{"title":"Easy sheet music for piano","description":"\u003ca href=\"\/\" title=\"Sheetmusic2print\"\u003eSheetmusic2print\u003c\/a\u003e's complete catalog of beautiful sheet music edited especially for \u003cstrong\u003eGrade 1 to Grade 3\u003c\/strong\u003e pianists!","products":[{"product_id":"mozart-leopold-entree-a-minor","title":"Entrée in A minor","description":"Entree - From Leopold Mozart's \u003cem\u003eNotebook for Wolfgang\u003c\/em\u003e$$$$$$Although traditionally attributed to \u003ca href=\"\/Mozart-Leopold.aspx\"\u003eLeopold Mozart\u003c\/a\u003e, this \u003cem\u003eEntrée in A minor\u003c\/em\u003e was probably composed by an \u003cstrong\u003eanonymous composer\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  It is part of the \u003ca href=\"\/Notebook-Wolfgang-Mozart.aspx\"\u003eNotebook for Wolfgang\u003c\/a\u003e, the music notebook \u003ca href=\"\/Mozart-Leopold.aspx\"\u003eLeopold Mozart\u003c\/a\u003e gave to his young son \u003ca href=\"\/Mozart-Wolfgang-Amadeus.aspx\"\u003eWolfgang Amadeus Mozart\u003c\/a\u003e in 1762, when Wolfgang was six years old.\u003cbr\u003e\u003cbr\u003e  This stately \u003cem\u003eEntrée in A minor\u003c\/em\u003e has a simple \u003cstrong\u003eA-A-B-B-A musical form\u003c\/strong\u003e :  \u003cul\u003e\n\u003cli\u003eMm. 1-8 : \u003cstrong\u003ePart A\u003c\/strong\u003e in the key of A minor\u003c\/li\u003e  \u003cli\u003eMm. 9-16 : \u003cstrong\u003ePart B\u003c\/strong\u003e in the key of C Major, modulating back to A minor in the last measure\u003c\/li\u003e  \u003cli\u003eMm. 1-8 : \u003cstrong\u003ePart A\u003c\/strong\u003e, this time without repeat\u003c\/li\u003e\n\u003c\/ul\u003e  Please take note of the following points concerning the performance pratice of \u003ca href=\"\/Classical-Period-Sheet-Music.aspx\"\u003ePre-Classical period\u003c\/a\u003e applicable to this \u003cem\u003eEntrée\u003c\/em\u003e :  \u003cul\u003e\n\u003cli\u003eMost \u003cstrong\u003equarter notes\u003c\/strong\u003e in both the left and right hands should be played \u003cstrong\u003eslightly detached\u003c\/strong\u003e\n\u003c\/li\u003e  \u003cli\u003e\n\u003cstrong\u003eCadential trills\u003c\/strong\u003e are suggested in measures 7 and 15, even though not indicated by the composer\u003c\/li\u003e  \u003cli\u003eAlso, in such final cadences, \u003cstrong\u003edotted quarter notes should be played double dotted\u003c\/strong\u003e, so that the eighth note following the dotted quarter note becomes a sixteenth note\u003c\/li\u003e\n\u003c\/ul\u003e  This score contains suggestions for performing such \u003cstrong\u003ecadential trills\u003c\/strong\u003e in accordance with the performance practice of the \u003ca href=\"\/Classical-Period-Sheet-Music.aspx\"\u003ePre-Classical period\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  Also, please note that \u003cstrong\u003eall slurs and dynamics in this score are editorial\u003c\/strong\u003e and should be regarded as mere suggestions to the player.$$$$$$Duration : 01:24$$$$$$Source : Anonymous, \u003ca href=\"\/Work.aspx?id=367\"\u003ePieces from the \u003ci\u003eNotenbuch für Wolfgang\u003c\/i\u003e\u003c\/a\u003e.$$$$$$580jVZE4BaQ","brand":"(Anonymous)","offers":[{"title":"Default Title","offer_id":35706920206486,"sku":"41","price":3.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Entree-A-Minor_9c1f82fb-e87f-4e51-8d49-e401393d4dcc.png?v=1601222866"},{"product_id":"bach-cpe-menuet-c-major","title":"Menuet in C Major","description":"Menuet de Sigr. Bach from \u003cem\u003eNotenbuch für Wolfgang\u003c\/em\u003e - Minuet$$$$$$This \u003cstrong\u003e\u003cem\u003eMenuet de Sigr. Bach\u003c\/em\u003e\u003c\/strong\u003e by \u003ca href=\"\/Bach-Carl-Philipp-Emanuel.aspx\"\u003eCarl Philipp Emanuel Bach\u003c\/a\u003e appears in \u003ca href=\"\/Mozart-Leopold.aspx\"\u003eLeopold Mozart\u003c\/a\u003e's \u003ca href=\"\/Collection.aspx?id=15\"\u003eNotenbuch für Wolfgang\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  It is \u003cstrong\u003every similar\u003c\/strong\u003e to \u003ca href=\"\/Bach-Carl-Philipp-Emanuel.aspx\"\u003eCarl Philipp Emanuel Bach\u003c\/a\u003e's \u003ca href=\"\/Sheet-Music.aspx?id=1542\"\u003eMinuet in E flat Major, H 171, W 116.1\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  Carl Philipp Emanuel Bach's \u003cstrong\u003e\u003cem\u003eMenuet in C Major\u003c\/em\u003e\u003c\/strong\u003e features a simple \u003cstrong\u003eA-A-B-B musical form\u003c\/strong\u003e :  \u003cul\u003e\n\u003cli\u003eMm. 1-8 : \u003cstrong\u003ePart A\u003c\/strong\u003e (played twice) in the key of C Major\u003c\/li\u003e  \u003cli\u003eMm. 9-16 : \u003cstrong\u003ePart B\u003c\/strong\u003e (played twice) starts in the dominant key of G Major, modulating back to C Major in measure 11\u003c\/li\u003e\n\u003c\/ul\u003e  Please note that the \u003cstrong\u003edynamics and phrasing indications\u003c\/strong\u003e given in this score are \u003cstrong\u003eeditorial\u003c\/strong\u003e and should thus be regarded as mere suggestions to the player.\u003cbr\u003e\u003cbr\u003e  Also, the \u003cstrong\u003elower notes in measures 3 to 8 and in measure 15\u003c\/strong\u003e of the right-hand part are \u003cstrong\u003eeditorial\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  Furthermore, we suggest \u003cstrong\u003eadding cadential trills to measures 8 and 15\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  This score contains suggestions for performing these trills in accordance with the performance practice of the late \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque period\u003c\/a\u003e.$$$$$$Duration : 00:57$$$$$$Source : \u003ca href=\"\/Bach-Carl-Philipp-Emanuel.aspx\"\u003eCarl Philipp Emanuel Bach\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=203\"\u003eMiscellaneous Keyboard Pieces\u003c\/a\u003e.$$$$$$t63whsySSKc","brand":"Bach, Carl Philipp Emanuel (1714-1788)","offers":[{"title":"Default Title","offer_id":35706920272022,"sku":"42","price":1.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Menuet-C-Major.png?v=1601222867"},{"product_id":"bach-aria-515","title":"Aria in D minor, BWV 515 -- Urtext","description":"So oft ich meine Tobackspfeife - Enlightening Thoughts of a Tobacco Smoker - Pipe aria$$$$$$This famous \u003cem\u003eAria in D minor, BWV 515\u003c\/em\u003e is hte \u003cstrong\u003e20th entry\u003c\/strong\u003e in \u003ca href=\"\/Notebook-Anna-Magdalena-Bach.aspx\"\u003eAnna Magdalena Bach's Notebook\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  \u003ca href=\"\/Bach-Johann-Sebastian.aspx\"\u003eJohann Sebastian Bach\u003c\/a\u003e gave this notebook to his wife Anna Magdalena in 1725.\u003cbr\u003e\u003cbr\u003e  Over the following years, the notebook was filled with favorite selections of the members of the Bach family.\u003cbr\u003e\u003cbr\u003e  This aria is also known as the \u003cstrong\u003ePipe Aria\u003c\/strong\u003e, as it is based on the poem \u003cem\u003eErbauliche Gedanken eines Tobackrauchers\u003c\/em\u003e [\u003ci\u003eEnlightening Thoughts of a Tobacco Smoker\u003c\/i\u003e].\u003cbr\u003e\u003cbr\u003e  This Aria was composed during the \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque period\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  It has a simple \u003cstrong\u003eA-A-B-B form\u003c\/strong\u003e :  \u003cul\u003e\n\u003cli\u003eMm. 1-8 : \u003cstrong\u003ePart A\u003c\/strong\u003e (played twice) in the key of D minor, modulating to F Major in measure 5\u003c\/li\u003e  \u003cli\u003eMm. 9-16 : \u003cstrong\u003ePart B\u003c\/strong\u003e (played twice) starts in C Major, modulating back to D minor in measure 11\u003c\/li\u003e\n\u003c\/ul\u003e  Please take note of the following points concerning the \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque period\u003c\/a\u003e performance practice appropriate for this Aria :  \u003cul\u003e\n\u003cli\u003eMost quarter notes in both the left and right hands should be played \u003cstrong\u003eslightly detached\u003c\/strong\u003e\n\u003c\/li\u003e  \u003cli\u003e\n\u003cstrong\u003eCadential trills\u003c\/strong\u003e are required in measures 7 and 15, even though not indicated by Bach\u003c\/li\u003e  \u003cli\u003eThese cadential trills are to start \u003cstrong\u003eON the beat, on the upper note\u003c\/strong\u003e\n\u003c\/li\u003e  \u003cli\u003e\n\u003cb\u003e→\u003c\/b\u003e For better clarity, the editor has included in this score a \u003cstrong\u003esuggestion for the proper realization\u003c\/strong\u003e of each one of these two cadential trills in smaller print\u003c\/li\u003e\n\u003c\/ul\u003e  Please note also that \u003cstrong\u003ethe dotted slur in measure 14 is editorial\u003c\/strong\u003e as it does not appear in the autograph.$$$$$$Duration : 01:04$$$$$$Source : \u003ca href=\"\/Bach-Johann-Sebastian.aspx\"\u003eJohann Sebastian Bach\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=23\"\u003ePieces from the \u003cem\u003eNotebook for Anna Magdalena Bach\u003c\/em\u003e\u003c\/a\u003e [Notenbüchlein für Anna Magdalena Bach] (1725).$$$$$$9lL17Oa7vuY","brand":"Bach, Johann Sebastian (1685-1750)","offers":[{"title":"Default Title","offer_id":35706920337558,"sku":"43","price":1.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Aria-515_72ffdede-98ad-4cf3-a4ef-4b05a826e7e0.png?v=1601222869"},{"product_id":"clarke-king-william-march","title":"King William's March","description":"From \u003cem\u003eThe Third Book of the Harpsichord Master\u003c\/em\u003e$$$$$$With its energy and character, this \u003cem\u003eKing William's March\u003c\/em\u003e in D Major is a great favorite amongst young piano students.\u003cbr\u003e\u003cbr\u003e  \u003ca href=\"\/Clarke-Jeremiah.aspx\"\u003eJeremiah Clarke\u003c\/a\u003e's \u003cem\u003eKing William's March\u003c\/em\u003e was composed during the \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque period\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  It has a simple \u003cstrong\u003eA-A-B-B musical form\u003c\/strong\u003e :  \u003cul\u003e\n\u003cli\u003eMm. 1-8 : \u003cstrong\u003ePart A\u003c\/strong\u003e (played twice) in the key of D Major\u003c\/li\u003e  \u003cli\u003eMm. 9-16 : \u003cstrong\u003ePart B\u003c\/strong\u003e (played twice) starts in the dominant key of A Major, modulating back to D Major in measure 11\u003c\/li\u003e\n\u003c\/ul\u003e  Please take note of the following points concerning the performance practice of the \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque period\u003c\/a\u003e:  \u003cul\u003e\n\u003cli\u003eMost quarter notes in both the left and right hands should be played \u003cstrong\u003eslightly detached\u003c\/strong\u003e\n\u003c\/li\u003e  \u003cli\u003e\n\u003cstrong\u003eCadential trills\u003c\/strong\u003e are required in measures 8 and 16, even though not indicated by Jeremiah Clarke\u003c\/li\u003e  \u003cli\u003eAlso, in such final cadences, all \u003cstrong\u003edotted quarter notes should be double dotted\u003c\/strong\u003e, so that the eighth note following the dotted quarter note becomes a sixteenth note\u003c\/li\u003e  \u003cli\u003e\n\u003cb\u003e→\u003c\/b\u003e the editor has included in this score \u003cstrong\u003esuggested realizations\u003c\/strong\u003e for these two cadential  trills (which English composers called \u003cstrong\u003eshakes\u003c\/strong\u003e)\u003c\/li\u003e  \u003cli\u003eAs was customarily done during the \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque period\u003c\/a\u003e, the player can \u003cstrong\u003eadd notes to embellish certain passages\u003c\/strong\u003e, as can be done here in measures 3-4, 7-8, 12 and 15-16\u003c\/li\u003e  \u003cli\u003eJeremiah Clarke, like all other composers of the \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque era\u003c\/a\u003e, did not provide any dynamics in his autograph score. Hence \u003cstrong\u003ethe dynamics given in this score are editorial\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e$$$$$$Duration : 01:09$$$$$$Source : \u003ca href=\"\/Clarke-Jeremiah.aspx\"\u003eJeremiah Clarke\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=44\"\u003eMiscellaneous Pieces for the Harpsichord or Spinnet\u003c\/a\u003e$$$$$$CUTnwhr4s9g","brand":"Clarke, Jeremiah (ca 1674-1707)","offers":[{"title":"Default Title","offer_id":35706920370326,"sku":"44","price":2.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/King-William-March_ca6618ee-b94b-4c83-bbcc-655782c52fa0.png?v=1601222870"},{"product_id":"purcell-saraband-219","title":"Saraband in D Major, Z. D219\/2 -- Urtext","description":"Almand - Borry - Sarabande - Sarabanda$$$$$$This piece has \u003cstrong\u003eno title in the source\u003c\/strong\u003e. The term \u003cem\u003eSaraband\u003c\/em\u003e [Sarabande] has been chosen by the editor based on the character of the music.\u003cbr\u003e\u003cbr\u003e  Moreover, the \u003cstrong\u003eletter D in the Zimmermann catalogue number\u003c\/strong\u003e indicates that this is a \u003cstrong\u003ework of doubtful authenticity\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  This \u003cem\u003eSaraband in D Major, Z. D219\/2\u003c\/em\u003e is an easy dance movement attributed to \u003ca href=\"\/Purcell-Henry.aspx\"\u003eHenry Purcell\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  In accordance with the performance practice of the English \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque period\u003c\/a\u003e, the \u003cstrong\u003equarter notes should be played slightly detached\u003c\/strong\u003e in both hands.