2\u003c\/strong\u003e of the theme, in C Major\u003c\/li\u003e  \u003cli\u003eMeasures 15-22 : \u003cstrong\u003ePhrase 1\u003c\/strong\u003e returns in A minor\u003c\/li\u003e  \u003cli\u003eMeasures 23-37 : \u003cstrong\u003eContrasting section\u003c\/strong\u003e in F major, modulating to C Major and back to A minor\u003c\/li\u003e  \u003cli\u003eMeasures 38-58 : \u003cstrong\u003eTheme\u003c\/strong\u003e returns (phrases 1-2-1)\u003c\/li\u003e  \u003cli\u003eMeasures 59-81 : \u003cstrong\u003eContrasting agitated section\u003c\/strong\u003e set over a pedal point on A and ending in arpeggios and a chromatic descent\u003c\/li\u003e  \u003cli\u003eMeasures 82-end : \u003cstrong\u003eTheme\u003c\/strong\u003e returns(phrases 1-2-1)\u003c\/li\u003e\n\u003c\/ul\u003e  Please note that scholars do not agree as to whether there should be \u003cstrong\u003ea D or an E\u003c\/strong\u003e in measure 7 (second note, right hand) and in subsequent similar passages.\u003cbr\u003e\u003cbr\u003e  However, most modern editions show a D, as we do here.\u003cbr\u003e\u003cbr\u003e  We suggest performing the \u003cstrong\u003eornaments (here : appoggiaturas and a turn)\u003c\/strong\u003e in accordance with the performance practice of the \u003ca href=\"\/Classical-Period-Sheet-Music.aspx\"\u003eClassical period\u003c\/a\u003e :  \u003cul\u003e\n\u003cli\u003eMeasure 23 : \u003cstrong\u003edouble appogiatura\u003c\/strong\u003e : must start ON the beat\u003c\/li\u003e  \u003cli\u003eMeasure 26 : \u003cstrong\u003eappogiatura\u003c\/strong\u003e : must start on the beat and take half the value of the following note\u003c\/li\u003e  \u003cli\u003eMeasure 29 : a \u003cstrong\u003eturn\u003c\/strong\u003e can be added here\u003c\/li\u003e\n\u003c\/ul\u003e  Note also that in \u003cstrong\u003emeasure 74\u003c\/strong\u003e, some editions show an E instead of an F in the second chord of the right hand. As Beethoven's sketch is unclear, we agree with most modern editions and show an F here.$$$$$$Duration : 02:53$$$$$$Source : \u003ca href=\"\/Beethoven-Ludwig-Van.aspx\"\u003eLudwig van Beethoven\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=56\"\u003eMiscellaneous Piano Pieces\u003c\/a\u003e.$$$$$$noAU3qDS1dA","brand":"Beethoven, Ludwig van (1770-1827)","offers":[{"title":"Default Title","offer_id":35706919846038,"sku":"35","price":7.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Fur-Elise_a3312918-605e-4306-a0b3-a4b4e0c7692b.png?v=1601222858"},{"product_id":"beethoven-bagatelle-119-9","title":"Bagatelle in A minor, Op. 119, No. 9 -- Urtext","description":"Bagatelle in A minor$$$$$$This \u003cstrong\u003e\u003cem\u003eBagatelle in A minor\u003c\/em\u003e, Opus 119, No. 9\u003c\/strong\u003e is one of Beethoven's shortest bagatelles.\u003cbr\u003e\u003cbr\u003e  It was \u003cstrong\u003ecomposed in 1820\u003c\/strong\u003e, hence during Beethoven's \u003cstrong\u003emature period\u003c\/strong\u003e, when he was about 50 years old.\u003cbr\u003e\u003cbr\u003e  It has the following \u003cstrong\u003emusical form\u003c\/strong\u003e :  \u003cul\u003e\n\u003cli\u003eMeasures 1-8 : \u003cstrong\u003ePhrase A\u003c\/strong\u003e in the main key of A minor\u003c\/li\u003e  \u003cli\u003eMeasures 9-12 : \u003cstrong\u003ePhrase B\u003c\/strong\u003e based on broken chords on the dominant (E)\u003c\/li\u003e  \u003cli\u003eMeasures 13-20 : \u003cstrong\u003ePhrase A\u003c\/strong\u003e returns, unaltered\u003c\/li\u003e\n\u003c\/ul\u003e  This short and playful Bagatelle is perfect for the \u003cstrong\u003eintermediate-level pianist\u003c\/strong\u003e.$$$$$$Duration : 00:51$$$$$$Source : \u003ca href=\"\/Beethoven-Ludwig-Van.aspx\"\u003eLudwig van Beethoven\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=36\"\u003eElf Neue Bagatellen, Op. 119\u003c\/a\u003e (London, 1823)$$$$$$xAaYM4rKUgU","brand":"Beethoven, Ludwig van (1770-1827)","offers":[{"title":"Default Title","offer_id":35706919911574,"sku":"36","price":4.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Bagatelle-119-9_b3703594-5fc4-4d05-bdb8-7597487b2d79.png?v=1601222859"},{"product_id":"beethoven-bagatelle-119-1","title":"Bagatelle in G minor, Op. 119, No. 1 -- Urtext","description":"Bagatelle in G minor$$$$$$This \u003cstrong\u003e\u003cem\u003eBagatelle in G minor\u003c\/em\u003e, Opus 119, No. 1\u003c\/strong\u003e is one of Beethoven's best known bagatelles, and is a favorite among \u003cstrong\u003eintermediate-level piano\u003c\/strong\u003e players.\u003cbr\u003e\u003cbr\u003e  It was composed during Beethoven's \u003cstrong\u003emature period\u003c\/strong\u003e, when he was 53 years old.\u003cbr\u003e\u003cbr\u003e  It has the following \u003cstrong\u003emusical form\u003c\/strong\u003e :  \u003cul\u003e\n\u003cli\u003eMeasures 1-16 : \u003cstrong\u003eTheme\u003c\/strong\u003e in the main key of G minor\u003c\/li\u003e  \u003cli\u003eMeasures 17-32 : \u003cstrong\u003eContrasting section\u003c\/strong\u003e in the key of E flat Major\u003c\/li\u003e  \u003cli\u003eMeasures 33-36 : \u003cstrong\u003eTransition\u003c\/strong\u003e modulating back to G minor\u003c\/li\u003e  \u003cli\u003eMeasures 37-52 : \u003cstrong\u003eTheme\u003c\/strong\u003e returns, in G minor, with its second phrase slightly varied\u003c\/li\u003e  \u003cli\u003eMeasures 53-65 : \u003cstrong\u003eCodetta\u003c\/strong\u003e in G minor\u003c\/li\u003e  \u003cli\u003eMeasures 66-end : \u003cstrong\u003eConclusion\u003c\/strong\u003e in C minor, based on the first fragment of the theme, with an unusual ending on the dominant chord (G) of the key of C minor\u003c\/li\u003e\n\u003c\/ul\u003e  Please take note of the following \u003cstrong\u003eeditorial comments\u003c\/strong\u003e :  \u003cul\u003e\n\u003cli\u003eMeasures 14 and 42 : we have added \u003cstrong\u003eslurs\u003c\/strong\u003e here, in confirmity with measures 6 and 50\u003c\/li\u003e  \u003cli\u003eMeasure 20 : the autograph as well as the Clementi \u0026amp; Co. edition (London, 1823) have parallel Ab4-G4 on the first two beats of the right hand. We give \u003cstrong\u003eF4-Eb4 as in the Sauer \u0026amp; Liedersdorf (Vienna,  1824) edition\u003c\/strong\u003e\n\u003c\/li\u003e  \u003cli\u003eMeasure 65 : the autograph has a quarter rest on the first beat of the right hand, and the G5 on the second beat. The Vienna 1824 edition has \u003cstrong\u003eG5 on the first beat\u003c\/strong\u003e and the rest on the second beat\u003c\/li\u003e  \u003cli\u003eMeasure 72 : the Vienna 1824 edition and the Schlesinger edition show \u003cstrong\u003earpeggiations in both hands\u003c\/strong\u003e here, which do not appear in the autograph\u003c\/li\u003e\n\u003c\/ul\u003e$$$$$$Duration : 02:13$$$$$$Source : \u003ca href=\"\/Beethoven-Ludwig-Van.aspx\"\u003eLudwig van Beethoven\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=36\"\u003eElf Neue Bagatellen, Op. 119\u003c\/a\u003e (London, 1823)$$$$$$X-hjTGIO0NM","brand":"Beethoven, Ludwig van (1770-1827)","offers":[{"title":"Default Title","offer_id":35706919977110,"sku":"37","price":5.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Bagatelle-119-1_7c937484-31de-4ccd-b785-8d5442bd3d95.png?v=1601222860"},{"product_id":"beethoven-bagatelle-33-6","title":"Bagatelle in D Major, Op. 33, No. 6 -- Urtext","description":"Bagatelle in D Major$$$$$$This tuneful \u003cstrong\u003e\u003cem\u003eBagatelle in D Major\u003c\/em\u003e, Opus 33, No. 6\u003c\/strong\u003e is perfect for the \u003cstrong\u003eintermediate-level pianist\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  It is one of Beethoven's best known bagatelles, and is a favorite among pianists.\u003cbr\u003e\u003cbr\u003e  This Bagatelle features a \u003cstrong\u003e\u003ci\u003eRondo\u003c\/i\u003e form\u003c\/strong\u003e :  \u003cul\u003e\n\u003cli\u003eM. 1-8 : \u003cstrong\u003eTheme\u003c\/strong\u003e in D Major\u003c\/li\u003e  \u003cli\u003eMm. 9-12 : \u003cstrong\u003eContrasting section A\u003c\/strong\u003e starting in B minor and modulating to D Major\u003c\/li\u003e  \u003cli\u003eMm. 13-20 : \u003cstrong\u003eTheme\u003c\/strong\u003e returns, unaltered (except for the left hand in m. 13)\u003c\/li\u003e  \u003cli\u003eMm. 21-30 : \u003cstrong\u003eContrasting section B\u003c\/strong\u003e in F# minor, based on the first motive of the theme; ends on a fermata on F#\u003c\/li\u003e  \u003cli\u003eMm. 31-38 : \u003cstrong\u003eTheme\u003c\/strong\u003e returns, unaltered\u003c\/li\u003e  \u003cli\u003eMm. 39-46 : \u003cstrong\u003eContrasting section C\u003c\/strong\u003e in D Major, which is in fact a \u003cstrong\u003evariation on the theme\u003c\/strong\u003e\n\u003c\/li\u003e  \u003cli\u003eMm. 47-50 : \u003cstrong\u003eContrasting section A\u003c\/strong\u003e (same as mm. 9-12)\u003c\/li\u003e  \u003cli\u003eMm. 51-58 : \u003cstrong\u003eTheme\u003c\/strong\u003e returns, unaltered\u003c\/li\u003e  \u003cli\u003eMm. 59-62 : \u003cstrong\u003eContrasting section A\u003c\/strong\u003e, varied (played in sixteenth notes instead of eighth notes)\u003c\/li\u003e  \u003cli\u003eMm. 63-70 : \u003cstrong\u003eContrasting section C\u003c\/strong\u003e returns, unaltered\u003c\/li\u003e  \u003cli\u003eMm. 71-end : \u003cstrong\u003eCoda\u003c\/strong\u003e made of descending D Major scales over a D pedal in the left hand\u003c\/li\u003e\n\u003c\/ul\u003ePlease take note that according to the performance practice of the \u003ca href=\"\/Classical-Period-Sheet-Music.aspx\"\u003eClassical period\u003c\/a\u003e, the \u003cstrong\u003etrills\u003c\/strong\u003e (such as in measure 3) should be played \u003cstrong\u003e on the beat, starting on the upper auxiliary note\u003c\/strong\u003e.$$$$$$Duration : 02:39$$$$$$Source : \u003ca href=\"\/Beethoven-Ludwig-Van.aspx\"\u003eLudwig van Beethoven\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=38\"\u003eSieben Bagatellen, Op. 33\u003c\/a\u003e (London and Vienna, 1803)$$$$$$vOpR8SOmwxs","brand":"Beethoven, Ludwig van (1770-1827)","offers":[{"title":"Default Title","offer_id":35706920075414,"sku":"38","price":5.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Bagatelle-33-6_695c4c06-d5d0-4d81-9c02-53f46de510fd.png?v=1601222862"},{"product_id":"beethoven-bagatelle-33-1","title":"Bagatelle in E flat Major, Op. 33, No. 1 -- Urtext","description":"Bagatelle in E flat Major$$$$$$This tuneful \u003cstrong\u003eBagatelle in E flat Major, Opus 33, No. 1\u003c\/strong\u003e is perfect for the intermediate to advanced pianist.\u003cbr\u003e\u003cbr\u003e  This  is one of Beethoven's best known bagatelles, and it is a favorite among late-intermediate piano players.\u003cbr\u003e\u003cbr\u003e  It has the following \u003cstrong\u003eRondo form\u003c\/strong\u003e :  \u003cul\u003e\n\u003cli\u003eM. 1-8 : \u003cstrong\u003eTheme\u003c\/strong\u003e in E flat Major\u003c\/li\u003e  \u003cli\u003eMm. 9-24 : \u003cstrong\u003eContrasting section A\u003c\/strong\u003e still in E flat Major\u003c\/li\u003e  \u003cli\u003eMm. 25-32 : \u003cstrong\u003eTheme\u003c\/strong\u003e returns, with its second phrase varied\u003c\/li\u003e  \u003cli\u003eMm. 33-50 : \u003cstrong\u003eContrasting section B\u003c\/strong\u003e in E flat minor, based on the starting motif of the theme (its first three notes, but now in the minor mode, and slurred); modulates to B flat Major (m. 43) and then back to E flat Major (m. 47)\u003c\/li\u003e  \u003cli\u003eMm. 51-58: \u003cstrong\u003eTheme\u003c\/strong\u003e returns, identical to mm. 25-32\u003c\/li\u003e  \u003cli\u003eMm. 59-74: \u003cstrong\u003eContrasting section A\u003c\/strong\u003e, identical to mm. 9-24\u003c\/li\u003e  \u003cli\u003eMm. 75-82: \u003cstrong\u003eTheme\u003c\/strong\u003e returns, with its second phrase slightly varied\u003c\/li\u003e  \u003cli\u003eMm. 83-end : \u003cstrong\u003eCoda\u003c\/strong\u003e in E flat Major\u003c\/li\u003e\n\u003c\/ul\u003ePlease take note that according to Beethoven's performance practice, the \u003cstrong\u003eappoggiaturas\u003c\/strong\u003e (such as in measures 1 and 2) should always \u003cstrong\u003ebegin ON the beat\u003c\/strong\u003e.$$$$$$Duration : 03:50$$$$$$Source : \u003ca href=\"\/Beethoven-Ludwig-Van.aspx\"\u003eLudwig van Beethoven\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=38\"\u003eSieben Bagatellen, Op. 33\u003c\/a\u003e (London and Vienna, 1803)$$$$$$Undefined","brand":"Beethoven, Ludwig van (1770-1827)","offers":[{"title":"Default Title","offer_id":35706920140950,"sku":"39","price":3.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Bagatelle-33-1.gif?v=1601222863"},{"product_id":"beethoven-bagatelle-33-3","title":"Bagatelle in F Major, Op. 33, No. 3 -- Urtext","description":"Bagatelle in F Major$$$$$$This tuneful \u003cstrong\u003eBagatelle in F Major, Opus 33, No. 3\u003c\/strong\u003e is perfect for the intermediate to advanced pianist.\u003cbr\u003e\u003cbr\u003e  It is one of Beethoven's best known bagatelles, and is a favorite among piano players.\u003cbr\u003e\u003cbr\u003e  It has the following \u003cstrong\u003eRondo form\u003c\/strong\u003e :  \u003cul\u003e\n\u003cli\u003eM. 1-8 : \u003cstrong\u003eTheme\u003c\/strong\u003e made up of \u003cstrong\u003etwo phrases\u003c\/strong\u003e : Phrase A in F Major and Phrase B in D Major\u003c\/li\u003e  \u003cli\u003eMm. 9-12 : \u003cstrong\u003eShort contrasting section A\u003c\/strong\u003e in F Major\u003c\/li\u003e  \u003cli\u003eMm. 13-16 : \u003cstrong\u003ePhrase A of the theme\u003c\/strong\u003e returns, with a different termination\u003c\/li\u003e  \u003cli\u003eMm. 17-31 : \u003cstrong\u003eContrasting section B\u003c\/strong\u003e starting in F Major and modulating to C Major (m. 26) before going back to F Major (C being its dominant)\u003c\/li\u003e  \u003cli\u003eMm. 32-39: \u003cstrong\u003eTheme\u003c\/strong\u003e returns, identical to mm. 1-8\u003c\/li\u003e  \u003cli\u003eMm. 40-47: \u003cstrong\u003eTheme repeated\u003c\/strong\u003e, slightly varied\u003c\/li\u003e  \u003cli\u003eMm. 48-51: \u003cstrong\u003eContrasting section A\u003c\/strong\u003e returns, identical to mm. 9-12\u003c\/li\u003e  \u003cli\u003eMm. 52-55 : \u003cstrong\u003ePhrase A of the theme\u003c\/strong\u003e returns, identical to mm. 13-16 but with the addition of appoggiaturas in the right hand\u003c\/li\u003e  \u003cli\u003eMm. 56-59 : \u003cstrong\u003eContrasting section A\u003c\/strong\u003e returns, slightly varied\u003c\/li\u003e  \u003cli\u003eMm. 60-63 : \u003cstrong\u003ePhrase A of the theme\u003c\/strong\u003e returns, slightly varied\u003c\/li\u003e  \u003cli\u003eMm. 64-end : \u003cstrong\u003eContrasting section B\u003c\/strong\u003e returns, but this time it remains in F Major and ends with a final cadence\u003c\/li\u003e\n\u003c\/ul\u003eIn this work, Beethoven makes extensive use of two distinctive features : \u003cstrong\u003eappoggiaturas\u003c\/strong\u003e and \u003cstrong\u003esforzandi\u003c\/strong\u003e, whereby the note is to be played with force and receive a sudden and strong emphasis.\u003cbr\u003e\u003cbr\u003e   Please take note that according to Beethoven's performance practice, the \u003cstrong\u003eappoggiaturas\u003c\/strong\u003e (such as in measure 3 or 7) should always \u003cstrong\u003ebegin ON the beat\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  Furthermore, the \u003cstrong\u003eleft-hand accompaniment\u003c\/strong\u003e to this Bagatelle is very active, featuring almost never-ending eighth-notes.$$$$$$Duration : 02:35$$$$$$Source : \u003ca href=\"\/Beethoven-Ludwig-Van.aspx\"\u003eLudwig van Beethoven\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=38\"\u003eSieben Bagatellen, Op. 33\u003c\/a\u003e (London and Vienna, 1803)$$$$$$Undefined","brand":"Beethoven, Ludwig van (1770-1827)","offers":[{"title":"Default Title","offer_id":35706920173718,"sku":"40","price":3.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Bagatelle-33-3.gif?v=1601222865"},{"product_id":"mozart-leopold-entree-a-minor","title":"Entrée in A minor","description":"Entree - From Leopold Mozart's \u003cem\u003eNotebook for Wolfgang\u003c\/em\u003e$$$$$$Although traditionally attributed to \u003ca href=\"\/Mozart-Leopold.aspx\"\u003eLeopold Mozart\u003c\/a\u003e, this \u003cem\u003eEntrée in A minor\u003c\/em\u003e was probably composed by an \u003cstrong\u003eanonymous composer\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  It is part of the \u003ca href=\"\/Notebook-Wolfgang-Mozart.aspx\"\u003eNotebook for Wolfgang\u003c\/a\u003e, the music notebook \u003ca href=\"\/Mozart-Leopold.aspx\"\u003eLeopold Mozart\u003c\/a\u003e gave to his young son \u003ca href=\"\/Mozart-Wolfgang-Amadeus.aspx\"\u003eWolfgang Amadeus Mozart\u003c\/a\u003e in 1762, when Wolfgang was six years old.\u003cbr\u003e\u003cbr\u003e  This stately \u003cem\u003eEntrée in A minor\u003c\/em\u003e has a simple \u003cstrong\u003eA-A-B-B-A musical form\u003c\/strong\u003e :  \u003cul\u003e\n\u003cli\u003eMm. 1-8 : \u003cstrong\u003ePart A\u003c\/strong\u003e in the key of A minor\u003c\/li\u003e  \u003cli\u003eMm. 9-16 : \u003cstrong\u003ePart B\u003c\/strong\u003e in the key of C Major, modulating back to A minor in the last measure\u003c\/li\u003e  \u003cli\u003eMm. 1-8 : \u003cstrong\u003ePart A\u003c\/strong\u003e, this time without repeat\u003c\/li\u003e\n\u003c\/ul\u003e  Please take note of the following points concerning the performance pratice of \u003ca href=\"\/Classical-Period-Sheet-Music.aspx\"\u003ePre-Classical period\u003c\/a\u003e applicable to this \u003cem\u003eEntrée\u003c\/em\u003e :  \u003cul\u003e\n\u003cli\u003eMost \u003cstrong\u003equarter notes\u003c\/strong\u003e in both the left and right hands should be played \u003cstrong\u003eslightly detached\u003c\/strong\u003e\n\u003c\/li\u003e  \u003cli\u003e\n\u003cstrong\u003eCadential trills\u003c\/strong\u003e are suggested in measures 7 and 15, even though not indicated by the composer\u003c\/li\u003e  \u003cli\u003eAlso, in such final cadences, \u003cstrong\u003edotted quarter notes should be played double dotted\u003c\/strong\u003e, so that the eighth note following the dotted quarter note becomes a sixteenth note\u003c\/li\u003e\n\u003c\/ul\u003e  This score contains suggestions for performing such \u003cstrong\u003ecadential trills\u003c\/strong\u003e in accordance with the performance practice of the \u003ca href=\"\/Classical-Period-Sheet-Music.aspx\"\u003ePre-Classical period\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  Also, please note that \u003cstrong\u003eall slurs and dynamics in this score are editorial\u003c\/strong\u003e and should be regarded as mere suggestions to the player.$$$$$$Duration : 01:24$$$$$$Source : Anonymous, \u003ca href=\"\/Work.aspx?id=367\"\u003ePieces from the \u003ci\u003eNotenbuch für Wolfgang\u003c\/i\u003e\u003c\/a\u003e.$$$$$$580jVZE4BaQ","brand":"(Anonymous)","offers":[{"title":"Default Title","offer_id":35706920206486,"sku":"41","price":3.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Entree-A-Minor_9c1f82fb-e87f-4e51-8d49-e401393d4dcc.png?v=1601222866"},{"product_id":"bach-cpe-menuet-c-major","title":"Menuet in C Major","description":"Menuet de Sigr. Bach from \u003cem\u003eNotenbuch für Wolfgang\u003c\/em\u003e - Minuet$$$$$$This \u003cstrong\u003e\u003cem\u003eMenuet de Sigr. Bach\u003c\/em\u003e\u003c\/strong\u003e by \u003ca href=\"\/Bach-Carl-Philipp-Emanuel.aspx\"\u003eCarl Philipp Emanuel Bach\u003c\/a\u003e appears in \u003ca href=\"\/Mozart-Leopold.aspx\"\u003eLeopold Mozart\u003c\/a\u003e's \u003ca href=\"\/Collection.aspx?id=15\"\u003eNotenbuch für Wolfgang\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  It is \u003cstrong\u003every similar\u003c\/strong\u003e to \u003ca href=\"\/Bach-Carl-Philipp-Emanuel.aspx\"\u003eCarl Philipp Emanuel Bach\u003c\/a\u003e's \u003ca href=\"\/Sheet-Music.aspx?id=1542\"\u003eMinuet in E flat Major, H 171, W 116.1\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  Carl Philipp Emanuel Bach's \u003cstrong\u003e\u003cem\u003eMenuet in C Major\u003c\/em\u003e\u003c\/strong\u003e features a simple \u003cstrong\u003eA-A-B-B musical form\u003c\/strong\u003e :  \u003cul\u003e\n\u003cli\u003eMm. 1-8 : \u003cstrong\u003ePart A\u003c\/strong\u003e (played twice) in the key of C Major\u003c\/li\u003e  \u003cli\u003eMm. 9-16 : \u003cstrong\u003ePart B\u003c\/strong\u003e (played twice) starts in the dominant key of G Major, modulating back to C Major in measure 11\u003c\/li\u003e\n\u003c\/ul\u003e  Please note that the \u003cstrong\u003edynamics and phrasing indications\u003c\/strong\u003e given in this score are \u003cstrong\u003eeditorial\u003c\/strong\u003e and should thus be regarded as mere suggestions to the player.\u003cbr\u003e\u003cbr\u003e  Also, the \u003cstrong\u003elower notes in measures 3 to 8 and in measure 15\u003c\/strong\u003e of the right-hand part are \u003cstrong\u003eeditorial\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  Furthermore, we suggest \u003cstrong\u003eadding cadential trills to measures 8 and 15\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  This score contains suggestions for performing these trills in accordance with the performance practice of the late \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque period\u003c\/a\u003e.$$$$$$Duration : 00:57$$$$$$Source : \u003ca href=\"\/Bach-Carl-Philipp-Emanuel.aspx\"\u003eCarl Philipp Emanuel Bach\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=203\"\u003eMiscellaneous Keyboard Pieces\u003c\/a\u003e.$$$$$$t63whsySSKc","brand":"Bach, Carl Philipp Emanuel (1714-1788)","offers":[{"title":"Default Title","offer_id":35706920272022,"sku":"42","price":1.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Menuet-C-Major.png?v=1601222867"},{"product_id":"bach-aria-515","title":"Aria in D minor, BWV 515 -- Urtext","description":"So oft ich meine Tobackspfeife - Enlightening Thoughts of a Tobacco Smoker - Pipe aria$$$$$$This famous \u003cem\u003eAria in D minor, BWV 515\u003c\/em\u003e is hte \u003cstrong\u003e20th entry\u003c\/strong\u003e in \u003ca href=\"\/Notebook-Anna-Magdalena-Bach.aspx\"\u003eAnna Magdalena Bach's Notebook\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  \u003ca href=\"\/Bach-Johann-Sebastian.aspx\"\u003eJohann Sebastian Bach\u003c\/a\u003e gave this notebook to his wife Anna Magdalena in 1725.\u003cbr\u003e\u003cbr\u003e  Over the following years, the notebook was filled with favorite selections of the members of the Bach family.\u003cbr\u003e\u003cbr\u003e  This aria is also known as the \u003cstrong\u003ePipe Aria\u003c\/strong\u003e, as it is based on the poem \u003cem\u003eErbauliche Gedanken eines Tobackrauchers\u003c\/em\u003e [\u003ci\u003eEnlightening Thoughts of a Tobacco Smoker\u003c\/i\u003e].\u003cbr\u003e\u003cbr\u003e  This Aria was composed during the \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque period\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  It has a simple \u003cstrong\u003eA-A-B-B form\u003c\/strong\u003e :  \u003cul\u003e\n\u003cli\u003eMm. 1-8 : \u003cstrong\u003ePart A\u003c\/strong\u003e (played twice) in the key of D minor, modulating to F Major in measure 5\u003c\/li\u003e  \u003cli\u003eMm. 9-16 : \u003cstrong\u003ePart B\u003c\/strong\u003e (played twice) starts in C Major, modulating back to D minor in measure 11\u003c\/li\u003e\n\u003c\/ul\u003e  Please take note of the following points concerning the \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque period\u003c\/a\u003e performance practice appropriate for this Aria :  \u003cul\u003e\n\u003cli\u003eMost quarter notes in both the left and right hands should be played \u003cstrong\u003eslightly detached\u003c\/strong\u003e\n\u003c\/li\u003e  \u003cli\u003e\n\u003cstrong\u003eCadential trills\u003c\/strong\u003e are required in measures 7 and 15, even though not indicated by Bach\u003c\/li\u003e  \u003cli\u003eThese cadential trills are to start \u003cstrong\u003eON the beat, on the upper note\u003c\/strong\u003e\n\u003c\/li\u003e  \u003cli\u003e\n\u003cb\u003e→\u003c\/b\u003e For better clarity, the editor has included in this score a \u003cstrong\u003esuggestion for the proper realization\u003c\/strong\u003e of each one of these two cadential trills in smaller print\u003c\/li\u003e\n\u003c\/ul\u003e  Please note also that \u003cstrong\u003ethe dotted slur in measure 14 is editorial\u003c\/strong\u003e as it does not appear in the autograph.$$$$$$Duration : 01:04$$$$$$Source : \u003ca href=\"\/Bach-Johann-Sebastian.aspx\"\u003eJohann Sebastian Bach\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=23\"\u003ePieces from the \u003cem\u003eNotebook for Anna Magdalena Bach\u003c\/em\u003e\u003c\/a\u003e [Notenbüchlein für Anna Magdalena Bach] (1725).$$$$$$9lL17Oa7vuY","brand":"Bach, Johann Sebastian (1685-1750)","offers":[{"title":"Default Title","offer_id":35706920337558,"sku":"43","price":1.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Aria-515_72ffdede-98ad-4cf3-a4ef-4b05a826e7e0.png?v=1601222869"},{"product_id":"clarke-king-william-march","title":"King William's March","description":"From \u003cem\u003eThe Third Book of the Harpsichord Master\u003c\/em\u003e$$$$$$With its energy and character, this \u003cem\u003eKing William's March\u003c\/em\u003e in D Major is a great favorite amongst young piano students.\u003cbr\u003e\u003cbr\u003e  \u003ca href=\"\/Clarke-Jeremiah.aspx\"\u003eJeremiah Clarke\u003c\/a\u003e's \u003cem\u003eKing William's March\u003c\/em\u003e was composed during the \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque period\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  It has a simple \u003cstrong\u003eA-A-B-B musical form\u003c\/strong\u003e :  \u003cul\u003e\n\u003cli\u003eMm. 1-8 : \u003cstrong\u003ePart A\u003c\/strong\u003e (played twice) in the key of D Major\u003c\/li\u003e  \u003cli\u003eMm. 9-16 : \u003cstrong\u003ePart B\u003c\/strong\u003e (played twice) starts in the dominant key of A Major, modulating back to D Major in measure 11\u003c\/li\u003e\n\u003c\/ul\u003e  Please take note of the following points concerning the performance practice of the \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque period\u003c\/a\u003e:  \u003cul\u003e\n\u003cli\u003eMost quarter notes in both the left and right hands should be played \u003cstrong\u003eslightly detached\u003c\/strong\u003e\n\u003c\/li\u003e  \u003cli\u003e\n\u003cstrong\u003eCadential trills\u003c\/strong\u003e are required in measures 8 and 16, even though not indicated by Jeremiah Clarke\u003c\/li\u003e  \u003cli\u003eAlso, in such final cadences, all \u003cstrong\u003edotted quarter notes should be double dotted\u003c\/strong\u003e, so that the eighth note following the dotted quarter note becomes a sixteenth note\u003c\/li\u003e  \u003cli\u003e\n\u003cb\u003e→\u003c\/b\u003e the editor has included in this score \u003cstrong\u003esuggested realizations\u003c\/strong\u003e for these two cadential  trills (which English composers called \u003cstrong\u003eshakes\u003c\/strong\u003e)\u003c\/li\u003e  \u003cli\u003eAs was customarily done during the \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque period\u003c\/a\u003e, the player can \u003cstrong\u003eadd notes to embellish certain passages\u003c\/strong\u003e, as can be done here in measures 3-4, 7-8, 12 and 15-16\u003c\/li\u003e  \u003cli\u003eJeremiah Clarke, like all other composers of the \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque era\u003c\/a\u003e, did not provide any dynamics in his autograph score. Hence \u003cstrong\u003ethe dynamics given in this score are editorial\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e$$$$$$Duration : 01:09$$$$$$Source : \u003ca href=\"\/Clarke-Jeremiah.aspx\"\u003eJeremiah Clarke\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=44\"\u003eMiscellaneous Pieces for the Harpsichord or Spinnet\u003c\/a\u003e$$$$$$CUTnwhr4s9g","brand":"Clarke, Jeremiah (ca 1674-1707)","offers":[{"title":"Default Title","offer_id":35706920370326,"sku":"44","price":2.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/King-William-March_ca6618ee-b94b-4c83-bbcc-655782c52fa0.png?v=1601222870"},{"product_id":"diabelli-sonatina-168-4","title":"Sonatina in B flat Major, Op. 168, No. 4 (1\/3 : Allegro moderato)","description":"Sonatine - Sonata - Sonate - First movement : Allegro moderato$$$$$$This \u003cstrong\u003e\u003cem\u003eAllegro moderato\u003c\/em\u003e\u003c\/strong\u003e is the \u003cstrong\u003efirst of three movements\u003c\/strong\u003e in \u003ca href=\"\/Diabelli-Anton.aspx\"\u003eAnton Diabelli\u003c\/a\u003e's \u003cstrong\u003e\u003cem\u003eSonatina in B flat Major\u003c\/em\u003e, Op. 168, No. 4\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  It features the traditional \u003cstrong\u003eClassical sonatina form :\u003c\/strong\u003e  \u003cul\u003e\n\u003cli\u003eMm. 1-24 : \u003cstrong\u003eExposition\u003c\/strong\u003e of the \u003cstrong\u003efirst theme\u003c\/strong\u003e in B flat Major (mm. 1-8) and then the \u003cstrong\u003esecond theme\u003c\/strong\u003e in the dominant key of F Major (mm. 9-17). A short \u003cstrong\u003ecodetta\u003c\/strong\u003e in F Major (mm. 18-24) concludes this exposition.\u003c\/li\u003e  \u003cli\u003eMm. 25-44 : \u003cstrong\u003eDevelopment\u003c\/strong\u003e starting with the main theme in F Major and eventually modulating back to B flat Major\u003c\/li\u003e  \u003cli\u003eMm. 45-67 : \u003cstrong\u003eRecapitulation\u003c\/strong\u003e this time with both the first and second themes and codetta in B flat Major\u003c\/li\u003e  \u003cli\u003eMm. 68-end : \u003cstrong\u003eCoda\u003c\/strong\u003e reinforcing the main key of B flat Major\u003c\/li\u003e\n\u003c\/ul\u003e  This sonatina movement is appropriate for \u003cstrong\u003eGrade 7 pianists\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  In measures 18-19 and 62-63, the \u003cstrong\u003eshort appogiaturas\u003c\/strong\u003e are to be played \u003cstrong\u003every quickly\u003c\/strong\u003e, almost simultaneously with the following main note.