\u003cbr\u003e\u003cbr\u003e  Also, please take note that the editor has provided in this score \u003cstrong\u003esuggestions for the correct realization of ornaments\u003c\/strong\u003e in accordance with the \u003cem\u003eRules for Graces\u003c\/em\u003e as stated in \u003cem\u003eThe Harpsichord Master\u003c\/em\u003e (1697) and which were, according to the title page, given with the knowledge and consent of Henry Purcell.\u003cbr\u003e\u003cbr\u003e  These ornaments are :  \u003cul\u003e\n\u003cli\u003eThe \u003cstrong\u003eshake\u003c\/strong\u003e (English name for \u003ci\u003etrill\u003c\/i\u003e), in measures 1, 8 and 16\u003c\/li\u003e  \u003cli\u003eThe \u003cstrong\u003ebackfall\u003c\/strong\u003e, in measure 3\u003c\/li\u003e\n\u003c\/ul\u003e  Furthermore, the editor suggests \u003cstrong\u003eadding a \u003ci\u003eshake\u003c\/i\u003e in mm. 4 and 12\u003c\/strong\u003e, similarly to the shake in mm. 8 and 16.\u003cbr\u003e\u003cbr\u003e  Such \u003cstrong\u003ecadential trills\u003c\/strong\u003e were customarily added by performers of the Baroque era even if not indicated by the composer.  $$$$$$Duration : 00:29$$$$$$Source : \u003ca href=\"\/Purcell-Henry.aspx\"\u003eHenry Purcell\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=164\"\u003eMiscellaneous Keyboard Works\u003c\/a\u003e.$$$$$$Undefined","brand":"Purcell, Henry (1659-1695)","offers":[{"title":"Default Title","offer_id":35706921123990,"sku":"63","price":1.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Saraband-219.gif?v=1601222897"},{"product_id":"purcell-minuet-e-minor","title":"Minuet in E minor","description":"Menuet$$$$$$This \u003cem\u003eMinuet in E minor\u003c\/em\u003e by \u003ca href=\"\/Purcell-Henry.aspx\"\u003eHenry Purcell\u003c\/a\u003e is an easy dance movement typical of the \u003cstrong\u003eEnglish\u003c\/strong\u003e \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque period\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  It has the following \u003cstrong\u003eA-B musical form\u003c\/strong\u003e :  \u003cul\u003e\n\u003cli\u003eMm. 1-4 : \u003cstrong\u003ePhrase A-1\u003c\/strong\u003e, in the main key of E minor\u003c\/li\u003e  \u003cli\u003eMm. 5-8 : \u003cstrong\u003ePhrase A-2\u003c\/strong\u003e, modulating to the relative major key (G Major)\u003c\/li\u003e  \u003cli\u003eMm. 9-12 : \u003cstrong\u003ePhrase B-1\u003c\/strong\u003e, starting in G Major, but modulating back to E minor\u003c\/li\u003e  \u003cli\u003eMm. 13-16 : \u003cstrong\u003ePhrase B-2\u003c\/strong\u003e, resembling A-1, in the main key of E minor, and ending in a \u003cstrong\u003eperfect cadence\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e  In accordance with English \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque\u003c\/a\u003e performance practice, the \u003cstrong\u003equarter notes should be played slightly detached\u003c\/strong\u003e in both hands.\u003cbr\u003e\u003cbr\u003e  Also, please take note that the editor has provided in this score \u003cstrong\u003esuggestions for the correct realization of ornaments\u003c\/strong\u003e :  \u003cul\u003e\n\u003cli\u003eThe \u003cstrong\u003ebackfall\u003c\/strong\u003e, in measure 3 (last beat)\u003c\/li\u003e  \u003cli\u003eThe \u003cstrong\u003ebackfall and shake\u003c\/strong\u003e (English name for \u003ci\u003etrill\u003c\/i\u003e), in measure 4\u003c\/li\u003e\n\u003c\/ul\u003e  Furthermore, the editor suggests \u003cstrong\u003eadding a \u003ci\u003ebackfall and shake\u003c\/i\u003e in measure 12\u003c\/strong\u003e, similarly to measure 4.\u003cbr\u003e\u003cbr\u003e  We also recommend adding a \u003cstrong\u003edouble ascending appogiatura\u003c\/strong\u003e in measure 6 (last beat), and a \u003cstrong\u003epassing note\u003c\/strong\u003e in measure 7 (first beat).\u003cbr\u003e\u003cbr\u003e  This Minuet is interesting in that \u003cstrong\u003ethe left hand seems to answer the right hand\u003c\/strong\u003e in both measures 2 and 9.  $$$$$$Duration : 00:58$$$$$$Source : \u003ca href=\"\/Purcell-Henry.aspx\"\u003eHenry Purcell\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=164\"\u003eMiscellaneous Keyboard Works\u003c\/a\u003e.$$$$$$Undefined","brand":"Purcell, Henry (1659-1695)","offers":[{"title":"Default Title","offer_id":35706921189526,"sku":"64","price":1.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Minuet-E-Minor.gif?v=1601222899"},{"product_id":"purcell-suite-1-660-prelude","title":"Suite 1 in G Major, Z. 660 (1\/4 : Prelude)","description":"I : Prelude - Prélude$$$$$$This easy \u003cem\u003ePrelude\u003c\/em\u003e is the first movement of Purcell's \u003cem\u003eSuite No. 1 in G Major, Z. 660\u003c\/em\u003e.\u003cbr\u003e\u003cbr\u003e  The three other movements are : \u003cstrong\u003e\u003cem\u003eAlmand\u003c\/em\u003e, \u003cem\u003eCorant\u003c\/em\u003e and \u003cem\u003eMinuet\u003c\/em\u003e (or \u003cem\u003eSaraband\u003c\/em\u003e in some editions)\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  This suite is part of \u003ca href=\"\/Work.aspx?id=66\"\u003eA Choice Collection of Lessons for the Harpsichord or Spinnet\u003c\/a\u003e, which was \u003cstrong\u003epublished in London in 1696\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  This prelude consists mainly of a \u003cstrong\u003edialog of broken chords\u003c\/strong\u003e between the two hands, and ends with a \u003cstrong\u003eperfect cadence\u003c\/strong\u003e in the main key of G Major.\u003cbr\u003e\u003cbr\u003e  Please take note that the editor has included in this score a suggested realization for the \u003cstrong\u003e\u003ci\u003eplain note and shake\u003c\/i\u003e in measure 9\u003c\/strong\u003e in accordance with the performance practice of the English \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque period\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  A \u003ci\u003eplain note and shake\u003c\/i\u003e, also called \u003ci\u003ebackfall and shake\u003c\/i\u003e, is a typical Baroque English ornament similar to a \u003cstrong\u003etrill with the starting (upper) note prolonged\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  We have also included a \u003cstrong\u003eperformance suggestions\u003c\/strong\u003e for the opening bars of the prelude, again in accordance with the performance practice of the English \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque period\u003c\/a\u003e.$$$$$$Duration : 00:58$$$$$$Source : \u003ca href=\"\/Purcell-Henry.aspx\"\u003eHenry Purcell\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=66\"\u003eA Choice Collection of Lessons for the Harpsichord or Spinnet\u003c\/a\u003e (London, 1696).$$$$$$0EbMtJ8bfIQ","brand":"Purcell, Henry (1659-1695)","offers":[{"title":"Default Title","offer_id":35706921287830,"sku":"67","price":1.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Suite-1-660-Prelude_fd44e9fc-f135-49b4-ac09-94917e043a7c.png?v=1601222905"},{"product_id":"purcell-trumpet-tune-698","title":"Trumpet Tune, Z. T698 -- Urtext","description":"Trumpet Tune$$$$$$This \u003cem\u003eTrumpet Tune in C Major, Z. T698\u003c\/em\u003e by \u003ca href=\"\/Purcell-Henry.aspx\"\u003eHenry Purcell\u003c\/a\u003e is part of \u003ca href=\"\/Work.aspx?id=66\"\u003eA Choice Collection of Lessons for the Harpsichord or Spinnet\u003c\/a\u003e (London, 1696).\u003cbr\u003e\u003cbr\u003e  There exists \u003cstrong\u003eanother version\u003c\/strong\u003e of this \u003cem\u003eTrumpet Tune\u003c\/em\u003e for strings in \u003cem\u003eThe Indian Queen, Z. 630\/4a\u003c\/em\u003e.\u003cbr\u003e\u003cbr\u003e  This \u003cem\u003eTrumpet Tune in C Major, Z. T698\u003c\/em\u003e is a lively keyboard piece typical of the \u003cstrong\u003eEnglish\u003c\/strong\u003e \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque period\u003c\/a\u003e and \u003cstrong\u003eimitating the sound and style of the trumpet\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e  It has an \u003cstrong\u003eA-A-B-B musical form\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  Also, please take note that the editor has provided in this score \u003cstrong\u003esuggestions for the correct realization of ornaments\u003c\/strong\u003e in accordance with the \u003cstrong\u003e\u003ci\u003eRules for Graces\u003c\/i\u003e\u003c\/strong\u003e as stated in \u003cstrong\u003e\u003ci\u003eThe Harpsichord Master\u003c\/i\u003e\u003c\/strong\u003e (1697) and which were, according to the title page, given with the knowledge and consent of Henry Purcell.\u003cbr\u003e\u003cbr\u003e  These ornaments are :\u003cbr\u003e\u003cbr\u003e  \u003cul\u003e\n\u003cli\u003eMeasures 1-2 (left hand) : \u003cstrong\u003eThe beat\u003c\/strong\u003e, which is in fact a quick mordent\u003c\/li\u003e  \u003cli\u003eMeasure 4 : \u003cstrong\u003eThe shake\u003c\/strong\u003e, which is the English equivalent to a trill\u003c\/li\u003e  \u003cli\u003eMeasure 11 : \u003cstrong\u003eThe backfall and shake\u003c\/strong\u003e (or \u003cstrong\u003eplain note and shake\u003c\/strong\u003e), which is in fact an ordinary trill with the starting (upper) note prolonged\u003c\/li\u003e\n\u003c\/ul\u003e$$$$$$Duration : 00:42$$$$$$Source : \u003ca href=\"\/Purcell-Henry.aspx\"\u003eHenry Purcell\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=66\"\u003eA Choice Collection of Lessons for the Harpsichord or Spinnet\u003c\/a\u003e (London, 1696).$$$$$$Undefined","brand":"Purcell, Henry (1659-1695)","offers":[{"title":"Default Title","offer_id":35706921320598,"sku":"68","price":1.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Trumpet-Tune-698.gif?v=1601222907"},{"product_id":"corelli-piano-sonata-5-7-sarabanda","title":"Sonata Op. 5, No. 7 (III : Sarabanda)","description":"Sonate - III : Sarabanda - Sarabande$$$$$$This \u003cem\u003eSarabanda\u003c\/em\u003e was originally composed for violin and basso continuo (marked \u003ci\u003eviolone e cimbalo\u003c\/i\u003e in the original).\u003cbr\u003e\u003cbr\u003e  It is the \u003cstrong\u003ethird movement\u003c\/strong\u003e of this four-movement sonata : Preludio (Vivace), Corrente (Allegro), Sarabanda (Largo) and Giga (Allegro).\u003cbr\u003e\u003cbr\u003e  It has a very simple \u003cstrong\u003eA-A-B-B musical form\u003c\/strong\u003e, with the A part ending on the dominant and the B part ending in a perfect cadence in the main key of D minor.\u003cbr\u003e\u003cbr\u003e  This score is a \u003cstrong\u003etranscription for piano or harpsichord\u003c\/strong\u003e in which the right hand plays the violin part while the left hand plays the basso continuo part.\u003cbr\u003e\u003cbr\u003e  Please take note that the editor has added \u003cstrong\u003ecadential trills in measures 4 and 15\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  Such cadential trills were customarily added by performers of the \u003cstrong\u003eItalian\u003c\/strong\u003e \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque period\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  Furthermore, this score contains \u003cstrong\u003esuggestions for the proper realization of these trills\u003c\/strong\u003e.$$$$$$Duration : 01:28$$$$$$Source : \u003ca href=\"\/Corelli-Arcangelo.aspx\"\u003eArcangelo Corelli\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=68\"\u003e12 Sonatas for Violin and Basso Continuo\u003c\/a\u003e (Rome, 1700).$$$$$$Undefined","brand":"Corelli, Arcangelo (1653-1713)","offers":[{"title":"Default Title","offer_id":35706921418902,"sku":"69","price":1.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Sonata-5-7-Sarabanda.gif?v=1601222908"},{"product_id":"scarlatti-alessandro-arioso-d-minor","title":"Arioso in D minor","description":"Arioso$$$$$$This \u003cem\u003eArioso in D minor\u003c\/em\u003e by \u003ca href=\"\/Scarlatti-Alessandro.aspx\"\u003eAlessandro Scarlatti\u003c\/a\u003e is a beautiful work from the \u003cstrong\u003eItalian\u003c\/strong\u003e \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque period\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  The \u003cstrong\u003eeighth-note accompaniment\u003c\/strong\u003e in the left hand sustains and gives momentum to the \u003cstorng\u003elong and slow phrase in the right hand.\u003cbr\u003e\u003cbr\u003e  Please note that the editor has provided in this score \u003cstrong\u003esuggested realizations for the cadential trills\u003c\/strong\u003e in measures 8, 16 and 18.\u003cbr\u003e\u003cbr\u003e  According to \u003cstrong\u003eItalian Baroque performance practice\u003c\/strong\u003e, such cadential trills are played \u003cstrong\u003eON the beat and start on the upper auxiliary note\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  The choice of dynamics is left to the player, as Scarlatti himself did not provide any dynamics in his manuscript.