\u003cbr\u003e\u003cbr\u003e  Please note that the editor has added a \u003cstrong\u003eG natural in measure 21\u003c\/strong\u003e : although not present in most modern editions, it clearly appears in the source in the recapitulation in measure 65.$$$$$$Duration : 03:46$$$$$$Source : \u003ca href=\"\/Diabelli-Anton.aspx\"\u003eAnton Diabelli\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=59\"\u003eMusikalische Morgenstunden einer Woche. 7 Sonatinen, Op. 168\u003c\/a\u003e (Vienna : A. Diabelli und Comp., 1839)  $$$$$$11Suk33Zg4A","brand":"Diabelli, Anton (1781-1858)","offers":[{"title":"Default Title","offer_id":35706920960150,"sku":"59","price":3.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Sonatina-168-4_143b2a01-8fa3-4f10-bcd4-6a8fa54393dd.png?v=1601222892"},{"product_id":"purcell-saraband-219","title":"Saraband in D Major, Z. D219\/2 -- Urtext","description":"Almand - Borry - Sarabande - Sarabanda$$$$$$This piece has \u003cstrong\u003eno title in the source\u003c\/strong\u003e. The term \u003cem\u003eSaraband\u003c\/em\u003e [Sarabande] has been chosen by the editor based on the character of the music.\u003cbr\u003e\u003cbr\u003e  Moreover, the \u003cstrong\u003eletter D in the Zimmermann catalogue number\u003c\/strong\u003e indicates that this is a \u003cstrong\u003ework of doubtful authenticity\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  This \u003cem\u003eSaraband in D Major, Z. D219\/2\u003c\/em\u003e is an easy dance movement attributed to \u003ca href=\"\/Purcell-Henry.aspx\"\u003eHenry Purcell\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  In accordance with the performance practice of the English \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque period\u003c\/a\u003e, the \u003cstrong\u003equarter notes should be played slightly detached\u003c\/strong\u003e in both hands.\u003cbr\u003e\u003cbr\u003e  Also, please take note that the editor has provided in this score \u003cstrong\u003esuggestions for the correct realization of ornaments\u003c\/strong\u003e in accordance with the \u003cem\u003eRules for Graces\u003c\/em\u003e as stated in \u003cem\u003eThe Harpsichord Master\u003c\/em\u003e (1697) and which were, according to the title page, given with the knowledge and consent of Henry Purcell.\u003cbr\u003e\u003cbr\u003e  These ornaments are :  \u003cul\u003e\n\u003cli\u003eThe \u003cstrong\u003eshake\u003c\/strong\u003e (English name for \u003ci\u003etrill\u003c\/i\u003e), in measures 1, 8 and 16\u003c\/li\u003e  \u003cli\u003eThe \u003cstrong\u003ebackfall\u003c\/strong\u003e, in measure 3\u003c\/li\u003e\n\u003c\/ul\u003e  Furthermore, the editor suggests \u003cstrong\u003eadding a \u003ci\u003eshake\u003c\/i\u003e in mm. 4 and 12\u003c\/strong\u003e, similarly to the shake in mm. 8 and 16.\u003cbr\u003e\u003cbr\u003e  Such \u003cstrong\u003ecadential trills\u003c\/strong\u003e were customarily added by performers of the Baroque era even if not indicated by the composer.  $$$$$$Duration : 00:29$$$$$$Source : \u003ca href=\"\/Purcell-Henry.aspx\"\u003eHenry Purcell\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=164\"\u003eMiscellaneous Keyboard Works\u003c\/a\u003e.$$$$$$Undefined","brand":"Purcell, Henry (1659-1695)","offers":[{"title":"Default Title","offer_id":35706921123990,"sku":"63","price":1.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Saraband-219.gif?v=1601222897"},{"product_id":"purcell-minuet-e-minor","title":"Minuet in E minor","description":"Menuet$$$$$$This \u003cem\u003eMinuet in E minor\u003c\/em\u003e by \u003ca href=\"\/Purcell-Henry.aspx\"\u003eHenry Purcell\u003c\/a\u003e is an easy dance movement typical of the \u003cstrong\u003eEnglish\u003c\/strong\u003e \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque period\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  It has the following \u003cstrong\u003eA-B musical form\u003c\/strong\u003e :  \u003cul\u003e\n\u003cli\u003eMm. 1-4 : \u003cstrong\u003ePhrase A-1\u003c\/strong\u003e, in the main key of E minor\u003c\/li\u003e  \u003cli\u003eMm. 5-8 : \u003cstrong\u003ePhrase A-2\u003c\/strong\u003e, modulating to the relative major key (G Major)\u003c\/li\u003e  \u003cli\u003eMm. 9-12 : \u003cstrong\u003ePhrase B-1\u003c\/strong\u003e, starting in G Major, but modulating back to E minor\u003c\/li\u003e  \u003cli\u003eMm. 13-16 : \u003cstrong\u003ePhrase B-2\u003c\/strong\u003e, resembling A-1, in the main key of E minor, and ending in a \u003cstrong\u003eperfect cadence\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e  In accordance with English \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque\u003c\/a\u003e performance practice, the \u003cstrong\u003equarter notes should be played slightly detached\u003c\/strong\u003e in both hands.\u003cbr\u003e\u003cbr\u003e  Also, please take note that the editor has provided in this score \u003cstrong\u003esuggestions for the correct realization of ornaments\u003c\/strong\u003e :  \u003cul\u003e\n\u003cli\u003eThe \u003cstrong\u003ebackfall\u003c\/strong\u003e, in measure 3 (last beat)\u003c\/li\u003e  \u003cli\u003eThe \u003cstrong\u003ebackfall and shake\u003c\/strong\u003e (English name for \u003ci\u003etrill\u003c\/i\u003e), in measure 4\u003c\/li\u003e\n\u003c\/ul\u003e  Furthermore, the editor suggests \u003cstrong\u003eadding a \u003ci\u003ebackfall and shake\u003c\/i\u003e in measure 12\u003c\/strong\u003e, similarly to measure 4.\u003cbr\u003e\u003cbr\u003e  We also recommend adding a \u003cstrong\u003edouble ascending appogiatura\u003c\/strong\u003e in measure 6 (last beat), and a \u003cstrong\u003epassing note\u003c\/strong\u003e in measure 7 (first beat).\u003cbr\u003e\u003cbr\u003e  This Minuet is interesting in that \u003cstrong\u003ethe left hand seems to answer the right hand\u003c\/strong\u003e in both measures 2 and 9.  $$$$$$Duration : 00:58$$$$$$Source : \u003ca href=\"\/Purcell-Henry.aspx\"\u003eHenry Purcell\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=164\"\u003eMiscellaneous Keyboard Works\u003c\/a\u003e.$$$$$$Undefined","brand":"Purcell, Henry (1659-1695)","offers":[{"title":"Default Title","offer_id":35706921189526,"sku":"64","price":1.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Minuet-E-Minor.gif?v=1601222899"},{"product_id":"purcell-suite-1-660-prelude","title":"Suite 1 in G Major, Z. 660 (1\/4 : Prelude)","description":"I : Prelude - Prélude$$$$$$This easy \u003cem\u003ePrelude\u003c\/em\u003e is the first movement of Purcell's \u003cem\u003eSuite No. 1 in G Major, Z. 660\u003c\/em\u003e.\u003cbr\u003e\u003cbr\u003e  The three other movements are : \u003cstrong\u003e\u003cem\u003eAlmand\u003c\/em\u003e, \u003cem\u003eCorant\u003c\/em\u003e and \u003cem\u003eMinuet\u003c\/em\u003e (or \u003cem\u003eSaraband\u003c\/em\u003e in some editions)\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  This suite is part of \u003ca href=\"\/Work.aspx?id=66\"\u003eA Choice Collection of Lessons for the Harpsichord or Spinnet\u003c\/a\u003e, which was \u003cstrong\u003epublished in London in 1696\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  This prelude consists mainly of a \u003cstrong\u003edialog of broken chords\u003c\/strong\u003e between the two hands, and ends with a \u003cstrong\u003eperfect cadence\u003c\/strong\u003e in the main key of G Major.\u003cbr\u003e\u003cbr\u003e  Please take note that the editor has included in this score a suggested realization for the \u003cstrong\u003e\u003ci\u003eplain note and shake\u003c\/i\u003e in measure 9\u003c\/strong\u003e in accordance with the performance practice of the English \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque period\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  A \u003ci\u003eplain note and shake\u003c\/i\u003e, also called \u003ci\u003ebackfall and shake\u003c\/i\u003e, is a typical Baroque English ornament similar to a \u003cstrong\u003etrill with the starting (upper) note prolonged\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  We have also included a \u003cstrong\u003eperformance suggestions\u003c\/strong\u003e for the opening bars of the prelude, again in accordance with the performance practice of the English \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque period\u003c\/a\u003e.$$$$$$Duration : 00:58$$$$$$Source : \u003ca href=\"\/Purcell-Henry.aspx\"\u003eHenry Purcell\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=66\"\u003eA Choice Collection of Lessons for the Harpsichord or Spinnet\u003c\/a\u003e (London, 1696).$$$$$$0EbMtJ8bfIQ","brand":"Purcell, Henry (1659-1695)","offers":[{"title":"Default Title","offer_id":35706921287830,"sku":"67","price":1.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Suite-1-660-Prelude_fd44e9fc-f135-49b4-ac09-94917e043a7c.png?v=1601222905"},{"product_id":"purcell-trumpet-tune-698","title":"Trumpet Tune, Z. T698 -- Urtext","description":"Trumpet Tune$$$$$$This \u003cem\u003eTrumpet Tune in C Major, Z. T698\u003c\/em\u003e by \u003ca href=\"\/Purcell-Henry.aspx\"\u003eHenry Purcell\u003c\/a\u003e is part of \u003ca href=\"\/Work.aspx?id=66\"\u003eA Choice Collection of Lessons for the Harpsichord or Spinnet\u003c\/a\u003e (London, 1696).\u003cbr\u003e\u003cbr\u003e  There exists \u003cstrong\u003eanother version\u003c\/strong\u003e of this \u003cem\u003eTrumpet Tune\u003c\/em\u003e for strings in \u003cem\u003eThe Indian Queen, Z. 630\/4a\u003c\/em\u003e.\u003cbr\u003e\u003cbr\u003e  This \u003cem\u003eTrumpet Tune in C Major, Z. T698\u003c\/em\u003e is a lively keyboard piece typical of the \u003cstrong\u003eEnglish\u003c\/strong\u003e \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque period\u003c\/a\u003e and \u003cstrong\u003eimitating the sound and style of the trumpet\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e  It has an \u003cstrong\u003eA-A-B-B musical form\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  Also, please take note that the editor has provided in this score \u003cstrong\u003esuggestions for the correct realization of ornaments\u003c\/strong\u003e in accordance with the \u003cstrong\u003e\u003ci\u003eRules for Graces\u003c\/i\u003e\u003c\/strong\u003e as stated in \u003cstrong\u003e\u003ci\u003eThe Harpsichord Master\u003c\/i\u003e\u003c\/strong\u003e (1697) and which were, according to the title page, given with the knowledge and consent of Henry Purcell.\u003cbr\u003e\u003cbr\u003e  These ornaments are :\u003cbr\u003e\u003cbr\u003e  \u003cul\u003e\n\u003cli\u003eMeasures 1-2 (left hand) : \u003cstrong\u003eThe beat\u003c\/strong\u003e, which is in fact a quick mordent\u003c\/li\u003e  \u003cli\u003eMeasure 4 : \u003cstrong\u003eThe shake\u003c\/strong\u003e, which is the English equivalent to a trill\u003c\/li\u003e  \u003cli\u003eMeasure 11 : \u003cstrong\u003eThe backfall and shake\u003c\/strong\u003e (or \u003cstrong\u003eplain note and shake\u003c\/strong\u003e), which is in fact an ordinary trill with the starting (upper) note prolonged\u003c\/li\u003e\n\u003c\/ul\u003e$$$$$$Duration : 00:42$$$$$$Source : \u003ca href=\"\/Purcell-Henry.aspx\"\u003eHenry Purcell\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=66\"\u003eA Choice Collection of Lessons for the Harpsichord or Spinnet\u003c\/a\u003e (London, 1696).$$$$$$Undefined","brand":"Purcell, Henry (1659-1695)","offers":[{"title":"Default Title","offer_id":35706921320598,"sku":"68","price":1.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Trumpet-Tune-698.gif?v=1601222907"},{"product_id":"corelli-piano-sonata-5-7-sarabanda","title":"Sonata Op. 5, No. 7 (III : Sarabanda)","description":"Sonate - III : Sarabanda - Sarabande$$$$$$This \u003cem\u003eSarabanda\u003c\/em\u003e was originally composed for violin and basso continuo (marked \u003ci\u003eviolone e cimbalo\u003c\/i\u003e in the original).\u003cbr\u003e\u003cbr\u003e  It is the \u003cstrong\u003ethird movement\u003c\/strong\u003e of this four-movement sonata : Preludio (Vivace), Corrente (Allegro), Sarabanda (Largo) and Giga (Allegro).\u003cbr\u003e\u003cbr\u003e  It has a very simple \u003cstrong\u003eA-A-B-B musical form\u003c\/strong\u003e, with the A part ending on the dominant and the B part ending in a perfect cadence in the main key of D minor.\u003cbr\u003e\u003cbr\u003e  This score is a \u003cstrong\u003etranscription for piano or harpsichord\u003c\/strong\u003e in which the right hand plays the violin part while the left hand plays the basso continuo part.\u003cbr\u003e\u003cbr\u003e  Please take note that the editor has added \u003cstrong\u003ecadential trills in measures 4 and 15\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  Such cadential trills were customarily added by performers of the \u003cstrong\u003eItalian\u003c\/strong\u003e \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque period\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  Furthermore, this score contains \u003cstrong\u003esuggestions for the proper realization of these trills\u003c\/strong\u003e.$$$$$$Duration : 01:28$$$$$$Source : \u003ca href=\"\/Corelli-Arcangelo.aspx\"\u003eArcangelo Corelli\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=68\"\u003e12 Sonatas for Violin and Basso Continuo\u003c\/a\u003e (Rome, 1700).$$$$$$Undefined","brand":"Corelli, Arcangelo (1653-1713)","offers":[{"title":"Default Title","offer_id":35706921418902,"sku":"69","price":1.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Sonata-5-7-Sarabanda.gif?v=1601222908"},{"product_id":"clarke-ayre-c-major","title":"Ayre in C Major","description":"Air - Aria$$$$$$This \u003cem\u003eAyre in C Major\u003c\/em\u003e by composer \u003ca href=\"\/Clarke-Jeremiah.aspx\"\u003eJeremiah Clarke\u003c\/a\u003e is very typical of the \u003cstrong\u003eEnglish\u003c\/strong\u003e \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque\u003c\/a\u003e style.\u003cbr\u003e\u003cbr\u003e  It has a simple \u003cstrong\u003eA-A-B-B musical form\u003c\/strong\u003e :  \u003cul\u003e\n\u003cli\u003eMm. 1-8 : \u003cstrong\u003ePart A\u003c\/strong\u003e (played twice) in the main key of C Major\u003c\/li\u003e  \u003cli\u003eMm. 9-16 : \u003cstrong\u003ePart B\u003c\/strong\u003e (played twice) starts in the relative key of A minor, modulating back to C Major in measure 13\u003c\/li\u003e\n\u003c\/ul\u003e  Please take note that the editor has included in this score \u003cstrong\u003esuggested realizations for the ornaments\u003c\/strong\u003e, in this case \u003cstrong\u003eshakes\u003c\/strong\u003e (the English equivalent to a trill).\u003cbr\u003e\u003cbr\u003e  Furthermore, the \u003cstrong\u003edynamics in this score are editorial\u003c\/strong\u003e, as Clarke himself did not provide any dynamics indication in his manuscript.$$$$$$Duration : 01:20$$$$$$Source : \u003ca href=\"\/Clarke-Jeremiah.aspx\"\u003eJeremiah Clarke\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=44\"\u003eMiscellaneous Pieces for the Harpsichord or Spinnet\u003c\/a\u003e$$$$$$Undefined","brand":"Clarke, Jeremiah (ca 1674-1707)","offers":[{"title":"Default Title","offer_id":35706921451670,"sku":"70","price":2.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Ayre-C-Major.gif?v=1601222910"},{"product_id":"scarlatti-alessandro-arioso-d-minor","title":"Arioso in D minor","description":"Arioso$$$$$$This \u003cem\u003eArioso in D minor\u003c\/em\u003e by \u003ca href=\"\/Scarlatti-Alessandro.aspx\"\u003eAlessandro Scarlatti\u003c\/a\u003e is a beautiful work from the \u003cstrong\u003eItalian\u003c\/strong\u003e \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque period\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  The \u003cstrong\u003eeighth-note accompaniment\u003c\/strong\u003e in the left hand sustains and gives momentum to the \u003cstorng\u003elong and slow phrase in the right hand.\u003cbr\u003e\u003cbr\u003e  Please note that the editor has provided in this score \u003cstrong\u003esuggested realizations for the cadential trills\u003c\/strong\u003e in measures 8, 16 and 18.\u003cbr\u003e\u003cbr\u003e  According to \u003cstrong\u003eItalian Baroque performance practice\u003c\/strong\u003e, such cadential trills are played \u003cstrong\u003eON the beat and start on the upper auxiliary note\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  The choice of dynamics is left to the player, as Scarlatti himself did not provide any dynamics in his manuscript.$$$$$$Duration : 01:18$$$$$$Source : \u003ca href=\"\/Scarlatti-Alessandro.aspx\"\u003eAlessandro Scarlatti\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=70\"\u003eMiscellaneous Keyboard Pieces\u003c\/a\u003e.$$$$$$Undefined\u003c\/storng\u003e","brand":"Scarlatti, Alessandro (1660-1725)","offers":[{"title":"Default Title","offer_id":35706921517206,"sku":"72","price":1.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Arioso-D-Minor.gif?v=1601222913"},{"product_id":"pachelbel-fuga-c-major","title":"Fuga in C Major","description":"Fugue - Fughetta$$$$$$This \u003cem\u003eFugue in C Major\u003c\/em\u003e by \u003ca href=\"\/Pachelbel-Johann.aspx\"\u003eJohann Pachelbel\u003c\/a\u003e was \u003cstrong\u003ecomposed for the organ\u003c\/strong\u003e, but it can also be played on the \u003cstrong\u003epiano\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  It is a very simple \u003cstrong\u003etwo-voice fugue\u003c\/strong\u003e with a \u003cstrong\u003efour-measure subject\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  The editor has added to this score a \u003cstrong\u003esuggested realization for the trill\u003c\/strong\u003e in measure 23.\u003cbr\u003e\u003cbr\u003e  This \u003cstrong\u003ecadential trill\u003c\/strong\u003e is to start \u003cstrong\u003eON the beat, on the upper auxiliary note\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  More or less \u003cstrong\u003erepercussions\u003c\/strong\u003e may be played depending on the player's ability.$$$$$$Duration : 00:58$$$$$$Source : \u003ca href=\"\/Pachelbel-Johann.aspx\"\u003eJohann Pachelbel\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=71\"\u003eMiscellaneous Keyboard Pieces\u003c\/a\u003e.$$$$$$Undefined","brand":"Pachelbel, Johann (1653-1706)","offers":[{"title":"Default Title","offer_id":35706921582742,"sku":"73","price":2.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Fuga-C-Major.gif?v=1601222915"},{"product_id":"scarlatti-alessandro-minuetto-scherzando","title":"Minuetto Scherzando in E minor","description":"Minuet - Menuet - Menuetto$$$$$$A \u003ci\u003eMinuetto\u003c\/i\u003e is the Italian word for \u003ci\u003eminuet\u003c\/i\u003e or \u003ci\u003emenuet\u003c\/i\u003e, a \u003cstrong\u003etriple-meter dance originating from France\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  According to \u003ca href=\"\/Bach-Johann-Christian.aspx\"\u003eJohann Christian Bach\u003c\/a\u003e, the player should give a \u003cstrong\u003eslight accent to the first beat of every two bars\u003c\/strong\u003e of the menuet in order to give pulse and direction to the dance.\u003cbr\u003e\u003cbr\u003e  This is an \u003cstrong\u003eItalian\u003c\/strong\u003e \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque\u003c\/a\u003e minuet by \u003ca href=\"\/Scarlatti-Alessandro.aspx\"\u003eAlessandro Scarlatti\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  Although Scarlatti himself provided no tempo indication, this minuetto should be played in a rather \u003cstrong\u003emoderate tempo\u003c\/strong\u003e, around MM=132 per eighth note.\u003cbr\u003e\u003cbr\u003e  For your convenience, the editor has added to this score \u003cstrong\u003esuggested realizations for the cadential trills\u003c\/strong\u003e in measures 7, 15 and 23.\u003cbr\u003e\u003cbr\u003e  According to \u003cstrong\u003eBaroque performance practice\u003c\/strong\u003e, such cadential trills are mandatory even if not indicated by the composer, and should start on the upper note, ON the beat.\u003cbr\u003e\u003cbr\u003e  Furthermore, the \u003cstrong\u003echords\u003c\/strong\u003e in measures 8, 16 and 24 ought to be \u003cstrong\u003ebroken rapidly\u003c\/strong\u003e. Although we prefer to break them \u003cstrong\u003eupwards\u003c\/strong\u003e, the player can very well choose to break them downwards, or even both ways.  $$$$$$Duration : 00:40$$$$$$Source : \u003ca href=\"\/Scarlatti-Alessandro.aspx\"\u003eAlessandro Scarlatti\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=70\"\u003eMiscellaneous Keyboard Pieces\u003c\/a\u003e.$$$$$$Undefined","brand":"Scarlatti, Alessandro (1660-1725)","offers":[{"title":"Default Title","offer_id":35706921648278,"sku":"74","price":2.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Minuetto-Scherzando.gif?v=1601222916"},{"product_id":"pachelbel-gavotte-variations","title":"Gavotte and Variations in A minor","description":"Gavotte - Variation I - Variation II (Sarabande)$$$$$$This \u003cem\u003eGavotte and Variations in A minor\u003c\/em\u003e by \u003ca href=\"\/Pachelbel-Johann.aspx\"\u003eJohann Pachelbel\u003c\/a\u003e is a work from the \u003cstrong\u003eGerman\u003c\/strong\u003e \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque period\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  It has the following \u003cstrong\u003emusical form\u003c\/strong\u003e :  \u003cul\u003e\n\u003cli\u003eMm. 1-4 : \u003cstrong\u003eGavotte phrase A\u003c\/strong\u003e starting in the main key of A minor and modulating to the relative major key of C Major\u003c\/li\u003e  \u003cli\u003eMm. 5-8 : \u003cstrong\u003eGavotte phrase B\u003c\/strong\u003e starting and ending in the main key of A minor\u003c\/li\u003e  \u003cli\u003eMm. 9-12 : \u003cstrong\u003eVariation I - Phrase A\u003c\/strong\u003e : sixteenth notes in the right hand\u003c\/li\u003e  \u003cli\u003eMm. 13-16 : \u003cstrong\u003eVariation I - Phrase B\u003c\/strong\u003e : again with sixteenth notes in the right hand\u003c\/li\u003e  \u003cli\u003eMm. 17-24 : \u003cstrong\u003eVariation II : Sarabande - Phrase A\u003c\/strong\u003e : quiet eighth notes in the right hand\u003c\/li\u003e  \u003cli\u003eMm. 25-32 : \u003cstrong\u003eVariation II : Sarabande - Phrase B\u003c\/strong\u003e : faster-moving rhythmic pattern leading to the final cadence in A minor\u003c\/li\u003e\n\u003c\/ul\u003e  Please note that following Variation II, the player \u003cstrong\u003emay repeat the Gavotte\u003c\/strong\u003e (the first eight measures).\u003cbr\u003e\u003cbr\u003e  Please note that the editor has added in this score \u003cstrong\u003esuggestions for the correct realization of the ornaments\u003c\/strong\u003e in accordance with \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque\u003c\/a\u003e performance practice.\u003cbr\u003e\u003cbr\u003e  All \u003cstrong\u003etrills start on the upper note, ON the beat\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  In the cadential trills in measures 4, 8, 20, 24 and 32, \u003cstrong\u003ethe dotted quarter note is played as if it were double dotted\u003c\/strong\u003e, thus making the short notes at the end of trills \u003cstrong\u003euniformly sixteenth notes throughout the piece\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  Also, the chords at the end of phrases may be \u003cstrong\u003ebroken slightly\u003c\/strong\u003e, as was customarily done in the \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque period\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  Finally, the \u003cstrong\u003edynamics in this score are editorial\u003c\/strong\u003e and should be considered as mere suggestions to the player, as \u003ca href=\"\/Pachelbel-Johann.aspx\"\u003ePachelbel\u003c\/a\u003e himself did not provide any dynamics in his manuscript.$$$$$$Duration : 02:40$$$$$$Source : \u003ca href=\"\/Pachelbel-Johann.aspx\"\u003eJohann Pachelbel\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=71\"\u003eMiscellaneous Keyboard Pieces\u003c\/a\u003e.$$$$$$Undefined","brand":"Pachelbel, Johann (1653-1706)","offers":[{"title":"Default Title","offer_id":35706921681046,"sku":"75","price":3.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Gavotte-Variations.gif?v=1601222918"},{"product_id":"scarlatti-sonata-34","title":"Sonata in D minor, K 34, LS 7","description":"Larghetto$$$$$$During the course of his life, \u003ca href=\"\/Scarlatti-Domenico.aspx\"\u003eDomenico Scarlatti\u003c\/a\u003e composed some \u003cstrong\u003e550 harpsichord sonatas\u003c\/strong\u003e for his royal pupil and patroness, Queen Maria Barbara of Spain.\u003cbr\u003e\u003cbr\u003e  This \u003cem\u003eSonata in D minor\u003c\/em\u003e, K 34, LS 7 is \u003cstrong\u003eone of the easiest\u003c\/strong\u003e of these sonatas.\u003cbr\u003e\u003cbr\u003e  It has \u003cstrong\u003eone single movement : \u003ci\u003eLarghetto\u003c\/i\u003e\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  Its \u003cstrong\u003emusical form is A-A-B-B\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  Although \u003cstrong\u003ecomposed for the harpsichord\u003c\/strong\u003e, this sonata is also very beautiful when played on the \u003cstrong\u003epiano\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  Please note that this score contains \u003cstrong\u003esuggestions for performing the ornaments\u003c\/strong\u003e in accordance with \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque\u003c\/a\u003e performance practice.\u003cbr\u003e\u003cbr\u003e  These ornaments are as follows :  \u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrills\u003c\/strong\u003e (measures 4, 8, 16 and 24) : trills begin on the upper auxiliary note, ON the beat, and must have at least four notes\u003c\/li\u003e  \u003cli\u003e\n\u003cstrong\u003eAppoggiaturas\u003c\/strong\u003e (measure 12) : appoggiaturas are played ON the beat and take two-thirds of the main note's value when the main note is dotted, as is the case here\u003c\/li\u003e  \u003cli\u003e\n\u003cstrong\u003eMordents\u003c\/strong\u003e (measures 12 and 28) : mordents must have an incisive accent. They are played ON the beat and begin on the MAIN note, alternating very quickly with the lower auxiliary note\u003c\/li\u003e  \u003cli\u003e\n\u003cstrong\u003eSchleifer or slide\u003c\/strong\u003e (measure 19) : a \u003ci\u003eschleifer\u003c\/i\u003e is a two-note appoggiatura beginning a third above or below the main note. It is played ON the beat.\u003c\/li\u003e\n\u003c\/ul\u003e  Note also that the \u003cstrong\u003etrill in measure 8 does not appear in the sources\u003c\/strong\u003e and is thus a suggestion from our editor.\u003cbr\u003e\u003cbr\u003e  Also, we suggest \u003cstrong\u003eadding an appoggiatura before the mordent in measure 28\u003c\/strong\u003e, as is done in measure 12.\u003cbr\u003e\u003cbr\u003e  Furthermore, note that the \u003cstrong\u003eLongo edition\u003c\/strong\u003e shows some differences from the other sources : in measure 6, the E has been changed to an F, while in measure 14, the C has been changed to a B flat.$$$$$$Duration : 02:19$$$$$$Source : \u003ca href=\"\/Scarlatti-Domenico.aspx\"\u003eDomenico Scarlatti\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=74\"\u003eSonatas for Harpsichord or Piano\u003c\/a\u003e.$$$$$$xLzBFJcbDc8","brand":"Scarlatti, Domenico (1685-1757)","offers":[{"title":"Default Title","offer_id":35706921746582,"sku":"76","price":4.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Sonata-34.png?v=1601222919"},{"product_id":"froberger-sarabande-b-minor","title":"Sarabande in B minor","description":"Saraband - Sarabanda$$$$$$The \u003cstrong\u003eSarabande\u003c\/strong\u003e is a \u003cstrong\u003eslow and expressive dance movement\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  The \u003cstrong\u003etypical rhythmic pattern\u003c\/strong\u003e of the Sarabande is : \u003cq\u003equarter note - dotted quarter note - eighth note - dotted half note\u003c\/q\u003e\u003cbr\u003e\u003cbr\u003e  This pattern is played with the \u003cstrong\u003edotted rhythm exaggerated\u003c\/strong\u003e : \u003cq\u003equarter note - double dotted quarter note - sixteenth note - dotted half note\u003c\/q\u003e\u003cbr\u003e  Hence the \u003cstrong\u003esecond beat of the first measure is accented and often ornamented\u003c\/strong\u003e (in this case with a trill).\u003cbr\u003e\u003cbr\u003e  This \u003cstrong\u003eSarabande\u003c\/strong\u003e by \u003ca href=\"\/Froberger-Johann-Jakob.aspx\"\u003eJohann Jakob Froberger\u003c\/a\u003e is a work very much representative of the \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque period\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  While playing it, the pianist or harpsichordist must give great care to the \u003cstrong\u003eornamentation and style typical to the Sarabande\u003c\/strong\u003e, and especially to the \u003cstrong\u003edouble dotted rhythm which is probably its main characteristic\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  In particular, the following points are important :  \u003cul\u003e\n\u003cli\u003eAll \u003cstrong\u003edotted quarter notes must be performed as double dotted\u003c\/strong\u003e and followed by a sixteenth note rather than an eighth note. This applies to all occurences of this rhythmic figure (measures 1, 3, 5, 6, 7, 9, 11, 14 and 15).\u003c\/li\u003e  \u003cli\u003eThe \u003cstrong\u003esecond beat of every odd numbered measure is to be slightly accented and often ornamented\u003c\/strong\u003e with a trill (except for measure 13)\u003c\/li\u003e  \u003cli\u003eSometimes, the \u003cstrong\u003etrill may be played only the second time\u003c\/strong\u003e, as we do in measures 1, 3, 5 and 14\u003c\/li\u003e  \u003cli\u003eThe \u003cstrong\u003efirst note of the trill may be slightly prolonged\u003c\/strong\u003e to add an elegant touch of dissonance\u003c\/li\u003e  \u003cli\u003eThe \u003cstrong\u003echords at the end of phrases may be broken rapidly\u003c\/strong\u003e, which produces a beautiful sound especially on the harpsichord\u003c\/li\u003e\n\u003c\/ul\u003e$$$$$$Duration : 01:36$$$$$$Source : \u003ca href=\"\/Froberger-Johann-Jakob.aspx\"\u003eJohann Jakob Froberger\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=75\"\u003eMiscellaneous Keyboard Pieces\u003c\/a\u003e.