$$$$$$Duration : 01:18$$$$$$Source : \u003ca href=\"\/Scarlatti-Alessandro.aspx\"\u003eAlessandro Scarlatti\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=70\"\u003eMiscellaneous Keyboard Pieces\u003c\/a\u003e.$$$$$$Undefined\u003c\/storng\u003e","brand":"Scarlatti, Alessandro (1660-1725)","offers":[{"title":"Default Title","offer_id":35706921517206,"sku":"72","price":1.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Arioso-D-Minor.gif?v=1601222913"},{"product_id":"scarlatti-alessandro-minuetto-scherzando","title":"Minuetto Scherzando in E minor","description":"Minuet - Menuet - Menuetto$$$$$$A \u003ci\u003eMinuetto\u003c\/i\u003e is the Italian word for \u003ci\u003eminuet\u003c\/i\u003e or \u003ci\u003emenuet\u003c\/i\u003e, a \u003cstrong\u003etriple-meter dance originating from France\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  According to \u003ca href=\"\/Bach-Johann-Christian.aspx\"\u003eJohann Christian Bach\u003c\/a\u003e, the player should give a \u003cstrong\u003eslight accent to the first beat of every two bars\u003c\/strong\u003e of the menuet in order to give pulse and direction to the dance.\u003cbr\u003e\u003cbr\u003e  This is an \u003cstrong\u003eItalian\u003c\/strong\u003e \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque\u003c\/a\u003e minuet by \u003ca href=\"\/Scarlatti-Alessandro.aspx\"\u003eAlessandro Scarlatti\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  Although Scarlatti himself provided no tempo indication, this minuetto should be played in a rather \u003cstrong\u003emoderate tempo\u003c\/strong\u003e, around MM=132 per eighth note.\u003cbr\u003e\u003cbr\u003e  For your convenience, the editor has added to this score \u003cstrong\u003esuggested realizations for the cadential trills\u003c\/strong\u003e in measures 7, 15 and 23.\u003cbr\u003e\u003cbr\u003e  According to \u003cstrong\u003eBaroque performance practice\u003c\/strong\u003e, such cadential trills are mandatory even if not indicated by the composer, and should start on the upper note, ON the beat.\u003cbr\u003e\u003cbr\u003e  Furthermore, the \u003cstrong\u003echords\u003c\/strong\u003e in measures 8, 16 and 24 ought to be \u003cstrong\u003ebroken rapidly\u003c\/strong\u003e. Although we prefer to break them \u003cstrong\u003eupwards\u003c\/strong\u003e, the player can very well choose to break them downwards, or even both ways.  $$$$$$Duration : 00:40$$$$$$Source : \u003ca href=\"\/Scarlatti-Alessandro.aspx\"\u003eAlessandro Scarlatti\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=70\"\u003eMiscellaneous Keyboard Pieces\u003c\/a\u003e.$$$$$$Undefined","brand":"Scarlatti, Alessandro (1660-1725)","offers":[{"title":"Default Title","offer_id":35706921648278,"sku":"74","price":2.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Minuetto-Scherzando.gif?v=1601222916"},{"product_id":"froberger-sarabande-b-minor","title":"Sarabande in B minor","description":"Saraband - Sarabanda$$$$$$The \u003cstrong\u003eSarabande\u003c\/strong\u003e is a \u003cstrong\u003eslow and expressive dance movement\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  The \u003cstrong\u003etypical rhythmic pattern\u003c\/strong\u003e of the Sarabande is : \u003cq\u003equarter note - dotted quarter note - eighth note - dotted half note\u003c\/q\u003e\u003cbr\u003e\u003cbr\u003e  This pattern is played with the \u003cstrong\u003edotted rhythm exaggerated\u003c\/strong\u003e : \u003cq\u003equarter note - double dotted quarter note - sixteenth note - dotted half note\u003c\/q\u003e\u003cbr\u003e  Hence the \u003cstrong\u003esecond beat of the first measure is accented and often ornamented\u003c\/strong\u003e (in this case with a trill).\u003cbr\u003e\u003cbr\u003e  This \u003cstrong\u003eSarabande\u003c\/strong\u003e by \u003ca href=\"\/Froberger-Johann-Jakob.aspx\"\u003eJohann Jakob Froberger\u003c\/a\u003e is a work very much representative of the \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque period\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  While playing it, the pianist or harpsichordist must give great care to the \u003cstrong\u003eornamentation and style typical to the Sarabande\u003c\/strong\u003e, and especially to the \u003cstrong\u003edouble dotted rhythm which is probably its main characteristic\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  In particular, the following points are important :  \u003cul\u003e\n\u003cli\u003eAll \u003cstrong\u003edotted quarter notes must be performed as double dotted\u003c\/strong\u003e and followed by a sixteenth note rather than an eighth note. This applies to all occurences of this rhythmic figure (measures 1, 3, 5, 6, 7, 9, 11, 14 and 15).\u003c\/li\u003e  \u003cli\u003eThe \u003cstrong\u003esecond beat of every odd numbered measure is to be slightly accented and often ornamented\u003c\/strong\u003e with a trill (except for measure 13)\u003c\/li\u003e  \u003cli\u003eSometimes, the \u003cstrong\u003etrill may be played only the second time\u003c\/strong\u003e, as we do in measures 1, 3, 5 and 14\u003c\/li\u003e  \u003cli\u003eThe \u003cstrong\u003efirst note of the trill may be slightly prolonged\u003c\/strong\u003e to add an elegant touch of dissonance\u003c\/li\u003e  \u003cli\u003eThe \u003cstrong\u003echords at the end of phrases may be broken rapidly\u003c\/strong\u003e, which produces a beautiful sound especially on the harpsichord\u003c\/li\u003e\n\u003c\/ul\u003e$$$$$$Duration : 01:36$$$$$$Source : \u003ca href=\"\/Froberger-Johann-Jakob.aspx\"\u003eJohann Jakob Froberger\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=75\"\u003eMiscellaneous Keyboard Pieces\u003c\/a\u003e.$$$$$$Undefined","brand":"Froberger, Johann Jakob (1616-1667)","offers":[{"title":"Default Title","offer_id":35706921779350,"sku":"77","price":1.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Sarabande-B-Minor.gif?v=1601222921"},{"product_id":"zipoli-little-prelude","title":"Little Prelude in A minor","description":"Prelude - Prélude$$$$$$This \u003cem\u003eLittle Prelude in A minor\u003c\/em\u003e by \u003ca href=\"\/Zipoli-Domenico.aspx\"\u003eDomenico Zipoli\u003c\/a\u003e is a work from the \u003cstrong\u003eItalian\u003c\/strong\u003e \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque period\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  It has a very simple \u003cstrong\u003eA-A-B-B musical form\u003c\/strong\u003e :  \u003cul\u003e\n\u003cli\u003eMeasures 1-8 : \u003cstrong\u003ePhrase A :\u003c\/strong\u003e starting in A minor and modulating to the dominant key of E Major. The melody is played by the \u003cstrong\u003eright hand\u003c\/strong\u003e\n\u003c\/li\u003e  \u003cli\u003eMeasures 9-16 : \u003cstrong\u003ePhrase B :\u003c\/strong\u003e starting in the relative major key of C Major and modulating back to the main key of A minor at measure 13. The melody is played by the \u003cstrong\u003eleft hand\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e  This \u003cem\u003eLittle Prelude in A minor\u003c\/em\u003e is very effective for developing a \u003cstrong\u003egood balance between the right and left hands\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  In the first 8 measures (Phrase A), the right hand plays the melody and hence should be more in evidence while the left hand plays a soft accompaniment.\u003cbr\u003e\u003cbr\u003e  In the last 8 measures (Phrase B), the left hand plays the melody while the right hand plays the accompaniment.\u003cbr\u003e\u003cbr\u003e  Please take note that the dynamics and tempo marking in this score are editorial and are provided as mere indications to the player.$$$$$$Duration : 01:00$$$$$$Source : \u003ca href=\"\/Zipoli-Domenico.aspx\"\u003eDomenico Zipoli\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=76\"\u003eMiscellaneous Keyboard Pieces\u003c\/a\u003e.$$$$$$Undefined","brand":"Zipoli, Domenico (1688-1726)","offers":[{"title":"Default Title","offer_id":35706921812118,"sku":"78","price":1.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Little-Prelude.gif?v=1601222922"},{"product_id":"telemann-partia-32-1-gigue","title":"Partia à Cembalo solo, TWV 32:1 (6\/6 : Gigue à l'angloise) -- Urtext","description":"Partita in G Major - Gigue a l'angloise - Suite$$$$$$This \u003cstrong\u003e\u003cem\u003eGigue à l'angloise\u003c\/em\u003e [Gigue in the English style]\u003c\/strong\u003e was composed by \u003ca href=\"\/Telemann-Georg-Philipp.aspx\"\u003eGeorg Philipp Telemann\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  It is the \u003cstrong\u003esixth and last movement\u003c\/strong\u003e in Telemann' \u003cstrong\u003e\u003cem\u003ePartia à Cembalo solo\u003c\/em\u003e, TWV 32:1\u003c\/strong\u003e for harpsichord solo.\u003cbr\u003e\u003cbr\u003e  This \u003cstrong\u003e\u003cem\u003ePartia\u003c\/em\u003e\u003c\/strong\u003e (or \u003cem\u003ePartita\u003c\/em\u003e or \u003cem\u003eSuite\u003c\/em\u003e) is a work from the \u003cstrong\u003eGerman\u003c\/strong\u003e \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque period\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  It was \u003cstrong\u003efirst published in Hamburg in 1728-1729\u003c\/strong\u003e in \u003cem\u003eDer getreue Music-Meister\u003c\/em\u003e.\u003cbr\u003e\u003cbr\u003e  This \u003cstrong\u003e\u003cem\u003eGigue à l'Angloise\u003c\/em\u003e\u003c\/strong\u003e has a simple \u003cstrong\u003eA-A-B-B musical form\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  It ought to be played in a \u003cstrong\u003elively tempo\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  Please note that this score contains suggestions for \u003cstrong\u003eadding ornaments (here : trills and mordents) and embellishments\u003c\/strong\u003e in accordance with the performance practice of the \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque period\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  Of course, these are only suggestions and should be adapted to the player's taste and ability.$$$$$$Duration : 00:52$$$$$$Source : \u003ca href=\"\/Telemann-Georg-Philipp.aspx\"\u003eGeorg Philipp Telemann\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=82\"\u003eSuites for Harpsichord, TWV 32\u003c\/a\u003e$$$$$$LbGmKVbXuvs","brand":"Telemann, Georg Philipp (1681-1767)","offers":[{"title":"Default Title","offer_id":35706922107030,"sku":"85","price":2.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Partia-32-1-Gigue_85268d8c-1a84-41fa-9ece-cf6f72dbfcda.png?v=1601222934"},{"product_id":"clarke-minuet-c-minor","title":"Minuet in C minor -- Urtext","description":"Menuet$$$$$$This \u003cem\u003eMinuet in C minor\u003c\/em\u003e by composer \u003ca href=\"\/Clarke-Jeremiah.aspx\"\u003eJeremiah Clarke\u003c\/a\u003e is very typical of the \u003cstrong\u003eEnglish\u003c\/strong\u003e \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque\u003c\/a\u003e style.\u003cbr\u003e\u003cbr\u003e  It has a simple \u003cstrong\u003eA-A-B-A musical form\u003c\/strong\u003e :  \u003cul\u003e\n\u003cli\u003eMeasures 1-8 : \u003cstrong\u003ePhrase A\u003c\/strong\u003e (played twice) in the main key of C minor\u003c\/li\u003e  \u003cli\u003eMeasures 9-16 : \u003cstrong\u003ePhrase B\u003c\/strong\u003e in the relative major key of E flat Major\u003c\/li\u003e  \u003cli\u003eMeasures 1-8 : \u003cstrong\u003ePhrase A\u003c\/strong\u003e played once again\u003c\/li\u003e\n\u003c\/ul\u003e  Please take note that the editor has included in this score \u003cstrong\u003esuggested realizations for the ornaments\u003c\/strong\u003e, in this case \u003cstrong\u003eshakes\u003c\/strong\u003e (the English equivalent to a trill).\u003cbr\u003e\u003cbr\u003e  In particular, \u003cstrong\u003eshakes are played ON the beat, starting with the upper auxiliary note\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  We suggest \u003cstrong\u003eadding a shake to measure 2\u003c\/strong\u003e in the left hand, in order to imitate the right hand in measure 1. The same is true for measure 6.\u003cbr\u003e\u003cbr\u003e  Also, we suggest \u003cstrong\u003eadding a shake to measures 8 and 16\u003c\/strong\u003e. Although this is optional, is adds a nice touch of dissonance to these cadences.\u003cbr\u003e\u003cbr\u003e  Furthermore, measure 16 bears the indication \u003cq\u003eEnd with the first strain\u003c\/q\u003e, meaning that the player should then repeat measures 1-8.$$$$$$Duration : 01:00$$$$$$Source : \u003ca href=\"\/Clarke-Jeremiah.aspx\"\u003eJeremiah Clarke\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=44\"\u003eMiscellaneous Pieces for the Harpsichord or Spinnet\u003c\/a\u003e$$$$$$Undefined","brand":"Clarke, Jeremiah (ca 1674-1707)","offers":[{"title":"Default Title","offer_id":35706922336406,"sku":"90","price":1.