$$$$$$Undefined","brand":"Froberger, Johann Jakob (1616-1667)","offers":[{"title":"Default Title","offer_id":35706921779350,"sku":"77","price":1.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Sarabande-B-Minor.gif?v=1601222921"},{"product_id":"zipoli-little-prelude","title":"Little Prelude in A minor","description":"Prelude - Prélude$$$$$$This \u003cem\u003eLittle Prelude in A minor\u003c\/em\u003e by \u003ca href=\"\/Zipoli-Domenico.aspx\"\u003eDomenico Zipoli\u003c\/a\u003e is a work from the \u003cstrong\u003eItalian\u003c\/strong\u003e \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque period\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  It has a very simple \u003cstrong\u003eA-A-B-B musical form\u003c\/strong\u003e :  \u003cul\u003e\n\u003cli\u003eMeasures 1-8 : \u003cstrong\u003ePhrase A :\u003c\/strong\u003e starting in A minor and modulating to the dominant key of E Major. The melody is played by the \u003cstrong\u003eright hand\u003c\/strong\u003e\n\u003c\/li\u003e  \u003cli\u003eMeasures 9-16 : \u003cstrong\u003ePhrase B :\u003c\/strong\u003e starting in the relative major key of C Major and modulating back to the main key of A minor at measure 13. The melody is played by the \u003cstrong\u003eleft hand\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e  This \u003cem\u003eLittle Prelude in A minor\u003c\/em\u003e is very effective for developing a \u003cstrong\u003egood balance between the right and left hands\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  In the first 8 measures (Phrase A), the right hand plays the melody and hence should be more in evidence while the left hand plays a soft accompaniment.\u003cbr\u003e\u003cbr\u003e  In the last 8 measures (Phrase B), the left hand plays the melody while the right hand plays the accompaniment.\u003cbr\u003e\u003cbr\u003e  Please take note that the dynamics and tempo marking in this score are editorial and are provided as mere indications to the player.$$$$$$Duration : 01:00$$$$$$Source : \u003ca href=\"\/Zipoli-Domenico.aspx\"\u003eDomenico Zipoli\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=76\"\u003eMiscellaneous Keyboard Pieces\u003c\/a\u003e.$$$$$$Undefined","brand":"Zipoli, Domenico (1688-1726)","offers":[{"title":"Default Title","offer_id":35706921812118,"sku":"78","price":1.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Little-Prelude.gif?v=1601222922"},{"product_id":"dandrieu-menuet-g-major","title":"Menuet in G Major","description":"Minuet$$$$$$This \u003cem\u003eMenuet in G Major\u003c\/em\u003e by \u003ca href=\"\/Dandrieu-Jean-Francois.aspx\"\u003eJean-François Dandrieu\u003c\/a\u003e is an easy dance movement from the \u003cstrong\u003eFrench\u003c\/strong\u003e \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque period\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  It has a simple \u003cstrong\u003eA-A-B-B musical form\u003c\/strong\u003e :  \u003cul\u003e\n\u003cli\u003eMeasures 1-16 : \u003cstrong\u003ePhrase A\u003c\/strong\u003e starting in the main key of G Major and modulating to the dominant key of D Major in measure 14\u003c\/li\u003e  \u003cli\u003eMeasures 17-32 : \u003cstrong\u003ePhrase B\u003c\/strong\u003e entirely in G Major\u003c\/li\u003e\n\u003c\/ul\u003e  For your convenience, this score contains \u003cstrong\u003esuggestions for the correct realization of the trills\u003c\/strong\u003e in accordance with \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque\u003c\/a\u003e performance practice.\u003cbr\u003e\u003cbr\u003e  In particular, \u003cstrong\u003etrills begin ON the beat, on the upper auxiliary note\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  Also, the \u003cstrong\u003echords at the end of phrases may be rapidly broken\u003c\/strong\u003e, which yields a charming effect very typical of \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque\u003c\/a\u003e keyboard instruments.$$$$$$Duration : 01:56$$$$$$Source : \u003ca href=\"\/Dandrieu-Jean-Francois.aspx\"\u003eJean-François Dandrieu\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=77\"\u003eMiscellaneous Harpsichord Pieces\u003c\/a\u003e.$$$$$$Undefined","brand":"Dandrieu, Jean-François (1682-1738)","offers":[{"title":"Default Title","offer_id":35706921844886,"sku":"79","price":2.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Menuet-G-Major.gif?v=1601222924"},{"product_id":"couperin-charoloise","title":"La Charoloise","description":"Pièces de clavecin - La Charolaise$$$$$$This short piece \u003cem\u003eLa Charoloise\u003c\/em\u003e by \u003ca href=\"\/Couperin-Francois.aspx\"\u003eFrançois Couperin\u003c\/a\u003e is a work from the \u003cstrong\u003eFrench\u003c\/strong\u003e \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque period\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  It has the following \u003cstrong\u003eA-A-B-B musical form :\u003c\/strong\u003e  \u003cul\u003e\n\u003cli\u003eMeasures 1-6 : \u003cstrong\u003ePhrase A\u003c\/strong\u003e in the main key of D minor\u003c\/li\u003e  \u003cli\u003eMeasures 7-14 : \u003cstrong\u003ePhrase B\u003c\/strong\u003e starting in G Major, then modulating back to D minor in measure 10\u003c\/li\u003e\n\u003c\/ul\u003e  Please take note that unlike other composers of the \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque period\u003c\/a\u003e, \u003ca href=\"\/Couperin-Francois.aspx\"\u003eFrançois Couperin\u003c\/a\u003e insisted that \u003cstrong\u003eno ornamentation of any kind be added to his music other than the ornaments he himself indicated\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  In order to assist the player, the editor has added to this score \u003cstrong\u003esuggestions for the realization of the ornaments\u003c\/strong\u003e in accordance with French \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque\u003c\/a\u003e performance practice.\u003cbr\u003e\u003cbr\u003e  These ornaments are :  \u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMordents\u003c\/strong\u003e (in the left hand, measures 1, 2, 3, 6, 7, 8, 9, 10 and 14) : mordents begin on the main note, ON the beat, and should be played as rapidly as possible with a biting character\u003c\/li\u003e  \u003cli\u003e\n\u003cstrong\u003eTrills\u003c\/strong\u003e (measures 2, 4, 5, 6, 8, 10, 11 and 13) : trills begin on the upper auxiliary note and are played ON the beat\u003c\/li\u003e\n\u003c\/ul\u003e$$$$$$Duration : 00:50$$$$$$Source : \u003ca href=\"\/Couperin-Francois.aspx\"\u003eFrançois Couperin\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=78\"\u003ePièces de clavecin, premier livre\u003c\/a\u003e [Harpsichord Pieces, Book 1] (Paris, 1713).$$$$$$Undefined","brand":"Couperin, François (1668-1733)","offers":[{"title":"Default Title","offer_id":35706921877654,"sku":"80","price":2.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Charoloise.gif?v=1601222925"},{"product_id":"couperin-bourbonnoise","title":"La Bourbonnoise (Gavotte)","description":"Pièces de clavecin - La Bourbonnaise - Gavotte in G Major$$$$$$This short piece \u003cem\u003eLa Bourbonnoise\u003c\/em\u003e by \u003ca href=\"\/Couperin-Francois.aspx\"\u003eFrançois Couperin\u003c\/a\u003e is a work from the \u003cstrong\u003eFrench\u003c\/strong\u003e \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque period\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  It has the following \u003cstrong\u003eA-A-B-B musical form :\u003c\/strong\u003e  \u003cul\u003e\n\u003cli\u003eMeasures 1-8 : \u003cstrong\u003ePhrase A\u003c\/strong\u003e beginning in the main key of G Major and modulating to the dominant key of D Major in measure 7\u003c\/li\u003e  \u003cli\u003eMeasures 9-16 : \u003cstrong\u003ePhrase B\u003c\/strong\u003e entirely in the main key of G Major\u003c\/li\u003e\n\u003c\/ul\u003e  Please take note that unlike other composers of the \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque period\u003c\/a\u003e, \u003ca href=\"\/Couperin-Francois.aspx\"\u003eFrançois Couperin\u003c\/a\u003e insisted that \u003cstrong\u003eno ornamentation of any kind be added to his music other than the ornaments he himself indicated\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  In order to assist the player, the editor has added to this score \u003cstrong\u003esuggestions for the realization of the ornaments\u003c\/strong\u003e in accordance with French \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque\u003c\/a\u003e performance practice.\u003cbr\u003e\u003cbr\u003e  These ornaments are :  \u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrills\u003c\/strong\u003e (as in measures 0 and 2) : trills begin on the upper auxiliary note and are played ON the beat\u003c\/li\u003e  \u003cli\u003e\n\u003cstrong\u003eMordents\u003c\/strong\u003e (as in measure 7, left hand) : mordents begin on the main note, ON the beat, and should be played as rapidly as possible with a biting character\u003c\/li\u003e  \u003cli\u003e\n\u003cstrong\u003eAppoggiaturas\u003c\/strong\u003e (as in measure 4) : appoggiaturas are played ON the beat and take up one half of the main note's value\u003c\/li\u003e\n\u003c\/ul\u003e$$$$$$Duration : 01:40$$$$$$Source : \u003ca href=\"\/Couperin-Francois.aspx\"\u003eFrançois Couperin\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=78\"\u003ePièces de clavecin, premier livre\u003c\/a\u003e [Harpsichord Pieces, Book 1] (Paris, 1713).$$$$$$Undefined","brand":"Couperin, François (1668-1733)","offers":[{"title":"Default Title","offer_id":35706921943190,"sku":"81","price":2.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Bourbonnoise.gif?v=1601222927"},{"product_id":"neufville-sarabande","title":"Sarabande in G minor","description":"Adagio con espressione$$$$$$This \u003cem\u003eSarabande in G minor\u003c\/em\u003e by \u003ca href=\"\/Neufville-Johann-Jakob-De.aspx\"\u003eJohann Jakob de Neufville\u003c\/a\u003e is a work from the \u003cstrong\u003eGerman\u003c\/strong\u003e \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque period\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  It has the following \u003cstrong\u003eA-A-B-B musical form :\u003c\/strong\u003e  \u003cul\u003e\n\u003cli\u003eMeasures 1-8 : \u003cstrong\u003ePhrase A\u003c\/strong\u003e entirely in the main key of G minor\u003c\/li\u003e  \u003cli\u003eMeasures 9-28 : \u003cstrong\u003ePhrase B\u003c\/strong\u003e starting in the relative major key of B flat Major and modulating back to G minor in measure 17\u003c\/li\u003e\n\u003c\/ul\u003e  The \u003cem\u003eSarabande\u003c\/em\u003e is to be played rather \u003cstrong\u003eslowly\u003c\/strong\u003e, with \u003cstrong\u003eexaggeration of the dotted rhythm\u003c\/strong\u003e : a dotted quarter note followed by an eighth note becomes a double-dotted quarter note followed by a sixteenth note.\u003cbr\u003e\u003cbr\u003e  While playing this piece, the pianist or harpsichordist must give great care to the \u003cstrong\u003eornamentation and style typical to the Sarabande\u003c\/strong\u003e, and especially to the \u003cstrong\u003edouble dotted rhythm which is probably its main characteristic\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  In particular, the following points are important :  \u003cul\u003e\n\u003cli\u003eAll \u003cstrong\u003edotted quarter notes must be performed as double dotted\u003c\/strong\u003e and followed by a sixteenth note rather than an eighth note. This applies to all occurences of this rhythmic figure\u003c\/li\u003e  \u003cli\u003eThe \u003cstrong\u003edotted quarter note is to be slightly accented and often ornamented\u003c\/strong\u003e with a trill, mordent or appoggiatura\u003c\/li\u003e  \u003cli\u003eThe \u003cstrong\u003efirst note of the trill may be slightly prolonged\u003c\/strong\u003e to add an elegant touch of dissonance\u003c\/li\u003e\n\u003c\/ul\u003e  In order to assist you in playing the ornaments in accordance with \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque\u003c\/a\u003e performance practice, the editor has included in this score \u003cstrong\u003esuggestions for the correct realization of the ornaments\u003c\/strong\u003e.$$$$$$Duration : 02:50$$$$$$Source : \u003ca href=\"\/Neufville-Johann-Jakob-De.aspx\"\u003eJohann Jakob de Neufville\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=80\"\u003eMiscellaneous Keyboard Pieces\u003c\/a\u003e.$$$$$$Undefined","brand":"Neufville, Johann Jakob de (1684-1712)","offers":[{"title":"Default Title","offer_id":35706921975958,"sku":"82","price":2.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Sarabande.gif?v=1601222929"},{"product_id":"graupner-intrada","title":"Intrada in C Major","description":"Intrada$$$$$$This \u003cstrong\u003e\u003cem\u003eIntrada in C Major\u003c\/em\u003e\u003c\/strong\u003e by \u003ca href=\"\/Graupner-Christoph.aspx\"\u003eChristoph Graupner\u003c\/a\u003e is a work from the \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque period\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  It is to be played in a \u003cstrong\u003erather rapid tempo\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  It has an \u003cstrong\u003eA-B-A' musical structure :\u003c\/strong\u003e\u003cbr\u003e  \u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePhrase A :\u003c\/strong\u003e measures 1 to 8\u003c\/li\u003e  \u003cli\u003e\n\u003cstrong\u003ePhrase B 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href=\"\/Smith-John-Stafford.aspx\"\u003eJohn Stafford Smith\u003c\/a\u003e (1750-1836).\u003cbr\u003e  Words : \u003cstrong\u003eFrancis Scott Key (1779-1843)\u003c\/strong\u003e, 1814.$$$$$$Undefined","brand":"Smith, John Stafford (1750-1836)","offers":[{"title":"Default Title","offer_id":35706922074262,"sku":"84","price":3.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Star-Spangled-Banner_12bfac81-53ef-490f-bda7-ea1765645c48.gif?v=1601222932"},{"product_id":"telemann-partia-32-1-gigue","title":"Partia à Cembalo solo, TWV 32:1 (6\/6 : Gigue à l'angloise) -- Urtext","description":"Partita in G Major - Gigue a l'angloise - Suite$$$$$$This \u003cstrong\u003e\u003cem\u003eGigue à l'angloise\u003c\/em\u003e [Gigue in the English style]\u003c\/strong\u003e was composed by \u003ca href=\"\/Telemann-Georg-Philipp.aspx\"\u003eGeorg Philipp Telemann\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  It is the \u003cstrong\u003esixth and last movement\u003c\/strong\u003e in Telemann' \u003cstrong\u003e\u003cem\u003ePartia à Cembalo solo\u003c\/em\u003e, TWV 32:1\u003c\/strong\u003e for harpsichord solo.\u003cbr\u003e\u003cbr\u003e  This \u003cstrong\u003e\u003cem\u003ePartia\u003c\/em\u003e\u003c\/strong\u003e (or \u003cem\u003ePartita\u003c\/em\u003e or \u003cem\u003eSuite\u003c\/em\u003e) is a work from the \u003cstrong\u003eGerman\u003c\/strong\u003e \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque period\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  It was \u003cstrong\u003efirst published in Hamburg in 1728-1729\u003c\/strong\u003e in \u003cem\u003eDer getreue Music-Meister\u003c\/em\u003e.\u003cbr\u003e\u003cbr\u003e  This \u003cstrong\u003e\u003cem\u003eGigue à l'Angloise\u003c\/em\u003e\u003c\/strong\u003e has a simple \u003cstrong\u003eA-A-B-B musical form\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  It ought to be played in a \u003cstrong\u003elively tempo\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  Please note that this score contains suggestions for \u003cstrong\u003eadding ornaments (here : trills and mordents) and embellishments\u003c\/strong\u003e in accordance with the performance practice of the \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque period\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  Of course, these are only suggestions and should be adapted to the player's taste and ability.$$$$$$Duration : 00:52$$$$$$Source : \u003ca href=\"\/Telemann-Georg-Philipp.aspx\"\u003eGeorg Philipp Telemann\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=82\"\u003eSuites for Harpsichord, TWV 32\u003c\/a\u003e$$$$$$LbGmKVbXuvs","brand":"Telemann, Georg Philipp (1681-1767)","offers":[{"title":"Default Title","offer_id":35706922107030,"sku":"85","price":2.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Partia-32-1-Gigue_85268d8c-1a84-41fa-9ece-cf6f72dbfcda.png?v=1601222934"},{"product_id":"bach-polonaise-117-a","title":"Polonaise in F Major, BWV Anhang 117a -- Urtext","description":"From the \u003cem\u003eNotebook for Anna Magdalena Bach\u003c\/em\u003e$$$$$$This \u003cem\u003ePolonaise in F Major, BWV Anhang 117\u003c\/em\u003e was composed during the \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque period\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  Although this polonaise is attributed to \u003ca href=\"\/Bach-Johann-Sebastian.aspx\"\u003eJohann Sebastian Bach\u003c\/a\u003e, musicologists are not certain as to the composer's true identity.\u003cbr\u003e\u003cbr\u003e  This polonaise has a simple \u003cstrong\u003eA-A-B-B musical form\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  \u003cstrong\u003eTwo versions of this polonaise\u003c\/strong\u003e appear in Anna Magdalena Bach's Notebook : \u003ca href=\"\/Bach\/Polonaise-117-A.aspx\"\u003eBWV Anhang 117a\u003c\/a\u003e and \u003ca href=\"\/Bach\/Polonaise-117-B.aspx\"\u003eBWV Anhang 117b\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  They \u003cstrong\u003ediffer mainly by the ornaments\u003c\/strong\u003e used in each one.\u003cbr\u003e\u003cbr\u003e  Please compare this \u003cem\u003ePolonaise BWV Anhang 117a\u003c\/em\u003e to its sister version \u003ca href=\"\/Bach\/Polonaise-117-B.aspx\"\u003ePolonaise BWV Anhang 117b\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  The following points are important concerning the \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque period\u003c\/a\u003e performance practice appropriate for this Polonaise :  \u003cul\u003e\n\u003cli\u003eMost quarter notes in the left hand should be played \u003cstrong\u003eslightly detached\u003c\/strong\u003e\n\u003c\/li\u003e  \u003cli\u003e\n\u003cstrong\u003eMordents\u003c\/strong\u003e (such as in measure 1, first beat) begin on the main note and are played very rapidly, ON the beat\u003c\/li\u003e  \u003cli\u003e\n\u003cstrong\u003eAppogiaturas\u003c\/strong\u003e (such as in measure1, second beat) are played ON the beat and take up one half of the main note's value\u003c\/li\u003e  \u003cli\u003e\n\u003cstrong\u003eTrills\u003c\/strong\u003e (such as in measure 13, second beat) begin on the upper auxiliary note and are played ON the beat\u003c\/li\u003e  \u003cli\u003e\n\u003cb\u003e→\u003c\/b\u003e For your convenience, the editor has included in this score a \u003cstrong\u003esuggestion for the proper realization\u003c\/strong\u003e of each one of these ornaments in smaller print\u003c\/li\u003e\n\u003c\/ul\u003e$$$$$$Duration : 01:04$$$$$$Source : \u003ca href=\"\/Bach-Johann-Sebastian.aspx\"\u003eJohann Sebastian Bach\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=23\"\u003ePieces from the \u003cem\u003eNotebook for Anna Magdalena Bach\u003c\/em\u003e\u003c\/a\u003e [Notenbüchlein für Anna Magdalena Bach] (1725).$$$$$$Undefined","brand":"Bach, Johann Sebastian (1685-1750)","offers":[{"title":"Default Title","offer_id":35706922172566,"sku":"86","price":2.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Polonaise-117-A.gif?v=1601222935"},{"product_id":"bach-menuet-116","title":"Menuet in G Major, BWV Anhang 116 -- Urtext","description":"Minuet from the \u003cem\u003eNotebook for Anna Magdalena Bach\u003c\/em\u003e$$$$$$This famous \u003cem\u003eMenuet in G Major, BWV Anhang 116\u003c\/em\u003e is the \u003cstrong\u003e7th entry\u003c\/strong\u003e in \u003ca href=\"\/Notebook-Anna-Magdalena-Bach.aspx\"\u003eAnna Magdalena Bach's Notebook\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  \u003ca href=\"\/Bach-Johann-Sebastian.aspx\"\u003eJohann Sebastian Bach\u003c\/a\u003e gave this notebook to his wife Anna Magdalena in 1725.\u003cbr\u003e\u003cbr\u003e  Over the years, the notebook was filled with favorite selections of the members of the Bach family.\u003cbr\u003e\u003cbr\u003e  This score is an \u003cstrong\u003eUrtext\u003c\/strong\u003e based on the original manuscripts available.\u003cbr\u003e\u003cbr\u003e  This minuet has a simple \u003cstrong\u003eA-A-B-B musical form\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  Please note that in measure 24, \u003cstrong\u003emost modern editions show a D# in the right hand\u003c\/strong\u003e. However, \u003cstrong\u003ethis D# does not appear in the original manuscript\u003c\/strong\u003e, and so there is uncertainty as to whether D natural or D sharp is intended.$$$$$$Duration : 01:50$$$$$$Source : \u003ca href=\"\/Bach-Johann-Sebastian.aspx\"\u003eJohann Sebastian Bach\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=23\"\u003ePieces from the \u003cem\u003eNotebook for Anna Magdalena Bach\u003c\/em\u003e\u003c\/a\u003e [Notenbüchlein für Anna Magdalena Bach] (1725).$$$$$$_ta2XgvvqIg","brand":"Bach, Johann Sebastian (1685-1750)","offers":[{"title":"Default Title","offer_id":35706922205334,"sku":"87","price":2.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Menuet-116_58a84d84-0a50-4009-9657-9f064579b4a8.png?v=1601222936"},{"product_id":"bach-cpe-polonaise-123","title":"Polonaise in G minor, BWV Anhang 123 -- Urtext","description":"From the \u003cem\u003eNotebook for Anna Magdalena Bach\u003c\/em\u003e$$$$$$This lyrical \u003cem\u003ePolonaise in G minor, BWV Anhang 123\u003c\/em\u003e is the \u003cstrong\u003e17th entry\u003c\/strong\u003e in \u003ca href=\"\/Notebook-Anna-Magdalena-Bach.aspx\"\u003eAnna Magdalena Bach's Notebook\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  \u003ca href=\"\/Bach-Johann-Sebastian.aspx\"\u003eJohann Sebastian Bach\u003c\/a\u003e gave this notebook to his wife Anna Magdalena in 1725.\u003cbr\u003e\u003cbr\u003e  Over the years, the notebook was filled with favorite selections of the members of the Bach family.\u003cbr\u003e\u003cbr\u003e  This score is an \u003cstrong\u003eUrtext\u003c\/strong\u003e based on the original manuscripts available.\u003cbr\u003e\u003cbr\u003e  This \u003cem\u003ePolonaise BWV Anhang 123\u003c\/em\u003e was probably \u003cstrong\u003ecomposed ca 1733\u003c\/strong\u003e and was \u003cstrong\u003eentered by C.P.E. Bach himself\u003c\/strong\u003e in Anna Magdalena Bach's notebook.\u003cbr\u003e\u003cbr\u003e  It has a simple \u003cstrong\u003eA-A-B-A musical form :\u003c\/strong\u003e  \u003cul\u003e\n\u003cli\u003eMeasures 1-8 : \u003cstrong\u003ePhrase A\u003c\/strong\u003e (played twice) in the main key of G minor, made up mainly of \u003cstrong\u003eparallel sixths\u003c\/strong\u003e in the right hand\u003c\/li\u003e  \u003cli\u003eMeasures 9-18 : \u003cstrong\u003ePhrase B\u003c\/strong\u003e in the relative major key of B flat Major\u003c\/li\u003e  \u003cli\u003eMeasures 1-8 : \u003cstrong\u003ePhrase A\u003c\/strong\u003e repeated\u003c\/li\u003e\n\u003c\/ul\u003e  In accordance with \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque\u003c\/a\u003e performance practice, remember that \u003cstrong\u003eunslurred quarter and eighth notes should be played slightly detached\u003c\/strong\u003e, such as in measures 7 or 15-18 in the left hand.$$$$$$Duration : 02:04$$$$$$Source : \u003ca href=\"\/Bach-Carl-Philipp-Emanuel.aspx\"\u003eCarl Philipp Emanuel Bach\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=22\"\u003ePieces from the \u003cem\u003eNotebook for Anna Magdalena Bach\u003c\/em\u003e\u003c\/a\u003e.\u003cbr\u003e  For the complete contents of this \u003cem\u003eNotebook\u003c\/em\u003e, please refer to : \u003ca href=\"\/Notebook-Anna-Magdalena-Bach.aspx\"\u003eNotebook for Anna Magdalena Bach\u003c\/a\u003e [Notenbüchlein für Anna Magdalena Bach], 1725.$$$$$$6-y2a6bBv_U","brand":"Bach, Carl Philipp Emanuel (1714-1788)","offers":[{"title":"Default Title","offer_id":35706922238102,"sku":"88","price":1.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Polonaise-123_9e0c5b8a-78c1-4a78-b533-92675da8d66e.png?v=1601222938"},{"product_id":"bach-menuet-121","title":"Menuet in C minor, BWV Anhang 121 -- Urtext","description":"Minuet from the \u003cem\u003eNotebook for Anna Magdalena Bach\u003c\/em\u003e$$$$$$This lovely \u003cem\u003eMenuet in C minor, BWV Anhang 121\u003c\/em\u003e is the \u003cstrong\u003e15th entry\u003c\/strong\u003e in \u003ca href=\"\/Notebook-Anna-Magdalena-Bach.aspx\"\u003eAnna Magdalena Bach's Notebook\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  \u003ca href=\"\/Bach-Johann-Sebastian.aspx\"\u003eJohann Sebastian Bach\u003c\/a\u003e gave this notebook to his wife Anna Magdalena in 1725.\u003cbr\u003e\u003cbr\u003e  Over the years, the notebook was filled with favorite selections of the members of the Bach family.\u003cbr\u003e\u003cbr\u003e  This score is an \u003cstrong\u003eUrtext\u003c\/strong\u003e based on the original manuscripts available.\u003cbr\u003e\u003cbr\u003e  This minuet has a simple \u003cstrong\u003eA-A-B-B musical form\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  Please note that the editor has included in this score a \u003cstrong\u003esuggestion for the realization of the trill\u003c\/strong\u003e in measure 4, in accordance with \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque\u003c\/a\u003e performance practice.\u003cbr\u003e\u003cbr\u003e  In particular, \u003cstrong\u003ethe trill is to be played ON the beat, starting on the upper auxiliary note\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  More or less repercussions may be played depending on the player's ability.$$$$$$Duration : 01:24$$$$$$Source : \u003ca href=\"\/Bach-Johann-Sebastian.aspx\"\u003eJohann Sebastian Bach\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=23\"\u003ePieces from the \u003cem\u003eNotebook for Anna Magdalena Bach\u003c\/em\u003e\u003c\/a\u003e [Notenbüchlein für Anna Magdalena Bach] (1725).$$$$$$mvAze0GxdOg","brand":"Bach, Johann Sebastian (1685-1750)","offers":[{"title":"Default Title","offer_id":35706922270870,"sku":"89","price":1.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Menuet-121_ac10a296-0c0f-4416-be51-0ae034c37f8f.png?v=1601222940"},{"product_id":"clarke-minuet-c-minor","title":"Minuet in C minor -- Urtext","description":"Menuet$$$$$$This \u003cem\u003eMinuet in C minor\u003c\/em\u003e by composer \u003ca href=\"\/Clarke-Jeremiah.aspx\"\u003eJeremiah Clarke\u003c\/a\u003e is very typical of the \u003cstrong\u003eEnglish\u003c\/strong\u003e \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque\u003c\/a\u003e style.\u003cbr\u003e\u003cbr\u003e  It has a simple \u003cstrong\u003eA-A-B-A musical form\u003c\/strong\u003e :  \u003cul\u003e\n\u003cli\u003eMeasures 1-8 : \u003cstrong\u003ePhrase A\u003c\/strong\u003e (played twice) in the main key of C minor\u003c\/li\u003e  \u003cli\u003eMeasures 9-16 : \u003cstrong\u003ePhrase B\u003c\/strong\u003e in the relative major key of E flat Major\u003c\/li\u003e  \u003cli\u003eMeasures 1-8 : \u003cstrong\u003ePhrase A\u003c\/strong\u003e played once again\u003c\/li\u003e\n\u003c\/ul\u003e  Please take note that the editor has included in this score \u003cstrong\u003esuggested realizations for the ornaments\u003c\/strong\u003e, in this case \u003cstrong\u003eshakes\u003c\/strong\u003e (the English equivalent to a trill).\u003cbr\u003e\u003cbr\u003e  In particular, \u003cstrong\u003eshakes are played ON the beat, starting with the upper auxiliary note\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  We suggest \u003cstrong\u003eadding a shake to measure 2\u003c\/strong\u003e in the left hand, in order to imitate the right hand in measure 1. The same is true for measure 6.\u003cbr\u003e\u003cbr\u003e  Also, we suggest \u003cstrong\u003eadding a shake to measures 8 and 16\u003c\/strong\u003e. Although this is optional, is adds a nice touch of dissonance to these cadences.\u003cbr\u003e\u003cbr\u003e  Furthermore, measure 16 bears the indication \u003cq\u003eEnd with the first strain\u003c\/q\u003e, meaning that the player should then repeat measures 1-8.$$$$$$Duration : 01:00$$$$$$Source : \u003ca href=\"\/Clarke-Jeremiah.aspx\"\u003eJeremiah Clarke\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=44\"\u003eMiscellaneous Pieces for the Harpsichord or Spinnet\u003c\/a\u003e$$$$$$Undefined","brand":"Clarke, Jeremiah (ca 1674-1707)","offers":[{"title":"Default Title","offer_id":35706922336406,"sku":"90","price":1.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Minuet-C-Minor.gif?v=1601222941"},{"product_id":"clarke-minuet-g-major","title":"Minuet in G Major -- Urtext","description":"Menuet$$$$$$This \u003cem\u003eMinuet in G Major\u003c\/em\u003e by composer \u003ca href=\"\/Clarke-Jeremiah.aspx\"\u003eJeremiah Clarke\u003c\/a\u003e is very typical of the \u003cstrong\u003eEnglish\u003c\/strong\u003e \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque\u003c\/a\u003e style.\u003cbr\u003e\u003cbr\u003e  It has a simple \u003cstrong\u003eA-A-B-A musical form\u003c\/strong\u003e :  \u003cul\u003e\n\u003cli\u003eMeasures 1-8 : \u003cstrong\u003ePhrase A\u003c\/strong\u003e (played twice) in the main key of G Major\u003c\/li\u003e  \u003cli\u003eMeasures 9-16 : \u003cstrong\u003ePhrase B\u003c\/strong\u003e starting in G Major and modulating to the dominant key of D Major in measure 14\u003c\/li\u003e  \u003cli\u003eMeasures 1-8 : \u003cstrong\u003ePhrase A\u003c\/strong\u003e played once again\u003c\/li\u003e\n\u003c\/ul\u003e  Please take note that the editor has included in this score \u003cstrong\u003esuggested realizations for the ornaments\u003c\/strong\u003e, in this case \u003cstrong\u003eshakes\u003c\/strong\u003e (the English equivalent to a trill).\u003cbr\u003e\u003cbr\u003e  In particular, \u003cstrong\u003eshakes are played ON the beat, starting with the upper auxiliary note\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  We also suggest \u003cstrong\u003eadding a backfall and shake to measures 8 and 16\u003c\/strong\u003e in the right hand.