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Minuet-C-Minor.gif?v=1601222941"},{"product_id":"handel-impertinence-494","title":"Impertinence, HWV 494 -- Urtext","description":"Bourrée in G minor - Bourée$$$$$$This \u003cstrong\u003ebourrée\u003c\/strong\u003e entitled \u003cem\u003eImpertinence, HWV 494\u003c\/em\u003e by \u003ca href=\"\/Handel-George-Frideric.aspx\"\u003eGeorge Frideric Handel\u003c\/a\u003e was composed during the \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque period\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  It has a simple \u003cstrong\u003eA-A-B-B musical form\u003c\/strong\u003e :  \u003cul\u003e\n\u003cli\u003eMeasures 1-8 : \u003cstrong\u003ePhrase A\u003c\/strong\u003e (played twice) in the main key of G minor\u003c\/li\u003e  \u003cli\u003eMeasures 9-20 : \u003cstrong\u003ePhrase B\u003c\/strong\u003e (played twice) beginning in the relative key of B flat Major and modulating back to G minor in measure 14\u003c\/li\u003e\n\u003c\/ul\u003e  The use of the title \u003cem\u003eImpertinence\u003c\/em\u003e is a \u003cstrong\u003erare instance of a programmatic title\u003c\/strong\u003e in \u003ca href=\"\/Handel-George-Frideric.aspx\"\u003eHandel\u003c\/a\u003e's work.\u003cbr\u003e\u003cbr\u003e  Although originally composed for the \u003cstrong\u003eharpsichord\u003c\/strong\u003e, this bourrée can very well be played on the \u003cstrong\u003epiano\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  In accordance with \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque\u003c\/a\u003e performance practice, remember that \u003cstrong\u003eunslurred quarter notes should be played slightly detached\u003c\/strong\u003e, especially in the left hand.\u003cbr\u003e\u003cbr\u003e  Please note that for your convenience, the editor has included in this score \u003cstrong\u003esuggestions for the realization of the cadential trills\u003c\/strong\u003e in measures 7 and 19.\u003cbr\u003e\u003cbr\u003e  In particular, \u003cstrong\u003etrills begin ON the beat, on the upper auxiliary note\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  More on less repercussions may be played depending on the player's ability.$$$$$$Duration : 01:06$$$$$$Source : \u003ca href=\"\/Handel-George-Frideric.aspx\"\u003eGeorge Frideric Handel\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=91\"\u003eMiscellaneous Movements \u0026amp; Dances for Keyboard, HWV 457-586\u003c\/a\u003e$$$$$$Hwo-dGfs8EE","brand":"Handel, George Frideric (1685-1759)","offers":[{"title":"Default Title","offer_id":35706922565782,"sku":"94","price":2.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Impertinence-494.png?v=1601222947"},{"product_id":"handel-gavotte-491","title":"Gavotte in G Major, HWV 491","description":"Gavotte$$$$$$This \u003cem\u003eGavotte in G Major, HWV 491\u003c\/em\u003e by \u003ca href=\"\/Handel-George-Frideric.aspx\"\u003eGeorge Frideric Handel\u003c\/a\u003e was \u003cstrong\u003ecomposed ca 1705\u003c\/strong\u003e, during the \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque period\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  It has a simple \u003cstrong\u003eA-A-B-B musical form\u003c\/strong\u003e :  \u003cul\u003e\n\u003cli\u003eMeasures 1-8 : \u003cstrong\u003ePhrase A\u003c\/strong\u003e (played twice) starts the main key of G Major and modulates to the dominant key of D Major in measure 6\u003c\/li\u003e  \u003cli\u003eMeasures 9-20 : \u003cstrong\u003ePhrase B\u003c\/strong\u003e (played twice) begins in G Major but modulates to the relative key of E minor in measure 10 and back to the main key of G Major in measure 16\u003c\/li\u003e\n\u003c\/ul\u003e  Although originally composed for the \u003cstrong\u003eharpsichord\u003c\/strong\u003e, this \u003cem\u003eGavotte in G Major, HWV 491\u003c\/em\u003e can very well be played on the \u003cstrong\u003epiano\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  In accordance with \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque\u003c\/a\u003e performance practice, remember that \u003cstrong\u003eunslurred quarter notes should be played slightly detached\u003c\/strong\u003e, especially in the left hand.\u003cbr\u003e\u003cbr\u003e  Please note that for your convenience, the editor has included in this score \u003cstrong\u003esuggestions for adding a cadential trill\u003c\/strong\u003e in measure 7.\u003cbr\u003e\u003cbr\u003e  Similar cadential trills might also be added to measures 11 and 19.\u003cbr\u003e\u003cbr\u003e  Also, \u003cstrong\u003etrills begin ON the beat, on the upper auxiliary note\u003c\/strong\u003e. More on less repercussions may be played depending on the player's ability.\u003cbr\u003e\u003cbr\u003e  Please note that the \u003cstrong\u003edynamics are editorial\u003c\/strong\u003e in this score as they do not appear in Handel's original work.\u003cbr\u003e\u003cbr\u003e  Also, the \u003cstrong\u003eslurs in the descending passages of measures 2-3 and 12-15 are original\u003c\/strong\u003e.$$$$$$Duration : 01:19$$$$$$Source : \u003ca href=\"\/Handel-George-Frideric.aspx\"\u003eGeorge Frideric Handel\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=91\"\u003eMiscellaneous Movements \u0026amp; Dances for Keyboard, HWV 457-586\u003c\/a\u003e$$$$$$LwAawUlmGhA","brand":"Handel, George Frideric (1685-1759)","offers":[{"title":"Default Title","offer_id":35706922598550,"sku":"95","price":4.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Gavotte-491_6eb408f6-ba02-4d4a-a988-933f33c8b00f.png?v=1601222948"},{"product_id":"handel-sarabande-d-minor","title":"Sarabande in D minor","description":"Saraband - Sarabanda$$$$$$This \u003cem\u003eSarabande in D minor\u003c\/em\u003e by \u003ca href=\"\/Handel-George-Frideric.aspx\"\u003eGeorge Frideric Handel\u003c\/a\u003e was composed during the \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque period\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  It has a simple \u003cstrong\u003eA-A-B-B musical form\u003c\/strong\u003e :  \u003cul\u003e\n\u003cli\u003eMeasures 1-8 : \u003cstrong\u003ePhrase A\u003c\/strong\u003e (played twice) starts the main key of D minor and modulates to the relative key of F Major in measure 6\u003c\/li\u003e  \u003cli\u003eMeasures 9-24 : \u003cstrong\u003ePhrase B\u003c\/strong\u003e (played twice) begins in F Major, modulates to A minor (measure 14), then to G minor (measure 17), F Major (measure 19) and finally back to the main key of D minor in measure 22\u003c\/li\u003e\n\u003c\/ul\u003e  This \u003cem\u003eSarabande in D minor\u003c\/em\u003e can very well be played either on the \u003cstrong\u003epiano or harpsichord\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  In accordance with \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque\u003c\/a\u003e performance practice, remember that \u003cstrong\u003eunslurred quarter notes should be played slightly detached\u003c\/strong\u003e, especially in the left hand accompaniment.\u003cbr\u003e\u003cbr\u003e  Please note that for your convenience, the editor has included in this score \u003cstrong\u003esuggestions for adding trills\u003c\/strong\u003e in many places within this Sarabande\u003cbr\u003e\u003cbr\u003e  In particular, \u003cstrong\u003etrills begin ON the beat, on the upper auxiliary note\u003c\/strong\u003e. More on less repercussions may be played depending on the player's ability.$$$$$$Duration : 02:06$$$$$$Source : \u003ca href=\"\/Handel-George-Frideric.aspx\"\u003eGeorge Frideric Handel\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=91\"\u003eMiscellaneous Movements \u0026amp; Dances for Keyboard, HWV 457-586\u003c\/a\u003e$$$$$$Undefined","brand":"Handel, George Frideric (1685-1759)","offers":[{"title":"Default Title","offer_id":35706923974806,"sku":"96","price":2.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Sarabande-D-Minor.gif?v=1601222950"},{"product_id":"handel-air-menuet-d-minor-462","title":"Air en menuet in D minor, HWV 462","description":"Menuet - Minuet$$$$$$This \u003cstrong\u003e\u003cem\u003eAir en menuet in D minor\u003c\/em\u003e, HWV 462\u003c\/strong\u003e was composed by \u003ca href=\"\/Handel-George-Frideric.aspx\"\u003eGeorge Frideric Handel\u003c\/a\u003e around the years \u003cstrong\u003e1724-1726\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  It thus belongs to the \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque period\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  The title \u003cem\u003eAir en menuet\u003c\/em\u003e can be translated to \u003cstrong\u003e\u003cem\u003eAir in the style of a minuet\u003c\/em\u003e\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  This \u003cem\u003eAir en menuet\u003c\/em\u003e has a simple \u003cstrong\u003eA-A-B-B musical form\u003c\/strong\u003e :  \u003cul\u003e\n\u003cli\u003eMeasures 1-8 : \u003cstrong\u003ePhrase A\u003c\/strong\u003e (played twice) starts the main key of D minor and modulates to the relative key of F Major in measure 5\u003c\/li\u003e  \u003cli\u003eMeasures 9-16 : \u003cstrong\u003ePhrase B\u003c\/strong\u003e (played twice) begins in F Major and modulates back to the main key of D minor in measure 13\u003c\/li\u003e\n\u003c\/ul\u003e  Please note that in this score, we suggest adding a \u003cstrong\u003ecadential trill to measure 15\u003c\/strong\u003e as was customarily done during the \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque period\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  For your convenience, the editor has included in this score \u003cstrong\u003ea suggested realization\u003c\/strong\u003e for this cadential trill in accordance with the performance practice of the \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque period\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  In particular, \u003cstrong\u003etrills begin ON the beat, on the upper auxiliary note\u003c\/strong\u003e. More on less repercussions may be played depending on the player's ability.\u003cbr\u003e\u003cbr\u003e  Also in accordance with \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque\u003c\/a\u003e performance practice, remember that \u003cstrong\u003eunslurred eighth notes should be played slightly detached\u003c\/strong\u003e, especially in the left hand accompaniment.\u003cbr\u003e\u003cbr\u003e  Finally, a \u003cstrong\u003ebroken chord can be added to the final measure\u003c\/strong\u003e, as was also customarily done by performers of the \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque period\u003c\/a\u003e.$$$$$$Duration : 00:48$$$$$$Source : \u003ca href=\"\/Handel-George-Frideric.aspx\"\u003eGeorge Frideric Handel\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=91\"\u003eMiscellaneous Movements \u0026amp; Dances for Keyboard, HWV 457-586\u003c\/a\u003e$$$$$$Nz5QPIEwX04","brand":"Handel, George Frideric (1685-1759)","offers":[{"title":"Default Title","offer_id":35706924761238,"sku":"97","price":4.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Air-Menuet-D-Minor-462_e399dd80-4703-41d0-925d-796276180e62.png?v=1601222951"},{"product_id":"halloween-spies-night","title":"Spies in the Night","description":"A Halloween mystery$$$$$$This short \u003ca href=\"\/Halloween-Sheet-Music.aspx\"\u003eHalloween\u003c\/a\u003e work for piano was composed especially for \u003cstrong\u003eGrade 1 piano students\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  While playing it, the pianist should pay careful attention to the \u003cstrong\u003edynamics\u003c\/strong\u003e in order to create a mysterious and spooky mood!$$$$$$Duration : 00:32$$$$$$Source : \u003ca href=\"\/Caux-Marie-Andree.aspx\"\u003eMarie-Andrée Caux\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=133\"\u003eOn A Dark Halloween Night\u003c\/a\u003e.$$$$$$Undefined","brand":"Caux, Marie-Andrée (ed.)","offers":[{"title":"Default Title","offer_id":35706927120534,"sku":"140","price":1.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Spies-Night.gif?v=1601223014"},{"product_id":"halloween-witch-moonlight","title":"The Witch in the Moonlight","description":"A spooky song for Halloween$$$$$$This short and spooky piece for \u003cstrong\u003eGrade 2 pianists\u003c\/strong\u003e is perfect for celebrating a musical \u003ca href=\"\/Halloween-Sheet-Music.aspx\"\u003eHalloween\u003c\/a\u003e!\u003cbr\u003e\u003cbr\u003e  While playing it, the pianist should pay careful attention to the \u003cstrong\u003ephrasing and dynamics\u003c\/strong\u003e in order to create a mysterious and spooky mood!$$$$$$Duration : 00:28$$$$$$Source : \u003ca href=\"\/Caux-Marie-Andree.aspx\"\u003eMarie-Andrée Caux\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=133\"\u003eOn A Dark Halloween Night\u003c\/a\u003e.$$$$$$Undefined","brand":"Caux, Marie-Andrée (ed.)","offers":[{"title":"Default Title","offer_id":35706927218838,"sku":"142","price":1.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Witch-Moonlight.gif?v=1601223017"},{"product_id":"halloween-march-skeletons","title":"March of the Skeletons","description":"Happily leaving the cemetery in the middle of the night$$$$$$This short and spooky piece for \u003cstrong\u003eGrade 1 pianists\u003c\/strong\u003e is perfect for celebrating a musical \u003ca href=\"\/Halloween-Sheet-Music.aspx\"\u003eHalloween\u003c\/a\u003e!\u003cbr\u003e\u003cbr\u003e  While playing it, the pianist should pay careful attention to the \u003cstrong\u003ephrasing and dynamics\u003c\/strong\u003e in order to create a mysterious and spooky mood!$$$$$$Duration : 00:20$$$$$$Source : \u003ca href=\"\/Caux-Marie-Andree.aspx\"\u003eMarie-Andrée Caux\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=133\"\u003eOn A Dark Halloween Night\u003c\/a\u003e.$$$$$$Undefined","brand":"Caux, Marie-Andrée (ed.)","offers":[{"title":"Default Title","offer_id":35706927251606,"sku":"143","price":1.