\u003cbr\u003e\u003cbr\u003e  A \u003cstrong\u003ebackfall and shake\u003c\/strong\u003e is a trill in which the starting note is prolonged in order to create a beautiful \u003cstrong\u003edissonance effect\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  Also, we have \u003cstrong\u003eadded a C# to the third beat of measure 15\u003c\/strong\u003e. The fact that it does not appear in the manuscript seems to be an error, as it is required for the perfect cadence in D Major.\u003cbr\u003e\u003cbr\u003e  In measures 2 and 6, we recommend \u003cstrong\u003eplaying the quarter notes as if they were double dotted\u003c\/strong\u003e, in order to make the short notes of the melody uniformly sixteenth notes.\u003cbr\u003e\u003cbr\u003e  In the same line of thought, the left hand eighth notes in measure 12 are to be played with the \u003cstrong\u003esame rhythmic dotted pattern\u003c\/strong\u003e as the rest of the Minuet.\u003cbr\u003e\u003cbr\u003e  Furthermore, measure 16 bears the indication \u003cstrong\u003e\u003ci\u003eEnd with the first strain\u003c\/i\u003e\u003c\/strong\u003e, meaning that the player should then repeat measures 1-8.$$$$$$Duration : 01:00$$$$$$Source : \u003ca href=\"\/Clarke-Jeremiah.aspx\"\u003eJeremiah Clarke\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=44\"\u003eMiscellaneous Pieces for the Harpsichord or Spinnet\u003c\/a\u003e$$$$$$Undefined","brand":"Clarke, Jeremiah (ca 1674-1707)","offers":[{"title":"Default Title","offer_id":35706922369174,"sku":"91","price":1.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Minuet-G-Major.gif?v=1601222942"},{"product_id":"bach-cpe-marche-124","title":"Marche in G Major, BWV Anhang 124 -- Urtext","description":"March from the \u003cem\u003eNotebook for Anna Magdalena Bach\u003c\/em\u003e$$$$$$This lively \u003cem\u003eMarche in G Major, BWV Anhang 124\u003c\/em\u003e is the \u003cstrong\u003e18th entry\u003c\/strong\u003e in \u003ca href=\"\/Notebook-Anna-Magdalena-Bach.aspx\"\u003eAnna Magdalena Bach's Notebook\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  \u003ca href=\"\/Bach-Johann-Sebastian.aspx\"\u003eJohann Sebastian Bach\u003c\/a\u003e gave this notebook to his wife Anna Magdalena in 1725.\u003cbr\u003e\u003cbr\u003e  Over the years, the notebook was filled with favorite selections of the members of the Bach family.\u003cbr\u003e\u003cbr\u003e  This score is an \u003cstrong\u003eUrtext\u003c\/strong\u003e based on the original manuscripts available.\u003cbr\u003e\u003cbr\u003e  This \u003cem\u003eMarche BWV Anhang 124\u003c\/em\u003e was probably \u003cstrong\u003ecomposed ca 1733\u003c\/strong\u003e and was \u003cstrong\u003eentered by C.P.E. Bach himself\u003c\/strong\u003e in Anna Magdalena Bach's notebook.\u003cbr\u003e\u003cbr\u003e  It has a simple \u003cstrong\u003eA-A-B-B musical form :\u003c\/strong\u003e  \u003cul\u003e\n\u003cli\u003eMeasures 1-9 : \u003cstrong\u003ePhrase A\u003c\/strong\u003e (played twice) in the main key of G Major, featuring many \u003cstrong\u003erepeated notes\u003c\/strong\u003e in both hands\u003c\/li\u003e  \u003cli\u003eMeasures 10-22 : \u003cstrong\u003ePhrase B\u003c\/strong\u003e (played twice) beginning in the dominant key of D Major and modulating back to G Major in measure 12\u003c\/li\u003e\n\u003c\/ul\u003e  Please note that some modern editions show a \u003cstrong\u003eC natural in measure 6\u003c\/strong\u003e (right hand, first and second beats). We feel that this is an omission and show a C# (in parentheses, since the # does not appear in the original manuscript).\u003cbr\u003e\u003cbr\u003e  In accordance with \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque\u003c\/a\u003e performance practice, remember that \u003cstrong\u003eunslurred quarter notes should be played slightly detached\u003c\/strong\u003e, especially in the left hand.\u003cbr\u003e\u003cbr\u003e  Please note that for your convenience, the editor has included in this score \u003cstrong\u003esuggestions for the realization of the ornaments :\u003c\/strong\u003e  \u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrills :\u003c\/strong\u003e (measures 7 and 20) begin ON the beat, on the upper auxiliary notes. More on less repercussions may be played depending on the player's ability. Also, \u003cstrong\u003ethe value of the dot may be exaggerated\u003c\/strong\u003e and the eighth note played as a sixteenth note, as was customarily done in the \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque period\u003c\/a\u003e. Prolonging the dot \u003cstrong\u003eadds the vigor and brilliance\u003c\/strong\u003e that characterize much of the music from the \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque period\u003c\/a\u003e.\u003c\/li\u003e  \u003cli\u003e\n\u003cstrong\u003eAppogiaturas :\u003c\/strong\u003e (measures 13 and 17) are played ON the beat and take up one half on the main note's value\u003c\/li\u003e\n\u003c\/ul\u003e$$$$$$Duration : 01:48$$$$$$Source : \u003ca href=\"\/Bach-Carl-Philipp-Emanuel.aspx\"\u003eCarl Philipp Emanuel Bach\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=22\"\u003ePieces from the \u003cem\u003eNotebook for Anna Magdalena Bach\u003c\/em\u003e\u003c\/a\u003e.\u003cbr\u003e  For the complete contents of this \u003cem\u003eNotebook\u003c\/em\u003e, please refer to : \u003ca href=\"\/Notebook-Anna-Magdalena-Bach.aspx\"\u003eNotebook for Anna Magdalena Bach\u003c\/a\u003e [Notenbüchlein für Anna Magdalena Bach], 1725.$$$$$$gL2mdPlz8a8","brand":"Bach, Carl Philipp Emanuel (1714-1788)","offers":[{"title":"Default Title","offer_id":35706922401942,"sku":"92","price":1.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Marche-124_96254746-c996-480c-90a1-0cdaad626eb2.png?v=1601222944"},{"product_id":"hasse-polonaise-130","title":"Polonaise in G Major, BWV Anhang 130 -- Urtext","description":"Polonaise from the \u003cem\u003eNotebook for Anna Magdalena Bach\u003c\/em\u003e$$$$$$This beautiful \u003cem\u003ePolonaise in G Major, BWV Anhang 130\u003c\/em\u003e is the \u003cstrong\u003e29th entry\u003c\/strong\u003e in \u003ca href=\"\/Notebook-Anna-Magdalena-Bach.aspx\"\u003eAnna Magdalena Bach's Notebook\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  \u003ca href=\"\/Bach-Johann-Sebastian.aspx\"\u003eJohann Sebastian Bach\u003c\/a\u003e gave this notebook to his wife Anna Magdalena in 1725.\u003cbr\u003e\u003cbr\u003e  Over the years, the notebook was filled with favorite selections of the members of the Bach family.\u003cbr\u003e\u003cbr\u003e  This score is an \u003cstrong\u003eUrtext\u003c\/strong\u003e based on the original manuscripts available.\u003cbr\u003e\u003cbr\u003e  This \u003cem\u003ePolonaise BWV Anhang 130\u003c\/em\u003e by \u003ca href=\"\/Hasse-Johann-Adolf.aspx\"\u003eJohann Adolf Hasse\u003c\/a\u003e has a simple \u003cstrong\u003eA-A-B-B musical form :\u003c\/strong\u003e  \u003cul\u003e\n\u003cli\u003eMeasures 1-8 : \u003cstrong\u003ePhrase A\u003c\/strong\u003e (played twice) in the main key of G Major\u003c\/li\u003e  \u003cli\u003eMeasures 9-28 : \u003cstrong\u003ePhrase B\u003c\/strong\u003e (played twice) beginning in the dominant key of D Major and modulating back to G Major in measure 18\u003c\/li\u003e\n\u003c\/ul\u003e  In accordance with \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque\u003c\/a\u003e performance practice, remember that \u003cstrong\u003eunslurred quarter notes should be played slightly detached\u003c\/strong\u003e, especially in the left hand.\u003cbr\u003e\u003cbr\u003e  Please note that for your convenience, the editor has included in this score \u003cstrong\u003esuggestions for the realization of the ornaments :\u003c\/strong\u003e  \u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eAppogiaturas :\u003c\/strong\u003e (measures 2, 4 and others) are played ON the beat and take up one half on the main note's value\u003c\/li\u003e  \u003cli\u003e\n\u003cstrong\u003eMordents :\u003c\/strong\u003e (measure 2) begin ON the beat, on the main note, and are played very rapidly\u003c\/li\u003e  \u003cli\u003e\n\u003cstrong\u003eTrills :\u003c\/strong\u003e (measures 8, 10 and others) begin ON the beat, on the upper auxiliary note. More on less repercussions may be played depending on the player's ability\u003c\/li\u003e\n\u003c\/ul\u003e  When an \u003cstrong\u003eappoggiatura is combined with a mordent or trill\u003c\/strong\u003e (as in measures 2 or 8), the appoggiatura takes up half of the value of the note and thus the mordent or trill is delayed until the second half.$$$$$$Duration : 02:30$$$$$$Source : \u003ca href=\"\/Hasse-Johann-Adolf.aspx\"\u003eJohann Adolf Hasse\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=90\"\u003eMiscellaneous Keyboard Pieces\u003c\/a\u003e.$$$$$$d3GldbXnE5E","brand":"Hasse, Johann Adolf (1699-1783)","offers":[{"title":"Default Title","offer_id":35706922467478,"sku":"93","price":2.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Polonaise-130_9070854f-362f-4dd1-955e-4b487b0b3989.png?v=1601222945"},{"product_id":"handel-impertinence-494","title":"Impertinence, HWV 494 -- Urtext","description":"Bourrée in G minor - Bourée$$$$$$This \u003cstrong\u003ebourrée\u003c\/strong\u003e entitled \u003cem\u003eImpertinence, HWV 494\u003c\/em\u003e by \u003ca href=\"\/Handel-George-Frideric.aspx\"\u003eGeorge Frideric Handel\u003c\/a\u003e was composed during the \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque period\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  It has a simple \u003cstrong\u003eA-A-B-B musical form\u003c\/strong\u003e :  \u003cul\u003e\n\u003cli\u003eMeasures 1-8 : \u003cstrong\u003ePhrase A\u003c\/strong\u003e (played twice) in the main key of G minor\u003c\/li\u003e  \u003cli\u003eMeasures 9-20 : \u003cstrong\u003ePhrase B\u003c\/strong\u003e (played twice) beginning in the relative key of B flat Major and modulating back to G minor in measure 14\u003c\/li\u003e\n\u003c\/ul\u003e  The use of the title \u003cem\u003eImpertinence\u003c\/em\u003e is a \u003cstrong\u003erare instance of a programmatic title\u003c\/strong\u003e in \u003ca href=\"\/Handel-George-Frideric.aspx\"\u003eHandel\u003c\/a\u003e's work.\u003cbr\u003e\u003cbr\u003e  Although originally composed for the \u003cstrong\u003eharpsichord\u003c\/strong\u003e, this bourrée can very well be played on the \u003cstrong\u003epiano\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  In accordance with \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque\u003c\/a\u003e performance practice, remember that \u003cstrong\u003eunslurred quarter notes should be played slightly detached\u003c\/strong\u003e, especially in the left hand.\u003cbr\u003e\u003cbr\u003e  Please note that for your convenience, the editor has included in this score \u003cstrong\u003esuggestions for the realization of the cadential trills\u003c\/strong\u003e in measures 7 and 19.\u003cbr\u003e\u003cbr\u003e  In particular, \u003cstrong\u003etrills begin ON the beat, on the upper auxiliary note\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  More on less repercussions may be played depending on the player's ability.$$$$$$Duration : 01:06$$$$$$Source : \u003ca href=\"\/Handel-George-Frideric.aspx\"\u003eGeorge Frideric Handel\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=91\"\u003eMiscellaneous Movements \u0026amp; Dances for Keyboard, HWV 457-586\u003c\/a\u003e$$$$$$Hwo-dGfs8EE","brand":"Handel, George Frideric (1685-1759)","offers":[{"title":"Default Title","offer_id":35706922565782,"sku":"94","price":2.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Impertinence-494.png?v=1601222947"},{"product_id":"handel-gavotte-491","title":"Gavotte in G Major, HWV 491","description":"Gavotte$$$$$$This \u003cem\u003eGavotte in G Major, HWV 491\u003c\/em\u003e by \u003ca href=\"\/Handel-George-Frideric.aspx\"\u003eGeorge Frideric Handel\u003c\/a\u003e was \u003cstrong\u003ecomposed ca 1705\u003c\/strong\u003e, during the \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque period\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  It has a simple \u003cstrong\u003eA-A-B-B musical form\u003c\/strong\u003e :  \u003cul\u003e\n\u003cli\u003eMeasures 1-8 : \u003cstrong\u003ePhrase A\u003c\/strong\u003e (played twice) starts the main key of G Major and modulates to the dominant key of D Major in measure 6\u003c\/li\u003e  \u003cli\u003eMeasures 9-20 : \u003cstrong\u003ePhrase B\u003c\/strong\u003e (played twice) begins in G Major but modulates to the relative key of E minor in measure 10 and back to the main key of G Major in measure 16\u003c\/li\u003e\n\u003c\/ul\u003e  Although originally composed for the \u003cstrong\u003eharpsichord\u003c\/strong\u003e, this \u003cem\u003eGavotte in G Major, HWV 491\u003c\/em\u003e can very well be played on the \u003cstrong\u003epiano\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  In accordance with \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque\u003c\/a\u003e performance practice, remember that \u003cstrong\u003eunslurred quarter notes should be played slightly detached\u003c\/strong\u003e, especially in the left hand.\u003cbr\u003e\u003cbr\u003e  Please note that for your convenience, the editor has included in this score \u003cstrong\u003esuggestions for adding a cadential trill\u003c\/strong\u003e in measure 7.\u003cbr\u003e\u003cbr\u003e  Similar cadential trills might also be added to measures 11 and 19.\u003cbr\u003e\u003cbr\u003e  Also, \u003cstrong\u003etrills begin ON the beat, on the upper auxiliary note\u003c\/strong\u003e. More on less repercussions may be played depending on the player's ability.\u003cbr\u003e\u003cbr\u003e  Please note that the \u003cstrong\u003edynamics are editorial\u003c\/strong\u003e in this score as they do not appear in Handel's original work.\u003cbr\u003e\u003cbr\u003e  Also, the \u003cstrong\u003eslurs in the descending passages of measures 2-3 and 12-15 are original\u003c\/strong\u003e.$$$$$$Duration : 01:19$$$$$$Source : \u003ca href=\"\/Handel-George-Frideric.aspx\"\u003eGeorge Frideric Handel\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=91\"\u003eMiscellaneous Movements \u0026amp; Dances for Keyboard, HWV 457-586\u003c\/a\u003e$$$$$$LwAawUlmGhA","brand":"Handel, George Frideric (1685-1759)","offers":[{"title":"Default Title","offer_id":35706922598550,"sku":"95","price":4.