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/March-Skeletons.gif?v=1601223018"},{"product_id":"petzold-menuet-114","title":"Menuet in G Major, BWV Anhang 114 -- Urtext","description":"Minuet from the \u003cem\u003eNotebook for Anna Magdalena Bach\u003c\/em\u003e$$$$$$This famous \u003cem\u003eMenuet in G Major, BWV Anhang 114\u003c\/em\u003e is the \u003cstrong\u003efourth entry\u003c\/strong\u003e in \u003ca href=\"\/Notebook-Anna-Magdalena-Bach.aspx\"\u003eAnna Magdalena Bach's Notebook\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  \u003ca href=\"\/Bach-Johann-Sebastian.aspx\"\u003eJohann Sebastian Bach\u003c\/a\u003e gave this notebook to his wife Anna Magdalena in 1725.\u003cbr\u003e\u003cbr\u003e  Over the years, the notebook was filled with favorite selections of the members of the Bach family.\u003cbr\u003e\u003cbr\u003e  This \u003cem\u003eMenuet in G Major, BWV Anhang 114\u003c\/em\u003e was composed during the \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque period\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  Although it has traditionnally been attributed to \u003ca href=\"\/Bach-Johann-Sebastian.aspx\"\u003eJohann Sebastian Bach\u003c\/a\u003e, recent research has shown that is was rather composer by \u003ca href=\"\/Petzold-Christian.aspx\"\u003eChristian Petzold\u003c\/a\u003e, a German composer and organist contemporary with Bach.\u003cbr\u003e\u003cbr\u003e  This minuet has a simple \u003cstrong\u003eA-A-B-B musical form\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  During the \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque period\u003c\/a\u003e, musicians customarily played menuets in pairs : a first menuet, followed immediately by a second menuet, and then the first menuet played again without repeats.\u003cbr\u003e\u003cbr\u003e  This menuet can thus be followed immediately by \u003ca href=\"\/Petzold\/Menuet-115.aspx\"\u003eMenuet in G minor, BWV Anhang 115\u003c\/a\u003e (also by Petzold), after which it may be played again without repeats.\u003cbr\u003e\u003cbr\u003e  This score is an \u003cstrong\u003eUrtext\u003c\/strong\u003e based on the original manuscripts available.\u003cbr\u003e\u003cbr\u003e  Please note that the \u003cstrong\u003equarter note rests in measures 25-26 are editorial\u003c\/strong\u003e, as they do not appear in the sources.\u003cbr\u003e\u003cbr\u003e  This score contains \u003cstrong\u003esuggestions for realizing the ornaments\u003c\/strong\u003e in accordance with \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque\u003c\/a\u003e performance practice.\u003cbr\u003e\u003cbr\u003e  These ornaments are :  \u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMordents :\u003c\/strong\u003e measures 3, 5, 11 and 13\u003c\/li\u003e  \u003cli\u003e\n\u003cstrong\u003eAppoggiaturas :\u003c\/strong\u003e measure 8\u003c\/li\u003e  \u003cli\u003e\n\u003cstrong\u003eTrills :\u003c\/strong\u003e measure 30\u003c\/li\u003e\n\u003c\/ul\u003e$$$$$$Duration : 01:47$$$$$$Source : \u003ca href=\"\/Notebook-Anna-Magdalena-Bach.aspx\"\u003eNotebook for Anna Magdalena Bach\u003c\/a\u003e [Notenbüchlein für Anna Magdalena Bach], 1725.$$$$$$69nsQAZ2DnQ","brand":"Petzold, Christian (1677-1733)","offers":[{"title":"Default Title","offer_id":35706932953238,"sku":"193","price":2.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Menuet-114.png?v=1601223088"},{"product_id":"petzold-menuet-115","title":"Menuet in G minor, BWV Anhang 115 -- Urtext","description":"Minuet from the \u003cem\u003eNotebook for Anna Magdalena Bach\u003c\/em\u003e$$$$$$This beautiful \u003cem\u003eMenuet in G minor, BWV Anhang 115\u003c\/em\u003e is the \u003cstrong\u003efifth entry\u003c\/strong\u003e in \u003ca href=\"\/Notebook-Anna-Magdalena-Bach.aspx\"\u003eAnna Magdalena Bach's Notebook\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  \u003ca href=\"\/Bach-Johann-Sebastian.aspx\"\u003eJohann Sebastian Bach\u003c\/a\u003e gave this notebook to his wife Anna Magdalena in 1725.\u003cbr\u003e\u003cbr\u003e  Over the years, the notebook was filled with favorite selections of the members of the Bach family.\u003cbr\u003e\u003cbr\u003e  This \u003cem\u003eMenuet in G minor, BWV Anhang 115\u003c\/em\u003e was composed during the \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque period\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  Although it has traditionnally been attributed to \u003ca href=\"\/Bach-Johann-Sebastian.aspx\"\u003eJohann Sebastian Bach\u003c\/a\u003e, recent research has shown that is was rather composer by \u003ca href=\"\/Petzold-Christian.aspx\"\u003eChristian Petzold\u003c\/a\u003e, a German composer and organist contemporary with Bach.\u003cbr\u003e\u003cbr\u003e  This minuet has a simple \u003cstrong\u003eA-A-B-B musical form\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  During the \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque period\u003c\/a\u003e, musicians customarily played menuets in pairs : a first menuet, followed immediately by a second menuet, and then the first menuet played again without repeats.\u003cbr\u003e\u003cbr\u003e  This menuet can thus follow immediately \u003ca href=\"\/Petzold\/Menuet-114.aspx\"\u003eMenuet in G Major, BWV Anhang 114\u003c\/a\u003e (also by Petzold), after which Menuet BWV Anhang 114 may be played again without repeats.\u003cbr\u003e\u003cbr\u003e  This score is an \u003cstrong\u003eUrtext\u003c\/strong\u003e based on the original manuscripts available.\u003cbr\u003e\u003cbr\u003e  Please note that the \u003cstrong\u003ecadential trill\u003c\/strong\u003e on the last beat of measure 31 is an editorial suggestion, as it does not appear in the sources.\u003cbr\u003e\u003cbr\u003e  This score contains \u003cstrong\u003esuggestions for realizing the ornaments\u003c\/strong\u003e in accordance with \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque\u003c\/a\u003e performance practice.\u003cbr\u003e\u003cbr\u003e  These ornaments are :  \u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrills :\u003c\/strong\u003e measures 8, 9, 15 and 31\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMordents :\u003c\/strong\u003e measure 14\u003c\/li\u003e\n\u003c\/ul\u003e$$$$$$Duration : 01:47$$$$$$Source : \u003ca href=\"\/Notebook-Anna-Magdalena-Bach.aspx\"\u003eNotebook for Anna Magdalena Bach\u003c\/a\u003e [Notenbüchlein für Anna Magdalena Bach], 1725.$$$$$$aNck4vhkecM","brand":"Petzold, Christian (1677-1733)","offers":[{"title":"Default Title","offer_id":35706933149846,"sku":"195","price":2.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Menuet-115_f1a7f3ae-d999-4059-abd4-977c76890a5b.png?v=1601223092"},{"product_id":"bohm-georg-menuet","title":"Menuet in G Major -- Urtext","description":"Fait par Mons. Böhm - Minuet from the \u003cem\u003eNotebook for Anna Magdalena Bach\u003c\/em\u003e$$$$$$This \u003cem\u003eMenuet in G Major\u003c\/em\u003e by \u003ca href=\"\/Bohm-Georg.aspx\"\u003eGeorg Böhm\u003c\/a\u003e appears in \u003ca href=\"\/Notebook-Anna-Magdalena-Bach.aspx\"\u003eAnna Magdalena Bach's Notebook\u003c\/a\u003e, a notebook which Bach offered to his wife Anna Magdalena in 1725 and which was to be filled with favorite selections of the members of the Bach family.\u003cbr\u003e\u003cbr\u003e  This score is an \u003cstrong\u003eUrtext\u003c\/strong\u003e based on the original manuscripts available.\u003cbr\u003e\u003cbr\u003e  It contains \u003cstrong\u003esuggestions for realizing the ornaments\u003c\/strong\u003e in accordance with \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque\u003c\/a\u003e performance practice.\u003cbr\u003e\u003cbr\u003e  These ornaments are :  \u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eAppoggiaturas\u003c\/strong\u003e (measure 4) : appoggiaturas are always played ON the beat, and take up \u003cstrong\u003ehalf the time value\u003c\/strong\u003e of the main note. If the main note is dotted, then the appoggiatura usually takes up \u003cstrong\u003etwo thirds of its value\u003c\/strong\u003e. However, in this particular work, we prefer giving the appoggiatura \u003cstrong\u003eone third of the main note's value\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  Moreover, for the sake of uniformity, we suggest \u003cstrong\u003eadding similar appoggiaturas\u003c\/strong\u003e to measures 12 and 24.\u003c\/li\u003e  \u003cli\u003e\n\u003cstrong\u003eTrills\u003c\/strong\u003e : they are played ON the beat and begin on the upper auxiliary note. The trills in light print in this score are \u003cstrong\u003eeditorial suggestions\u003c\/strong\u003e and do NOT appear in the sources.\u003c\/li\u003e\n\u003c\/ul\u003e$$$$$$Duration : 01:12$$$$$$Source : \u003ca href=\"\/Bohm-Georg.aspx\"\u003eGeorg Böhm\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=199\"\u003eMiscellaneous Keyboard Pieces\u003c\/a\u003e.$$$$$$Undefined","brand":"Böhm, Georg (1661-1733)","offers":[{"title":"Default Title","offer_id":35706937049238,"sku":"211","price":2.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Menuet.gif?v=1601223120"},{"product_id":"bach-musette-126","title":"Musette in D Major, BWV Anhang 126 -- Urtext","description":"Musette from the \u003cem\u003eNotebook for Anna Magdalena Bach\u003c\/em\u003e$$$$$$This \u003cem\u003eMusette BWV Anhang 126\u003c\/em\u003e is the \u003cstrong\u003e22nd entry\u003c\/strong\u003e in \u003ca href=\"\/Notebook-Anna-Magdalena-Bach.aspx\"\u003eAnna Magdalena Bach's Notebook\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  \u003ca href=\"\/Bach-Johann-Sebastian.aspx\"\u003eJohann Sebastian Bach\u003c\/a\u003e gave this notebook to his wife Anna Magdalena in 1725.\u003cbr\u003e\u003cbr\u003e  Over the years, the notebook was filled with favorite selections of the members of the Bach family.\u003cbr\u003e\u003cbr\u003e  This \u003cem\u003eMusette in D Major, BWV Anhang 126\u003c\/em\u003e was composed during the \u003ca href=\"\/Baroque-Sheet-Music.aspx\"\u003eBaroque period\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  It has a simple \u003cstrong\u003eA-A-B-B musical form\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  The term \u003cstrong\u003emusette\u003c\/strong\u003e refers to a musical instrument of the \u003cstrong\u003ebagpipe family\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  The \u003cstrong\u003emusical genre\u003c\/strong\u003e called \u003ci\u003emusette\u003c\/i\u003e is thus an imitation of this instrument.\u003cbr\u003e\u003cbr\u003e  In this particular musette, the \u003cstrong\u003emelody\u003c\/strong\u003e in the right hand resembles typical tunes played on the musette.\u003cbr\u003e\u003cbr\u003e  The left hand plays a \u003cstrong\u003emurky bass\u003c\/strong\u003e accompaniment made up of \u003cstrong\u003erepeated broken octaves\u003c\/strong\u003e which produce a somewhat droning effect.$$$$$$Duration : 01:09$$$$$$Source : \u003ca href=\"\/Bach-Johann-Sebastian.aspx\"\u003eJohann Sebastian Bach\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=23\"\u003ePieces from the \u003cem\u003eNotebook for Anna Magdalena Bach\u003c\/em\u003e\u003c\/a\u003e [Notenbüchlein für Anna Magdalena Bach] (1725).$$$$$$pXdUmk_-WFY","brand":"Bach, Johann Sebastian (1685-1750)","offers":[{"title":"Default Title","offer_id":35706937147542,"sku":"212","price":1.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Musette-126_d4373770-7047-40ea-978d-567bdfd1bdff.png?v=1601223121"},{"product_id":"mozart-menuet-15c","title":"Menuet in G Major, K 15c -- Urtext","description":"KV 15c - from the \u003cem\u003eLondon Notebook\u003c\/em\u003e$$$$$$This \u003cem\u003eMenuet in G Major, K 15c\u003c\/em\u003e by \u003ca href=\"\/Mozart-Wolfgang-Amadeus.aspx\"\u003eWolfgang Amadeus Mozart\u003c\/a\u003e is part of the \u003ca href=\"\/Work.aspx?id=219\"\u003eLondon Notebook\u003c\/a\u003e (London, 1765).\u003cbr\u003e\u003cbr\u003e  This score of Mozart's \u003ci\u003eK 15c\u003c\/i\u003e is an \u003cstrong\u003eUrtext\u003c\/strong\u003e edition based on the above-mentioned source.\u003cbr\u003e\u003cbr\u003e  The title \u003ci\u003eMenuet\u003c\/i\u003e does NOT appear in the source and is thus \u003cstrong\u003eeditorial\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  For better understanding, this score contains \u003cstrong\u003esuggestions for realizing the ornaments\u003c\/strong\u003e in accordance with the performance practice of the \u003ca href=\"\/Classical-Period-Sheet-Music.aspx\"\u003eClassical period\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  These ornaments are :  \u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eAppoggiaturas\u003c\/strong\u003e (measure 12, both hands) : appogiaturas are to be played \u003cstrong\u003eon the beat\u003c\/strong\u003e, taking up \u003cstrong\u003eone half\u003c\/strong\u003e of the main note's value, or \u003cstrong\u003etwo thirds\u003c\/strong\u003e of its value if the main note is dotted (which is the case here)\u003c\/li\u003e  \u003cli\u003e\n\u003cstrong\u003eTrills\u003c\/strong\u003e (measures 4, 16 and 19) : trills are played ON the beat and begin on the upper auxiliary note. The minimum number of notes in the trill is 4, but more repercussions may be added. Also, most trills in Mozart's music may be played with a \u003cstrong\u003etermination\u003c\/strong\u003e (turned ending), as we suggest in this score\u003c\/li\u003e\n\u003c\/ul\u003e$$$$$$Duration : 01:14$$$$$$Source : \u003ca href=\"\/Mozart-Wolfgang-Amadeus.aspx\"\u003eWolfgang Amadeus Mozart\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=219\"\u003eLondon Sketchbook\u003c\/a\u003e (London, 1764-1765)$$$$$$Undefined","brand":"Mozart, Wolfgang Amadeus (1756-1791)","offers":[{"title":"Default Title","offer_id":35706943373462,"sku":"265","price":2.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Menuet-15c.gif?v=1601223207"},{"product_id":"mozart-menuet-15f","title":"Menuet in C Major, K 15f -- Urtext","description":"KV 15f - from the \u003cem\u003eLondon Notebook\u003c\/em\u003e$$$$$$This \u003cem\u003eMenuet in C Major, K 15f\u003c\/em\u003e by \u003ca href=\"\/Mozart-Wolfgang-Amadeus.aspx\"\u003eWolfgang Amadeus Mozart\u003c\/a\u003e is part of the \u003ca href=\"\/Work.aspx?id=219\"\u003eLondon Notebook\u003c\/a\u003e (London, 1765).\u003cbr\u003e\u003cbr\u003e  This score of Mozart's \u003ci\u003eK 15f\u003c\/i\u003e is an \u003cstrong\u003eUrtext\u003c\/strong\u003e edition based on the above-mentioned source.\u003cbr\u003e\u003cbr\u003e  The title \u003ci\u003eMenuet\u003c\/i\u003e does NOT appear in the source and is thus \u003cstrong\u003eeditorial\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  This menuet features a \u003cstrong\u003ebinary form A-B\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  Please note that in measure 11, the \u003cstrong\u003eB flat is editorial\u003c\/strong\u003e and has been added because the \u003cstrong\u003eB section begins in D minor\u003c\/strong\u003e (measures 9 to 12).\u003cbr\u003e\u003cbr\u003e  Young Wolfgang was only 8 years old when he composed this menuet!$$$$$$Duration : 01:08$$$$$$Source : \u003ca href=\"\/Mozart-Wolfgang-Amadeus.aspx\"\u003eWolfgang Amadeus Mozart\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=219\"\u003eLondon Sketchbook\u003c\/a\u003e (London, 1764-1765)$$$$$$Undefined","brand":"Mozart, Wolfgang Amadeus (1756-1791)","offers":[{"title":"Default Title","offer_id":35706943438998,"sku":"266","price":2.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Menuet-15f.gif?v=1601223208"},{"product_id":"mozart-klavierstuck-15g","title":"Klavierstück in G Major, K 15g -- Urtext","description":"KV 15g - from the \u003cem\u003eLondon Notebook\u003c\/em\u003e$$$$$$This \u003cem\u003eKlavierstück in G Major, K 15g\u003c\/em\u003e by \u003ca href=\"\/Mozart-Wolfgang-Amadeus.aspx\"\u003eWolfgang Amadeus Mozart\u003c\/a\u003e is part of the \u003ca href=\"\/Work.aspx?id=219\"\u003eLondon Notebook\u003c\/a\u003e (London, 1765).\u003cbr\u003e\u003cbr\u003e  This score of Mozart's \u003ci\u003eK 15g\u003c\/i\u003e is an \u003cstrong\u003eUrtext\u003c\/strong\u003e edition based on the above-mentioned source.\u003cbr\u003e\u003cbr\u003e  The title \u003ci\u003eKlavierstück\u003c\/i\u003e [Keyboard piece] does NOT appear in the source and is thus \u003cstrong\u003eeditorial\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  This work features a \u003cstrong\u003ebinary form A-B\u003c\/strong\u003e and has the character of a \u003cstrong\u003eprelude\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  In accordance with early \u003ca href=\"\/Classical-Period-Sheet-Music.aspx\"\u003eClassical period\u003c\/a\u003e performance practice, we suggest that the \u003cstrong\u003echords\u003c\/strong\u003e in measures 1-12 and 17-18 be played as \u003cstrong\u003earpeggios\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  Also, please take note that the following accidentals are editorial :  \u003cul\u003e\n\u003cli\u003eMeasure 3 : F natural in both hands\u003c\/li\u003e  \u003cli\u003eMeasure 16 : F natural in the right hand\u003c\/li\u003e  \u003cli\u003eMeasure 17 : C# in the right hand\u003c\/li\u003e\n\u003c\/ul\u003e  Young Wolfgang was only 8 years old when he composed this work!$$$$$$Duration : 00:44$$$$$$Source : \u003ca href=\"\/Mozart-Wolfgang-Amadeus.aspx\"\u003eWolfgang Amadeus Mozart\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=219\"\u003eLondon Sketchbook\u003c\/a\u003e (London, 1764-1765)$$$$$$Undefined","brand":"Mozart, Wolfgang Amadeus (1756-1791)","offers":[{"title":"Default Title","offer_id":35706943504534,"sku":"267","price":2.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Klavierstuck-15g.gif?v=1601223210"},{"product_id":"vanhal-sonatina-41-1","title":"Sonatina in C Major, op. 41, no. 1 (1\/2 : Arietta)","description":"Sonatine - First movement : Arietta (Andante cantabile)$$$$$$\n\u003cp\u003eWith its simple form and tuneful melody, this \u003cstrong\u003eSonatina in C Major, op. 41, no. 1\u003c\/strong\u003e by \u003ca href=\"\/collections\/vanhal-johann-baptist\" title=\"Johann Baptist Vanhal\"\u003eJohann Baptist Vanhal\u003c\/a\u003e is a favorite among teachers and students alike.\u003c\/p\u003e\n\u003cp\u003eIt consists of a short cadenza followed by \u003cstrong\u003etwo movements\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eCadenza : \u003c\/strong\u003ea short passage in improvisatory style used mainly to introduce the key, it is \u003cstrong\u003enormally omitted from performance\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eArietta\u003c\/strong\u003e (Andante cantabile)\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/products\/vanhal-sonatina-41-1-allegretto\" title=\"Allegretto from Sonatina op. 41 no. 1 by Vanhal\"\u003eAllegretto\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThis \u003ci\u003eArietta (Andante cantabile)\u003c\/i\u003e features an \u003cstrong\u003eA-A'-B-A' musical form\u003c\/strong\u003e, which is typical of the \u003cstrong\u003ePre-Classical era\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePhrase A :\u003c\/strong\u003e measures 1-4\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePhrase A' :\u003c\/strong\u003e measures 5-8\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePhrase B :\u003c\/strong\u003e measures 9-12\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePhrase A' :\u003c\/strong\u003e measures 13-16\u003c\/li\u003e\n\u003c\/ul\u003e\n$$$$$$\u003cstrong\u003eDuration :\u003c\/strong\u003e 01:01$$$$$$\u003cstrong\u003eSource :\u003c\/strong\u003e \u003ca href=\"\/collections\/vanhal-johann-baptist\" title=\"Johann Baptist Vanhal\"\u003eJohann Baptist Vanhal\u003c\/a\u003e, \u003ca href=\"\/collections\/vanhal-sonatinas-opus-41\" title=\"Vanhal Sonatinas opus 41\"\u003e12 Sonatines faciles et progressives, op. 41\u003c\/a\u003e$$$$$$Uda8FDVKuug","brand":"Vanhal, Johann Baptist (1739-1813)","offers":[{"title":"Default Title","offer_id":35706943930518,"sku":"273","price":2.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/vanhal-sonatina-41-1.png?v=1620993380"},{"product_id":"vanhal-sonatina-41-1-allegretto","title":"Sonatina in C Major, op. 41, no. 1 (2\/2 : Allegretto)","description":"Sonatine - Second movement : Allegretto$$$$$$\n\u003cp\u003eWith its simple form and tuneful melody, this \u003cstrong\u003eSonatina in C Major, op. 41, no. 1\u003c\/strong\u003e by \u003ca href=\"\/collections\/vanhal-johann-baptist\" title=\"Johann Baptist Vanhal\" data-mce-href=\"\/collections\/vanhal-johann-baptist\"\u003eJohann Baptist Vanhal\u003c\/a\u003e is a favorite among teachers and students alike.\u003c\/p\u003e\n\u003cp\u003eIt consists of a short cadenza followed by two movements :\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eCadenza : \u003c\/strong\u003ea short passage in improvisatory style used mainly to introduce the key, it is \u003cstrong\u003enormally omitted from performance\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/products\/vanhal-sonatina-41-1\" title=\"Sonatina op. 41, no. 1 by Vanhal\" data-mce-href=\"\/products\/vanhal-sonatina-41-1\"\u003eArietta (Andante cantabile)\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003eAllegretto\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThis \u003ci\u003eAllegretto\u003c\/i\u003e features an \u003cstrong\u003eA-A'-B-A'-Coda musical form\u003c\/strong\u003e, which is typical of the \u003cstrong\u003ePre-Classical era\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePhrase A :\u003c\/strong\u003e measures 1-4\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePhrase A' :\u003c\/strong\u003e measures 5-8\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePhrase B :\u003c\/strong\u003e measures 9-12\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePhrase A' :\u003c\/strong\u003e measures 13-16\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCoda :\u003c\/strong\u003e measures 17-24\u003c\/li\u003e\n\u003c\/ul\u003e\n$$$$$$\u003cstrong\u003eDuration :\u003c\/strong\u003e 00:54$$$$$$\u003cstrong\u003eSource :\u003c\/strong\u003e \u003ca title=\"Johann Baptist Vanhal\" href=\"\/collections\/vanhal-johann-baptist\"\u003eJohann Baptist Vanhal\u003c\/a\u003e, \u003ca title=\"Sonatinas op. 41 by Vanhal\" href=\"\/collections\/vanhal-sonatinas-opus-41\"\u003e12 Sonatines faciles et progressives, op. 41\u003c\/a\u003e$$$$$$ZTD73xBWtoE","brand":"Vanhal, Johann Baptist (1739-1813)","offers":[{"title":"Default Title","offer_id":35706943996054,"sku":"274","price":3.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/vanhal-sonatina-41-1-allegretto.png?v=1621165026"},{"product_id":"mozart-menuet-15i","title":"Menuet in A Major, K 15i -- Urtext","description":"KV 15i from the \u003cem\u003eLondon Notebook\u003c\/em\u003e$$$$$$This \u003cem\u003eMenuet in A Major, K 15i\u003c\/em\u003e by \u003ca href=\"\/Mozart-Wolfgang-Amadeus.aspx\"\u003eWolfgang Amadeus Mozart\u003c\/a\u003e is part of the \u003ca href=\"\/Work.aspx?id=219\"\u003eLondon Notebook\u003c\/a\u003e (London, 1765).\u003cbr\u003e\u003cbr\u003e  This score of Mozart's \u003ci\u003eK 15i\u003c\/i\u003e is an \u003cstrong\u003eUrtext\u003c\/strong\u003e edition based on the above-mentioned source.\u003cbr\u003e\u003cbr\u003e  The title \u003ci\u003eMenuet\u003c\/i\u003e [Minuet] does NOT appear in the source and is thus \u003cstrong\u003eeditorial\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  This work features a \u003cstrong\u003ebinary musical form A-A-B-B\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  In accordance with early \u003ca href=\"\/Classical-Period-Sheet-Music.aspx\"\u003eClassical period\u003c\/a\u003e performance practice, we suggest that the \u003cstrong\u003echords\u003c\/strong\u003e in measures 1-2-3 be played \u003cstrong\u003eslightly arpeggiated\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  Moreover, this score contains suggestions for realizing the \u003cstrong\u003eornaments\u003c\/strong\u003e in accordance with the performance practice of the early \u003ca href=\"\/Classical-Period-Sheet-Music.aspx\"\u003eClassical period\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  These ornaments are :  \u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eAppoggiaturas\u003c\/strong\u003e (measure 8) : when placed before a dotted note figure, the appogiatura takes up \u003cstrong\u003etwo thirds of the main note's value\u003c\/strong\u003e\n\u003c\/li\u003e  \u003cli\u003e\n\u003cstrong\u003eTrills\u003c\/strong\u003e (measures 10, 12 and 15) : trills are played \u003cstrong\u003eon the beat\u003c\/strong\u003e, and they \u003cstrong\u003ebegin on the upper note\u003c\/strong\u003e. More or less repercussions may be added, and an \u003cstrong\u003eanticipation note\u003c\/strong\u003e may be used (as for the cadential trill in measure 15)\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e  Please note that the dotted \u003cstrong\u003eslur in measure 12 is editorial\u003c\/strong\u003e and has been added for the sake of uniformity with measure 10.\u003cbr\u003e\u003cbr\u003e  This menuet is possibly \u003cstrong\u003eintended to be paired\u003c\/strong\u003e with the following piece in the \u003cem\u003eLondon Notebook\u003c\/em\u003e : \u003ca href=\"\/Mozart\/Andante-15k.aspx\"\u003eAndante K 15k\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  Young Wolfgang was only 8 years old when he composed this work!$$$$$$Duration : 00:58$$$$$$Source : \u003ca href=\"\/Mozart-Wolfgang-Amadeus.aspx\"\u003eWolfgang Amadeus Mozart\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=219\"\u003eLondon Sketchbook\u003c\/a\u003e (London, 1764-1765)$$$$$$Undefined","brand":"Mozart, Wolfgang Amadeus (1756-1791)","offers":[{"title":"Default Title","offer_id":35706944094358,"sku":"275","price":2.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Menuet-15i.gif?v=1601223221"},{"product_id":"mozart-andante-15k","title":"Andante in A minor, K 15k -- Urtext","description":"KV 15k from the \u003cem\u003eLondon Notebook\u003c\/em\u003e$$$$$$This \u003cem\u003eAndante in A minor, K 15k\u003c\/em\u003e by \u003ca href=\"\/Mozart-Wolfgang-Amadeus.aspx\"\u003eWolfgang Amadeus Mozart\u003c\/a\u003e is part of the \u003ca href=\"\/Work.aspx?id=219\"\u003eLondon Notebook\u003c\/a\u003e (London, 1765).