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Gavotte-491_6eb408f6-ba02-4d4a-a988-933f33c8b00f.png?v=1601222948"},{"product_id":"handel-sarabande-d-minor","title":"Sarabande in D minor","description":"Saraband - Sarabanda$$$$$$This \u003cem\u003eSarabande in D minor\u003c\/em\u003e by \u003ca href=\"\/Handel-George-Frideric.aspx\"\u003eGeorge Frideric Handel\u003c\/a\u003e was composed during the \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque period\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  It has a simple \u003cstrong\u003eA-A-B-B musical form\u003c\/strong\u003e :  \u003cul\u003e\n\u003cli\u003eMeasures 1-8 : \u003cstrong\u003ePhrase A\u003c\/strong\u003e (played twice) starts the main key of D minor and modulates to the relative key of F Major in measure 6\u003c\/li\u003e  \u003cli\u003eMeasures 9-24 : \u003cstrong\u003ePhrase B\u003c\/strong\u003e (played twice) begins in F Major, modulates to A minor (measure 14), then to G minor (measure 17), F Major (measure 19) and finally back to the main key of D minor in measure 22\u003c\/li\u003e\n\u003c\/ul\u003e  This \u003cem\u003eSarabande in D minor\u003c\/em\u003e can very well be played either on the \u003cstrong\u003epiano or harpsichord\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  In accordance with \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque\u003c\/a\u003e performance practice, remember that \u003cstrong\u003eunslurred quarter notes should be played slightly detached\u003c\/strong\u003e, especially in the left hand accompaniment.\u003cbr\u003e\u003cbr\u003e  Please note that for your convenience, the editor has included in this score \u003cstrong\u003esuggestions for adding trills\u003c\/strong\u003e in many places within this Sarabande\u003cbr\u003e\u003cbr\u003e  In particular, \u003cstrong\u003etrills begin ON the beat, on the upper auxiliary note\u003c\/strong\u003e. More on less repercussions may be played depending on the player's ability.$$$$$$Duration : 02:06$$$$$$Source : \u003ca href=\"\/Handel-George-Frideric.aspx\"\u003eGeorge Frideric Handel\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=91\"\u003eMiscellaneous Movements \u0026amp; Dances for Keyboard, HWV 457-586\u003c\/a\u003e$$$$$$Undefined","brand":"Handel, George Frideric (1685-1759)","offers":[{"title":"Default Title","offer_id":35706923974806,"sku":"96","price":2.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Sarabande-D-Minor.gif?v=1601222950"},{"product_id":"handel-air-menuet-d-minor-462","title":"Air en menuet in D minor, HWV 462","description":"Menuet - Minuet$$$$$$This \u003cstrong\u003e\u003cem\u003eAir en menuet in D minor\u003c\/em\u003e, HWV 462\u003c\/strong\u003e was composed by \u003ca href=\"\/Handel-George-Frideric.aspx\"\u003eGeorge Frideric Handel\u003c\/a\u003e around the years \u003cstrong\u003e1724-1726\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  It thus belongs to the \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque period\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  The title \u003cem\u003eAir en menuet\u003c\/em\u003e can be translated to \u003cstrong\u003e\u003cem\u003eAir in the style of a minuet\u003c\/em\u003e\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  This \u003cem\u003eAir en menuet\u003c\/em\u003e has a simple \u003cstrong\u003eA-A-B-B musical form\u003c\/strong\u003e :  \u003cul\u003e\n\u003cli\u003eMeasures 1-8 : \u003cstrong\u003ePhrase A\u003c\/strong\u003e (played twice) starts the main key of D minor and modulates to the relative key of F Major in measure 5\u003c\/li\u003e  \u003cli\u003eMeasures 9-16 : \u003cstrong\u003ePhrase B\u003c\/strong\u003e (played twice) begins in F Major and modulates back to the main key of D minor in measure 13\u003c\/li\u003e\n\u003c\/ul\u003e  Please note that in this score, we suggest adding a \u003cstrong\u003ecadential trill to measure 15\u003c\/strong\u003e as was customarily done during the \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque period\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  For your convenience, the editor has included in this score \u003cstrong\u003ea suggested realization\u003c\/strong\u003e for this cadential trill in accordance with the performance practice of the \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque period\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  In particular, \u003cstrong\u003etrills begin ON the beat, on the upper auxiliary note\u003c\/strong\u003e. More on less repercussions may be played depending on the player's ability.\u003cbr\u003e\u003cbr\u003e  Also in accordance with \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque\u003c\/a\u003e performance practice, remember that \u003cstrong\u003eunslurred eighth notes should be played slightly detached\u003c\/strong\u003e, especially in the left hand accompaniment.\u003cbr\u003e\u003cbr\u003e  Finally, a \u003cstrong\u003ebroken chord can be added to the final measure\u003c\/strong\u003e, as was also customarily done by performers of the \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque period\u003c\/a\u003e.$$$$$$Duration : 00:48$$$$$$Source : \u003ca href=\"\/Handel-George-Frideric.aspx\"\u003eGeorge Frideric Handel\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=91\"\u003eMiscellaneous Movements \u0026amp; Dances for Keyboard, HWV 457-586\u003c\/a\u003e$$$$$$Nz5QPIEwX04","brand":"Handel, George Frideric (1685-1759)","offers":[{"title":"Default Title","offer_id":35706924761238,"sku":"97","price":4.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Air-Menuet-D-Minor-462_e399dd80-4703-41d0-925d-796276180e62.png?v=1601222951"},{"product_id":"telemann-bourree-a-minor","title":"Bourrée in A minor","description":"Bourree - Bourée$$$$$$This \u003cem\u003eBourrée in A minor\u003c\/em\u003e by \u003ca href=\"\/Telemann-Georg-Philipp.aspx\"\u003eGeorg Philipp Telemann\u003c\/a\u003e was composed during the \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque period\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  It has a simple \u003cstrong\u003eA-A-B-B musical form :\u003c\/strong\u003e  \u003cul\u003e\n\u003cli\u003eMeasures 1-18 : \u003cstrong\u003eSection A\u003c\/strong\u003e (played twice) starts the main key of A minor and modulates to the relative key of C Major in measure 10\u003c\/li\u003e  \u003cli\u003eMeasures 19-42 : \u003cstrong\u003eSection B\u003c\/strong\u003e (played twice) begins in C Major, then modulates to E minor in measure 25 and then back to the main key of A minor in measure 37\u003c\/li\u003e\n\u003c\/ul\u003e  In accordance with \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque\u003c\/a\u003e performance practice, remember that \u003cstrong\u003eunslurred quarter notes should be played slightly detached\u003c\/strong\u003e, especially in the left hand accompaniment.\u003cbr\u003e\u003cbr\u003e  Please note that for your convenience, the editor has included in this score \u003cstrong\u003esuggestions for adding trills\u003c\/strong\u003e in measures 10, 18, 29 and 41.\u003cbr\u003e\u003cbr\u003e  In particular, \u003cstrong\u003etrills begin ON the beat, on the upper auxiliary note\u003c\/strong\u003e. More on less repercussions may be played depending on the player's ability.\u003cbr\u003e\u003cbr\u003e  Also, a \u003cstrong\u003edownward broken chord can be added to the final measure\u003c\/strong\u003e, as was customarily done by performers of the \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque period\u003c\/a\u003e.$$$$$$Duration : 02:34$$$$$$Source : \u003ca href=\"\/Telemann-Georg-Philipp.aspx\"\u003eGeorg Philipp Telemann\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=95\"\u003eMiscellaneous Keyboard Pieces\u003c\/a\u003e.$$$$$$Undefined","brand":"Telemann, Georg Philipp (1681-1767)","offers":[{"title":"Default Title","offer_id":35706924859542,"sku":"98","price":2.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Bourree-A-Minor.gif?v=1601222952"},{"product_id":"bach-invention-2-bwv-773","title":"Invention 2, BWV 773 -- Urtext","description":"Two-Part Invention No. 2 in C minor - Inventio 2$$$$$$This \u003cem\u003eTwo-part invention No. 2, BWV 773\u003c\/em\u003e has a \u003cstrong\u003ecanonic musical structure\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  For instance, the \u003cstrong\u003etheme exposed in the right hand\u003c\/strong\u003e in measures 1 to 8 is \u003cstrong\u003eexposed two measures later in the left hand\u003c\/strong\u003e without a single modification.\u003cbr\u003e\u003cbr\u003e  Both hands thus play a \u003cstrong\u003ecanon in perfect counterpoint!\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e  Please note that this score contains suggestions for playing the \u003cstrong\u003etrills\u003c\/strong\u003e in accordance with \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque\u003c\/a\u003e performance practice.\u003cbr\u003e\u003cbr\u003e  In particular, \u003cstrong\u003etrills are played ON the beat and begin on the upper auxiliary note\u003c\/strong\u003e.$$$$$$Duration : 01:38$$$$$$Source : \u003ca href=\"\/Bach-Johann-Sebastian.aspx\"\u003eJohann Sebastian Bach\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=1\"\u003eInventions and Sinfonias, BWV 772-801\u003c\/a\u003e (1723)\u003cbr\u003e  An \u003cstrong\u003eearlier version\u003c\/strong\u003e exists in the \u003ca href=\"\/Clavier-Book-Wilhelm-Friedemann-Bach.aspx\"\u003eClavier-Büchlein vor Wilhelm Friedemann Bach\u003c\/a\u003e [Little Clavier Book for Wilhelm Friedemann Bach] (1720)$$$$$$Undefined","brand":"Bach, Johann Sebastian (1685-1750)","offers":[{"title":"Default Title","offer_id":35706924892310,"sku":"99","price":3.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Invention-2-BWV-773.gif?v=1601222954"},{"product_id":"bach-invention-3-bwv-774","title":"Invention 3, BWV 774 -- Urtext","description":"Two-Part Invention No. 3 in D Major - Inventio 3$$$$$$Please note that this score contains suggestions for playing the \u003cstrong\u003eornaments in accordance with\u003c\/strong\u003e \u003ca href=\"..\/Baroque-Sheet-Music.aspx\"\u003eBaroque\u003c\/a\u003e \u003cstrong\u003eperformance practice\u003c\/strong\u003e :  \u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMordents\u003c\/strong\u003e (measures 3 and 45) are played very quickly, with a incisive character\u003c\/li\u003e  \u003cli\u003e\n\u003cstrong\u003eTrills\u003c\/strong\u003e (measures 4, 11, 22, etc.) are played ON the beat and begin on the upper auxiliary note\u003c\/li\u003e  \u003cli\u003e\n\u003cstrong\u003eAppoggiaturas\u003c\/strong\u003e (measures 4 and 46) are played ON the beat and take up one half of the main note's value\u003c\/li\u003e  \u003cli\u003e\n\u003cstrong\u003eTurns\u003c\/strong\u003e (measures 11, 39, 40 and 53) begin on the note above the principal note, and are played quite rapidly\u003c\/li\u003e\n\u003c\/ul\u003e  Moreover, the editor suggests \u003cstrong\u003eadding cadential trills\u003c\/strong\u003e to measures 11, 37, 53 and 58. Although not mentioned in the manuscript, \u003cstrong\u003ecadential trills are required in\u003c\/strong\u003e \u003ca href=\"..\/Baroque-Sheet-Music.aspx\"\u003eBaroque music\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  Furthermore, \u003cstrong\u003ethe value of the dot should be lengthened in a cadential trill\u003c\/strong\u003e, thus making the sixteenth note become a thirty-second note.  $$$$$$Duration : 01:16$$$$$$Source : \u003ca href=\"\/Bach-Johann-Sebastian.aspx\"\u003eJohann Sebastian Bach\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=1\"\u003eInventions and Sinfonias, BWV 772-801\u003c\/a\u003e (1723)\u003cbr\u003e  An \u003cstrong\u003eearlier version\u003c\/strong\u003e exists in the \u003ca href=\"\/Clavier-Book-Wilhelm-Friedemann-Bach.aspx\"\u003eClavier-Büchlein vor Wilhelm Friedemann Bach\u003c\/a\u003e [Little Clavier Book for Wilhelm Friedemann Bach] (1720)$$$$$$Undefined","brand":"Bach, Johann Sebastian (1685-1750)","offers":[{"title":"Default Title","offer_id":35706924925078,"sku":"100","price":3.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Invention-3-BWV-774.gif?v=1601222955"},{"product_id":"bach-invention-5-bwv-776","title":"Invention 5, BWV 776 -- Urtext","description":"Two-Part Invention No. 5 in E flat Major - Inventio 5$$$$$$Please note that this score contains suggestions for playing the \u003cstrong\u003eornaments in accordance with\u003c\/strong\u003e \u003ca href=\"..\/Baroque-Sheet-Music.aspx\"\u003eBaroque\u003c\/a\u003e \u003cstrong\u003eperformance practice\u003c\/strong\u003e :  \u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMordents\u003c\/strong\u003e (measures 1, 2, etc.) begin on the main note and are played very quickly, with a incisive character\u003c\/li\u003e  \u003cli\u003e\n\u003cstrong\u003eTrills\u003c\/strong\u003e (measures 3, 5, etc.) are played ON the beat and begin on the upper auxiliary note\u003c\/li\u003e  \u003cli\u003e\n\u003cstrong\u003eAppoggiaturas\u003c\/strong\u003e (measure 32) are played ON the beat and take up two thirds of the main note's value (a dotted eighth note)\u003c\/li\u003e  \u003cli\u003e\n\u003cstrong\u003eDescending trill with termination\u003c\/strong\u003e (measure 32) begins with a prefix starting on the note above the principal note, includes several repercussions and ends with a suffix, as shown in our score\u003c\/li\u003e\n\u003c\/ul\u003e  Moreover, for the sake of uniformity, the editor suggests \u003cstrong\u003eadding mordents\u003c\/strong\u003e to measures 16, 23 and 27.$$$$$$Duration : 01:18$$$$$$Source : \u003ca href=\"\/Bach-Johann-Sebastian.aspx\"\u003eJohann Sebastian Bach\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=1\"\u003eInventions and Sinfonias, BWV 772-801\u003c\/a\u003e (1723)\u003cbr\u003e  An \u003cstrong\u003eearlier version\u003c\/strong\u003e exists in the \u003ca href=\"\/Clavier-Book-Wilhelm-Friedemann-Bach.aspx\"\u003eClavier-Büchlein vor Wilhelm Friedemann Bach\u003c\/a\u003e [Little Clavier Book for Wilhelm Friedemann Bach] (1720)$$$$$$Undefined","brand":"Bach, Johann Sebastian (1685-1750)","offers":[{"title":"Default Title","offer_id":35706924990614,"sku":"101","price":3.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Invention-5-BWV-776.gif?v=1601222956"},{"product_id":"bach-invention-6-bwv-777","title":"Invention 6, BWV 777 -- Urtext","description":"Two-Part Invention No. 6 in E Major - Inventio 6$$$$$$Unlike most of the other two-part inventions by \u003ca href=\"\/Bach-Johann-Sebastian.aspx\"\u003eJohann Sebastian Bach\u003c\/a\u003e, this \u003cem\u003eInvention 6, BWV 777\u003c\/em\u003e does not include a single ornament!\u003cbr\u003e\u003cbr\u003e  We recommend using a \u003cstrong\u003elegato style throughout\u003c\/strong\u003e.$$$$$$Duration : 01:10$$$$$$Source : \u003ca href=\"\/Bach-Johann-Sebastian.aspx\"\u003eJohann Sebastian Bach\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=1\"\u003eInventions and Sinfonias, BWV 772-801\u003c\/a\u003e (1723)\u003cbr\u003e  An \u003cstrong\u003eearlier version\u003c\/strong\u003e exists in the \u003ca href=\"\/Clavier-Book-Wilhelm-Friedemann-Bach.aspx\"\u003eClavier-Büchlein vor Wilhelm Friedemann Bach\u003c\/a\u003e [Little Clavier Book for Wilhelm Friedemann Bach] (1720)$$$$$$Undefined","brand":"Bach, Johann Sebastian (1685-1750)","offers":[{"title":"Default Title","offer_id":35706925023382,"sku":"102","price":3.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Invention-6-BWV-777.gif?v=1601222958"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/collections\/Shopify_Burst_Piano.jpg?v=1601403672","url":"https:\/\/sheetmusic2print.com\/collections\/piano-sheet-music\/instrumentation_piano.oembed?page=11","provider":"Sheetmusic2print","version":"1.0","type":"link"}