\u003cbr\u003e\u003cbr\u003e  This score of Mozart's \u003ci\u003eK 15k\u003c\/i\u003e is an \u003cstrong\u003eUrtext\u003c\/strong\u003e edition based on the above-mentioned source.\u003cbr\u003e\u003cbr\u003e  The title \u003ci\u003eAndante\u003c\/i\u003e does NOT appear in the source and is thus \u003cstrong\u003eeditorial\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  This work features a \u003cstrong\u003ebinary musical form A-A-B-B\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  Please note that the following alterations are editorial :  \u003cul\u003e\n\u003cli\u003eMeasure 5 : B flat in the right hand\u003c\/li\u003e  \u003cli\u003eMeasure 6 : B flat in the left hand\u003c\/li\u003e  \u003cli\u003eMeasure 7 : B flat in both the right and left hands\u003c\/li\u003e  \u003cli\u003eMeasure 16 : G sharp in the left hand\u003c\/li\u003e\n\u003c\/ul\u003e  This \u003cem\u003eAndante\u003c\/em\u003e is \u003cstrong\u003epossibly intended as a trio\u003c\/strong\u003e to be paired with the preceding piece in the \u003cem\u003eLondon Notebook\u003c\/em\u003e : \u003ca href=\"\/Mozart\/Menuet-15i.aspx\"\u003eMenuet K 15i\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  Young Wolfgang was only 8 years old when he composed this work!$$$$$$Duration : 01:08$$$$$$Source : \u003ca href=\"\/Mozart-Wolfgang-Amadeus.aspx\"\u003eWolfgang Amadeus Mozart\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=219\"\u003eLondon Sketchbook\u003c\/a\u003e (London, 1764-1765)$$$$$$Undefined","brand":"Mozart, Wolfgang Amadeus (1756-1791)","offers":[{"title":"Default Title","offer_id":35706944159894,"sku":"276","price":2.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Andante-15k.gif?v=1601223222"},{"product_id":"mozart-country-dance-15l","title":"Country Dance in A Major, K 15l -- Urtext","description":"KV 15l from the \u003cem\u003eLondon Notebook\u003c\/em\u003e$$$$$$This \u003cem\u003eCountry Dance in A Major, K 15l\u003c\/em\u003e by \u003ca href=\"\/Mozart-Wolfgang-Amadeus.aspx\"\u003eWolfgang Amadeus Mozart\u003c\/a\u003e is part of the \u003ca href=\"\/Work.aspx?id=219\"\u003eLondon Notebook\u003c\/a\u003e (London, 1765).\u003cbr\u003e\u003cbr\u003e  This score of Mozart's \u003ci\u003eK 15l\u003c\/i\u003e is an \u003cstrong\u003eUrtext\u003c\/strong\u003e edition based on the above-mentioned source.\u003cbr\u003e\u003cbr\u003e  The title \u003ci\u003eCountry Dance\u003c\/i\u003e does NOT appear in the source and is thus \u003cstrong\u003eeditorial\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  This work features a \u003cstrong\u003ebinary musical form : A-A-B1-B1-B2-B2\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  Moreover, this score contains suggestions for realizing the \u003cstrong\u003eornaments\u003c\/strong\u003e in accordance with the performance practice of the early \u003ca href=\"\/Classical-Period-Sheet-Music.aspx\"\u003eClassical period\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  These ornaments are \u003cstrong\u003etrills\u003c\/strong\u003e (measures 1, 3, 9 and 11) : trills are played \u003cstrong\u003eon the beat\u003c\/strong\u003e, and they \u003cstrong\u003ebegin on the upper note\u003c\/strong\u003e. More or less repercussions may be added depending on the player's ability.\u003cbr\u003e\u003cbr\u003e  Please note that the \u003cstrong\u003etrill in measure 11 is editorial\u003c\/strong\u003e and has been added for the sake of uniformity with measures 1, 3 and 9.\u003cbr\u003e\u003cbr\u003e  Young Wolfgang was only 8 years old when he composed this work!$$$$$$Duration : 01:18$$$$$$Source : \u003ca href=\"\/Mozart-Wolfgang-Amadeus.aspx\"\u003eWolfgang Amadeus Mozart\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=219\"\u003eLondon Sketchbook\u003c\/a\u003e (London, 1764-1765)$$$$$$Undefined","brand":"Mozart, Wolfgang Amadeus (1756-1791)","offers":[{"title":"Default Title","offer_id":35706944225430,"sku":"277","price":3.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Country-Dance-15l.gif?v=1601223224"},{"product_id":"mozart-menuet-15m","title":"Menuet in F Major, K 15m -- Urtext","description":"KV 15m - Anhang 109b, No. 4 from the \u003cem\u003eLondon Notebook\u003c\/em\u003e$$$$$$This \u003cem\u003eMenuet in F Major, K 15m\u003c\/em\u003e by \u003ca href=\"\/Mozart-Wolfgang-Amadeus.aspx\"\u003eWolfgang Amadeus Mozart\u003c\/a\u003e is part of the \u003ca href=\"\/Work.aspx?id=219\"\u003eLondon Notebook\u003c\/a\u003e (London, 1765).\u003cbr\u003e\u003cbr\u003e  This score of Mozart's \u003ci\u003eK 15m\u003c\/i\u003e is an \u003cstrong\u003eUrtext\u003c\/strong\u003e edition based on the above-mentioned source.\u003cbr\u003e\u003cbr\u003e  The title \u003ci\u003eMenuet\u003c\/i\u003e does NOT appear in the source and is thus \u003cstrong\u003eeditorial\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  This work features a \u003cstrong\u003ebinary musical form : A-A-B-B\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  Moreover, this score contains suggestions for realizing the \u003cstrong\u003eornaments\u003c\/strong\u003e in accordance with the performance practice of the early \u003ca href=\"\/Classical-Period-Sheet-Music.aspx\"\u003eClassical period\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  These ornaments are \u003cstrong\u003etrills\u003c\/strong\u003e (measures 4, 14, 16 and 18) : trills are played \u003cstrong\u003eon the beat\u003c\/strong\u003e, and they \u003cstrong\u003ebegin on the upper auxiliary note\u003c\/strong\u003e. More or less repercussions may be added depending on the player's ability, and we suggest adding a \u003cstrong\u003etermination\u003c\/strong\u003e to the end of each trill.\u003cbr\u003e\u003cbr\u003e  Please note that we suggest adding \u003cstrong\u003etrills in measures 6 and 8\u003c\/strong\u003e for the sake of uniformity with measures 16 and 18.\u003cbr\u003e\u003cbr\u003e  Please note also that the \u003cstrong\u003eB flat in measure 9 is editorial\u003c\/strong\u003e (third beat, right hand).\u003cbr\u003e\u003cbr\u003e  Young Wolfgang was only 8 years old when he composed this work!$$$$$$Duration : 01:14$$$$$$Source : \u003ca href=\"\/Mozart-Wolfgang-Amadeus.aspx\"\u003eWolfgang Amadeus Mozart\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=219\"\u003eLondon Sketchbook\u003c\/a\u003e (London, 1764-1765)$$$$$$Undefined","brand":"Mozart, Wolfgang Amadeus (1756-1791)","offers":[{"title":"Default Title","offer_id":35706944422038,"sku":"280","price":2.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Menuet-15m.gif?v=1601223228"},{"product_id":"christmas-waken-christian-children","title":"Waken! Christian Children","description":"Christmas Carol - Christmas Hymn$$$$$$Words and music : \u003ca href=\"\/Hamerton-Samuel-Collingwood.aspx\"\u003eRev. Samuel Collingwood Hamerton\u003c\/a\u003e (1833-1872), 1861\u003cbr\u003e\u003cbr\u003e  Source : Bramley and Stainer, \u003ca href=\"\/Bramley-Stainer-Christmas-Carols.aspx\"\u003eChristmas Carols New and Old\u003c\/a\u003e, First Series (London : Novello, Ewer \u0026amp; Co., ca 1871). Carol no. 16.\u003cbr\u003e\u003cbr\u003e  This score is an Urtext reproduction of the Christmas hymn \u003cem\u003eWaken! Christian Children\u003c\/em\u003e as presented by \u003ca href=\"\/Bramley-Stainer-Christmas-Carols.aspx\"\u003eBramley \u0026amp; Stainer\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  It is intended for easy \u003cstrong\u003epiano or organ\u003c\/strong\u003e (manuals only).\u003cbr\u003e\u003cbr\u003e  Please note that the \u003cstrong\u003etime signature is editorial\u003c\/strong\u003e, as the source does not contain any.\u003cbr\u003e\u003cbr\u003e  For your greater enjoyment, this score includes the \u003cstrong\u003ecomplete lyrics in English\u003c\/strong\u003e (9 verses).$$$$$$Duration : 00:20 per verse$$$$$$Source : \u003ca href=\"\/Hamerton-Samuel-Collingwood.aspx\"\u003eRev. Samuel Collingwood Hamerton\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=263\"\u003eMiscellaneous Hymn Tunes\u003c\/a\u003e.$$$$$$Undefined","brand":"Hamerton, Samuel Collingwood (1833-1872)","offers":[{"title":"Default Title","offer_id":35706948223126,"sku":"315","price":2.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Waken-Christian-Children.gif?v=1601223283"},{"product_id":"pleyel-sonatina-c-major-i-minuetto","title":"Sonatina in C Major (I : Tempo di minuetto)","description":"Sonatine - Sonata - Sonate - I : Tempo di minuetto$$$$$$This \u003cem\u003eTempo di minuetto\u003c\/em\u003e is the \u003cstrong\u003efirst of two movements\u003c\/strong\u003e in the \u003cem\u003eSonatina in C Major\u003c\/em\u003e by \u003ca href=\"\/Pleyel-Ignace-Joseph.aspx\"\u003eIgnace Joseph Pleyel\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  This sonatina contains \u003cstrong\u003etwo movements :\u003c\/strong\u003e  \u003col\u003e\n\u003cli\u003eTempo di minuetto\u003c\/li\u003e  \u003cli\u003e\u003ca href=\"\/Pleyel\/Sonatina-C-Major-II-Rondo.aspx\"\u003eRondo\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ol\u003e  This sonatina movement can be played by \u003cstrong\u003eGrade 3 piano students\u003c\/strong\u003e.$$$$$$Duration : 02:30$$$$$$Source : \u003ca href=\"\/Pleyel-Ignace-Joseph.aspx\"\u003eIgnace Joseph Pleyel\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=281\"\u003eSonatinas for Piano\u003c\/a\u003e.$$$$$$Undefined","brand":"Pleyel, Ignace Joseph (1757-1831)","offers":[{"title":"Default Title","offer_id":35706951991446,"sku":"364","price":2.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Sonatina-C-Major-I-Minuetto.gif?v=1601223360"},{"product_id":"kohler-sonatina-g-major","title":"Sonatina in G Major (I : Allegro moderato)","description":"Sonatine - Sonata - Sonate - I : Allegro moderato$$$$$$This \u003cem\u003eSonatina in G Major\u003c\/em\u003e by \u003ca href=\"\/Kohler-Louis.aspx\"\u003eLouis Köhler\u003c\/a\u003e contains \u003cstrong\u003ethree movements\u003c\/strong\u003e :  \u003col\u003e\n\u003cli\u003eAllegro moderato\u003c\/li\u003e  \u003cli\u003eAndante cantabile\u003c\/li\u003e  \u003cli\u003eRondo : Allegretto\u003c\/li\u003e\n\u003c\/ol\u003e  This \u003cem\u003eAllegro moderato\u003c\/em\u003e is the \u003cstrong\u003efirst movement\u003c\/strong\u003e of the sonatina.\u003cbr\u003e\u003cbr\u003e  It can be played by \u003cstrong\u003eGrade 3 piano students\u003c\/strong\u003e.$$$$$$Duration : 02:20$$$$$$Source : \u003ca href=\"\/Kohler-Louis.aspx\"\u003eLouis Köhler\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=283\"\u003eMiscellaneous Piano Pieces\u003c\/a\u003e.$$$$$$Undefined","brand":"Köhler, Louis (1820-1886)","offers":[{"title":"Default Title","offer_id":35706952122518,"sku":"366","price":2.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Sonatina-G-Major.gif?v=1601223363"},{"product_id":"kohler-sonatina-ii-andante","title":"Sonatina in G Major (II : Andante cantabile)","description":"Sonatine - Sonata - Sonate - II : Andante cantabile$$$$$$This \u003cem\u003eSonatina in G Major\u003c\/em\u003e by \u003ca href=\"\/Kohler-Louis.aspx\"\u003eLouis Köhler\u003c\/a\u003e contains \u003cstrong\u003ethree movements\u003c\/strong\u003e :  \u003col\u003e\n\u003cli\u003eAllegro moderato\u003c\/li\u003e  \u003cli\u003eAndante cantabile\u003c\/li\u003e  \u003cli\u003eRondo : Allegretto\u003c\/li\u003e\n\u003c\/ol\u003e  This \u003cem\u003eAndante cantabile\u003c\/em\u003e is the \u003cstrong\u003esecond movement\u003c\/strong\u003e of the sonatina.\u003cbr\u003e\u003cbr\u003e  It can be played by \u003cstrong\u003eGrade 2 piano students\u003c\/strong\u003e.$$$$$$Duration : 00:48$$$$$$Source : \u003ca href=\"\/Kohler-Louis.aspx\"\u003eLouis Köhler\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=283\"\u003eMiscellaneous Piano Pieces\u003c\/a\u003e.$$$$$$Undefined","brand":"Köhler, Louis (1820-1886)","offers":[{"title":"Default Title","offer_id":35706952188054,"sku":"367","price":2.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Sonatina-II-Andante.gif?v=1601223365"},{"product_id":"kohler-sonatina-iii-rondo","title":"Sonatina in G Major (III : Rondo)","description":"Sonatine - Sonata - Sonate - III : Rondo (Allegretto)$$$$$$This \u003cem\u003eSonatina in G Major\u003c\/em\u003e by \u003ca href=\"\/Kohler-Louis.aspx\"\u003eLouis Köhler\u003c\/a\u003e contains \u003cstrong\u003ethree movements\u003c\/strong\u003e :  \u003col\u003e\n\u003cli\u003eAllegro moderato\u003c\/li\u003e  \u003cli\u003eAndante cantabile\u003c\/li\u003e  \u003cli\u003eRondo : Allegretto\u003c\/li\u003e\n\u003c\/ol\u003e  This joyful \u003cem\u003eRondo\u003c\/em\u003e is the \u003cstrong\u003ethird and last movement\u003c\/strong\u003e of the sonatina.\u003cbr\u003e\u003cbr\u003e  It can be played by \u003cstrong\u003eGrade 3 piano students\u003c\/strong\u003e.$$$$$$Duration : 01:10$$$$$$Source : \u003ca href=\"\/Kohler-Louis.aspx\"\u003eLouis Köhler\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=283\"\u003eMiscellaneous Piano Pieces\u003c\/a\u003e.$$$$$$Undefined","brand":"Köhler, Louis (1820-1886)","offers":[{"title":"Default Title","offer_id":35706952253590,"sku":"368","price":2.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Sonatina-III-Rondo.gif?v=1601223366"},{"product_id":"spindler-sonatina-157-1","title":"Sonatina in C Major, Op. 157, No. 1 (I : Allegro)","description":"Sonatine - Sonata - Sonate - I : Allegro$$$$$$This \u003cem\u003eAllegro\u003c\/em\u003e is the first movement of the \u003cem\u003eSonatina in C Major, Op. 157, No. 1\u003c\/em\u003e by \u003ca href=\"\/Spindler-Fritz.aspx\"\u003eFritz Spindler\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  It can be played by \u003cstrong\u003eGrade 3 piano students\u003c\/strong\u003e.$$$$$$Duration : 00:36$$$$$$Source : \u003ca href=\"\/Spindler-Fritz.aspx\"\u003eFritz Spindler\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=284\"\u003eSonatinas for the Piano\u003c\/a\u003e, Op. 157.$$$$$$Undefined","brand":"Spindler, Fritz (1817-1905)","offers":[{"title":"Default Title","offer_id":35706952351894,"sku":"369","price":2.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Sonatina-157-1.gif?v=1601223367"},{"product_id":"gurlitt-sonatina-c-major","title":"Sonatina in C Major (I : Moderato)","description":"Sonatine - Sonata - Sonate - I : Moderato$$$$$$This \u003cem\u003eModerato\u003c\/em\u003e is the \u003cstrong\u003efirst movement\u003c\/strong\u003e of the \u003cem\u003eSonatina in C Major\u003c\/em\u003e by \u003ca href=\"\/Gurlitt-Cornelius.aspx\"\u003eCornelius Gurlitt\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  It can be played by \u003cstrong\u003eGrade 2 piano students\u003c\/strong\u003e.$$$$$$Duration : 01:36$$$$$$Source : \u003ca href=\"\/Gurlitt-Cornelius.aspx\"\u003eCornelius Gurlitt\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=16\"\u003eMiscellaneous Piano Pieces\u003c\/a\u003e.$$$$$$Undefined","brand":"Gurlitt, Cornelius (1820-1901)","offers":[{"title":"Default Title","offer_id":35706952646806,"sku":"372","price":2.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Sonatina-C-Major_3c301adc-57ab-4101-be4a-069ce0922851.gif?v=1601223372"},{"product_id":"gurlitt-sonatina-ii-march","title":"Sonatina in C Major (II : March)","description":"Sonatine - Sonata - Sonate - II : March$$$$$$This \u003cem\u003eMarch\u003c\/em\u003e is the \u003cstrong\u003esecond and last movement\u003c\/strong\u003e of the \u003ca href=\"\/Gurlitt\/Sonatina-C-Major.aspx\"\u003eSonatina in C Major\u003c\/a\u003e by \u003ca href=\"\/Gurlitt-Cornelius.aspx\"\u003eCornelius Gurlitt\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  It can be played by \u003cstrong\u003eGrade 3 piano students\u003c\/strong\u003e.$$$$$$Duration : 00:48$$$$$$Source : \u003ca href=\"\/Gurlitt-Cornelius.aspx\"\u003eCornelius Gurlitt\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=16\"\u003eMiscellaneous Piano Pieces\u003c\/a\u003e.$$$$$$Undefined","brand":"Gurlitt, Cornelius (1820-1901)","offers":[{"title":"Default Title","offer_id":35706952712342,"sku":"373","price":2.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Sonatina-II-March.gif?v=1601223373"},{"product_id":"gurlitt-sky-bright-140-3","title":"The Sky is Bright, Op. 140, No. 3","description":"Heiterer Himmel from the \u003cem\u003eAlbum for the Young\u003c\/em\u003e$$$$$$This lovely short piece \u003cem\u003eThe Sky is Bright\u003c\/em\u003e is the third of twenty short piano pieces in the \u003ca href=\"\/Work.aspx?id=287\"\u003eAlbum for the Young, Op. 140\u003c\/a\u003e by \u003ca href=\"\/Gurlitt-Cornelius.aspx\"\u003eCornelius Gurlitt\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  It has a \u003cstrong\u003edelicate and lyrical character\u003c\/strong\u003e and can be played by \u003cstrong\u003eGrade 3 piano students\u003c\/strong\u003e.$$$$$$Duration : 00:52$$$$$$Source : \u003ca href=\"\/Gurlitt-Cornelius.aspx\"\u003eCornelius Gurlitt\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=287\"\u003eAlbum pour la jeunesse, Op. 140\u003c\/a\u003e$$$$$$Undefined","brand":"Gurlitt, Cornelius (1820-1901)","offers":[{"title":"Default Title","offer_id":35706952777878,"sku":"374","price":2.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Sky-Bright-140-3.gif?v=1601223375"},{"product_id":"gurlitt-catch-me-140-6","title":"Catch Me! Op. 140, No. 6","description":"Haschen from \u003cem\u003eAlbum for the Young\u003c\/em\u003e$$$$$$This playful work entitled \u003cem\u003eCatch Me!\u003c\/em\u003e is the sixth of twenty short piano pieces in the \u003ca href=\"\/Work.aspx?id=287\"\u003eAlbum for the Young, Op. 140\u003c\/a\u003e by \u003ca href=\"\/Gurlitt-Cornelius.aspx\"\u003eCornelius Gurlitt\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  It can be played by \u003cstrong\u003eGrade 2 piano students\u003c\/strong\u003e.$$$$$$Duration : 00:24$$$$$$Source : \u003ca href=\"\/Gurlitt-Cornelius.aspx\"\u003eCornelius Gurlitt\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=287\"\u003eAlbum pour la jeunesse, Op. 140\u003c\/a\u003e$$$$$$Undefined","brand":"Gurlitt, Cornelius (1820-1901)","offers":[{"title":"Default Title","offer_id":35706952876182,"sku":"375","price":2.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Catch-Me-140-6.gif?v=1601223376"},{"product_id":"schubert-ecossaise-299-1","title":"Ecossaise D 299, No. 1","description":"Écossaise in A flat Major$$$$$$This lively \u003cem\u003eÉcossaise D 299, No. 1\u003c\/em\u003e by \u003ca href=\"\/Schubert-Franz.aspx\"\u003eFranz Schubert\u003c\/a\u003e is appropriate for \u003cstrong\u003eGrade 3 piano students\u003c\/strong\u003e.$$$$$$Duration : 00:32$$$$$$Source : \u003ca href=\"\/Schubert-Franz.aspx\"\u003eFranz Schubert\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=291\"\u003eZwölf Ecossaisen, D 299\u003c\/a\u003e (1815)$$$$$$Undefined","brand":"Schubert, Franz (1797-1828)","offers":[{"title":"Default Title","offer_id":35706958151830,"sku":"402","price":1.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Ecossaise-299-1.gif?v=1601223418"},{"product_id":"schubert-ecossaise-299-2","title":"Ecossaise D 299, No. 2","description":"Écossaise in E flat Major$$$$$$This lively \u003cem\u003eÉcossaise D 299, No. 2\u003c\/em\u003e by \u003ca href=\"\/Schubert-Franz.aspx\"\u003eFranz Schubert\u003c\/a\u003e is appropriate for \u003cstrong\u003eGrade 3 piano students\u003c\/strong\u003e.$$$$$$Duration : 00:32$$$$$$Source : \u003ca href=\"\/Schubert-Franz.aspx\"\u003eFranz Schubert\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=291\"\u003eZwölf Ecossaisen, D 299\u003c\/a\u003e (1815)$$$$$$Undefined","brand":"Schubert, Franz (1797-1828)","offers":[{"title":"Default Title","offer_id":35706958741654,"sku":"403","price":1.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Ecossaise-299-2.gif?v=1601223420"},{"product_id":"schubert-valse-sentimentale-779-1","title":"Valse sentimentale D 779, No. 1","description":"Sentimental Waltz in C Major, Op. 50, No. 1$$$$$$This elegant \u003cem\u003eValse sentimentale D 779, No. 1\u003c\/em\u003e by \u003ca href=\"\/Schubert-Franz.aspx\"\u003eFranz Schubert\u003c\/a\u003e is appropriate for \u003cstrong\u003eGrade 3 piano students\u003c\/strong\u003e.$$$$$$Duration : 01:00$$$$$$Source : \u003ca href=\"\/Schubert-Franz.aspx\"\u003eFranz Schubert\u003c\/a\u003e, \u003ca href=\"\/Work.aspx?id=292\"\u003e34 Valses sentimentales, Op. 50, D 779\u003c\/a\u003e (Vienna, 1825)$$$$$$Undefined","brand":"Schubert, Franz (1797-1828)","offers":[{"title":"Default Title","offer_id":35706958971030,"sku":"406","price":1.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Valse-Sentimentale-779-1.gif?v=1601223424"},{"product_id":"clementi-sonatina-36-1","title":"Sonatina Op. 36, No. 1 (1\/3)","description":"I : Allegro - Sonatina in C Major - Sonatine$$$$$$This \u003cem\u003eAllegro\u003c\/em\u003e is the \u003cstrong\u003efirst movement\u003c\/strong\u003e of this beautiful three movement sonatina by \u003ca href=\"\/Clementi-Muzio.aspx\"\u003eMuzio Clementi\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  This sonatina has \u003cstrong\u003ethree movements\u003c\/strong\u003e :\u003cbr\u003e  \u003col\u003e\n\u003cli\u003eAllegro\u003c\/li\u003e  \u003cli\u003e\u003ca href=\"\/Clementi\/Sonatina-36-1-II-Andante.aspx\"\u003eAndante\u003c\/a\u003e\u003c\/li\u003e  \u003cli\u003e\u003ca href=\"\/Clementi\/Sonatina-36-1-III-Vivace.aspx\"\u003eVivace\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ol\u003e  The present sheet music includes the \u003cstrong\u003efirst movement, labelled \u003cem\u003eAllegro\u003c\/em\u003e\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  This movement features \u003cstrong\u003ethree main sections\u003c\/strong\u003e :  \u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eExposition :\u003c\/strong\u003e measures 1 to 15\u003c\/li\u003e  \u003cli\u003e\n\u003cstrong\u003eDevelopment :\u003c\/strong\u003e measures 16 to 23\u003c\/li\u003e  \u003cli\u003e\n\u003cstrong\u003eRecapitulation :\u003c\/strong\u003e measures 24 to 38\u003c\/li\u003e\n\u003c\/ul\u003e  Moreover, this sonatina movement has \u003cstrong\u003etwo themes\u003c\/strong\u003e :  \u003col\u003e\n\u003cli\u003e\n\u003cstrong\u003eTheme 1 :\u003c\/strong\u003e exposed in measures 1 to 7 and recapitulated in measures 24 to 30, both times in the main key of C Major\u003c\/li\u003e  \u003cli\u003e\n\u003cstrong\u003eTheme 2 :\u003c\/strong\u003e exposed in the dominant key of G Major in measures 8 to 15 and recapitulated in the main key of C Major in measures 31 to 38.\u003c\/li\u003e\n\u003c\/ol\u003e  This \u003cstrong\u003eAllegro\u003c\/strong\u003e from \u003cem\u003eSonatina in C Major, Op. 36, No. 1\u003c\/em\u003e by \u003ca href=\"\/Clementi-Muzio.aspx\"\u003eMuzio Clementi\u003c\/a\u003e is appropriate for \u003cstrong\u003eGrade 3 piano students\u003c\/strong\u003e.$$$$$$Duration : 01:37$$$$$$Source : \u003ca href=\"\/Clementi-Muzio.aspx\"\u003eMuzio Clementi\u003c\/a\u003e, \u003ca href=\"\/Clementi\/Sonatinas-Opus-36.aspx\"\u003eSix Progressive Sonatinas for the Piano Forte\u003c\/a\u003e, Op. 36 (1797).  $$$$$$DVclZvxING4","brand":"Clementi, Muzio (1752-1832)","offers":[{"title":"Default Title","offer_id":35706961723542,"sku":"447","price":3.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Sonatina-36-1_a791846d-0ce4-4465-8e8a-d1a159d1c252.png?v=1601223490"},{"product_id":"clementi-sonatina-36-1-ii-andante","title":"Sonatina Op. 36, No. 1 (2\/3)","description":"II : Andante - Sonatina in C Major - Sonatine$$$$$$This \u003cem\u003eAndante\u003c\/em\u003e is the \u003cstrong\u003esecond movement\u003c\/strong\u003e of this beautiful three movement sonatina by \u003ca href=\"\/Clementi-Muzio.aspx\"\u003eMuzio Clementi\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  Clementi's \u003cem\u003eSonatina Op. 36, No. 1\u003c\/em\u003e has \u003cstrong\u003ethree movements\u003c\/strong\u003e :\u003cbr\u003e  \u003col\u003e\n\u003cli\u003e\u003ca href=\"\/Clementi\/Sonatina-36-1.aspx\"\u003eAllegro\u003c\/a\u003e\u003c\/li\u003e  \u003cli\u003eAndante\u003c\/li\u003e  \u003cli\u003e\u003ca href=\"\/Clementi\/Sonatina-36-1-III-Vivace.aspx\"\u003eVivace\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ol\u003e  The present sheet music includes the \u003cstrong\u003esecond movement, labelled \u003cem\u003eAndante\u003c\/em\u003e\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  Please note that this score contains \u003cstrong\u003esuggestions for realizing the ornaments\u003c\/strong\u003e in accordance with the performance practice of the \u003ca href=\"\/Classical-Period-Sheet-Music.aspx\"\u003eClassical period\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e  Depending on the pianist's ability, the \u003cstrong\u003etrills may be played with more repercussions\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  However, the notes of the trill's \u003cstrong\u003esuffix should be played at the same speed\u003c\/strong\u003e as those in the trill.\u003cbr\u003e\u003cbr\u003e  In measure 12, the original edition contains a \u003cstrong\u003estaccato mark\u003c\/strong\u003e on the third beat (right hand) as Clementi's own indication. However, the note should not be given any special emphasis, but merely played with an \u003cstrong\u003eordinary lifting touch\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003e  Finally, in measure 25, the \u003cstrong\u003etrill's suffix does not appear in the source\u003c\/strong\u003e. It should nevertheless be added to the trill, as Clementi clearly states in his \u003ca href=\"\/Work.aspx?id=153\"\u003eIntroduction to the Art of Playing on the Piano Forte\u003c\/a\u003e.$$$$$$Duration : 01:18$$$$$$Source : \u003ca href=\"\/Clementi-Muzio.aspx\"\u003eMuzio Clementi\u003c\/a\u003e, \u003ca href=\"\/Clementi\/Sonatinas-Opus-36.aspx\"\u003eSix Progressive Sonatinas for the Piano Forte\u003c\/a\u003e, Op. 36 (1797).  $$$$$$L-TZZwYpD7w","brand":"Clementi, Muzio (1752-1832)","offers":[{"title":"Default Title","offer_id":35706961756310,"sku":"448","price":3.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/products\/Sonatina-36-1-II-Andante_5634ad87-9cbf-488e-adf4-49cb3f929a33.png?v=1601223491"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0458\/1418\/6134\/collections\/ShopifyBurst_Piano_513369f8-b8df-449b-9598-47873d2868b3.jpg?v=1620472709","url":"https:\/\/sheetmusic2print.com\/collections\/easy-sheet-music-for-piano\/level_grade-2-12.oembed?page=2","provider":"Sheetmusic2print","version":"1.0","type":"link"}